Balancing The Universe: Shamanism in Vietnam and Thailand

Essential to the shamanic traditions of the Vietnamese is the ability to read and write Chinese. A requisite, extensive knowledge of Buddhism, Hinduism, Confucianism, Animism and Ancestor worship make the shaman’s training a long and rigorous process. They must draw on a complex base of philosophies and abilities which include the use of scroll paintings, ritual texts, and prints. The shaman use a collection of specific objects and instruments to aid them in entering the realm of the spirits. They wear intricately crafted robes designed for women, who were the original healers – before the demands of child rearing caused a gradual shift to a predominantly male profession. The elaborate imagery embroidered on the robes represents the universe with all its deities. Shaman wrap themselves in this ‘Universe’ for protection during rituals, in which they negotiate directly with supernatural beings – both good, and evil. Shaman are the cornerstones of culture and society in Vietnam and Thailand. They care for both rich and poor, and preside over individual and community events and celebrations. (please keep checking as we add to this Vietnam post)

Shaman Paintings (full set - 18 pieces) Thailand Vietnamese, Yap people Mid to late 20th c. Cotton, pigment The shaman derives spiritual power from paintings, who effectively become the deities they represent, and ritual texts that allow him/her to communicate with ancestors, negotiate with unfriendly beings and treat diseases. An essential set of three basic painting panels is the minimum requirement for a a newly initiated shaman. Full sets, required for many rituals, can range from 17 paintings to more than 27. An example of a ritual requiring a full set would be one performed to liberate souls of the dead from Hell to be reborn into Heaven. The many panels including those depicting the 10 Kings of the underworld are hung around the main room of a house. The shaman enters a trance and imagines them as the real underworld thereby entering Hell and chanting a ritual that will save the soul of the recently dead. 42” x 16” (18pcs) $7500
Shaman Paintings (set – 15 banners), Thailand (Vietnamese Yap people), Mid to late 20th c, Cotton, pigment

Shamans derive spiritual power from these paintings. When hung around the room in specifically arranged layouts, they effectively become the spirit world they represent and, like a portal, the shaman can then enter that realm. The ritual texts allow him/her to communicate directly with the deities and ancestors to negotiate and treat diseases and other things that have become out of balance.
An essential set of three basic painting panels is the minimum requirement for a a newly initiated shaman. Full sets, required for many rituals, can range from 17 paintings to more than 27.  An example of a ritual requiring a full set would be one performed to liberate souls of the dead from Hell to be reborn into Heaven. The panels depicting the 10 Kings of the underworld are hung around the main room of a house. The shaman enters a trance, thereby entering Hell, and chants a ritual that will save the soul of the recently dead. 42” x 16” (15 pcs $6200.) Or $425 for a single individual banner.
*Please scroll to bottom of this post for detailed images of each of the large 42″ x 16″ banners above.

Shaman Paintings (3 Banners) Thailand Vietnamese, Yap people Mid to late 20th c. Cotton, pigment The shaman derives spiritual power from paintings, who effectively become the deities they represent, and ritual texts that allow him/her to communicate with ancestors, negotiate with unfriendly beings and treat diseases. An essential set of three basic painting panels is the minimum requirement for a a newly initiated shaman. Full sets, required for many rituals, can range from 17 paintings to more than 27. An example of a ritual requiring a full set would be one performed to liberate souls of the dead from Hell to be reborn into Heaven. The many panels including those depicting the 10 Kings of the underworld are hung around the main room of a house. The shaman enters a trance and imagines them as the real underworld thereby entering Hell and chanting a ritual that will save the soul of the recently dead. (3 pcs - 17 ½” x 10", $170 each); (3 pcs - 10 ½” x 7 ½” , $110 each); (1 piece - 9" x 80", $325.)
Detail of Shaman Paintings/Banners

In addition to the previous set (previous image) of 18 large paintings – these are 3 smaller sizes – (3 pcs – 17 ½” x 10″, $170 each); (3 pcs – 10 ½” x 7 ½” , $110 each); (1 piece – 9″ x 80″, $325.) The horizontal one is shown folded. Please contact us for additional images.

Shaman’s Personal Instruction Book, Cao Bang province, Vietnam, Early 20th c, Ink on handmade mulberry paper (tapa), Written in Nom (Chinese characters adapted to Vietnamese), books are an integral part of a shaman’s repertoire. They range from explanations of various rituals and use of objects, to astrology, history, songs, laws, etiquette, children’s tales, hunting practices, formulas, spells and Feng Shui. Shaman make their own books to help store their knowledge therefore no two are alike and a high level shaman will have a large library. 9 ½” x 8 ½” x ¾”, $850.
Shaman’s Personal Instruction Book, Cao Bang province, Vietnam, Early 20th c, Ink on handmade mulberry paper  

Written in Nom (Chinese characters adapted to Vietnamese), books are an integral part of a shaman’s repertoire. They range from explanations of various rituals and use of objects, to astrology, history, songs, laws, etiquette, children’s tales, hunting practices, formulas, spells and Feng Shui. Shaman make their own books to help store their knowledge therefore no two are alike and a high level shaman will have a large library. 9 ½” x 8 ½” x ¾”, $850. (see inside detail below)

Inside Detail of Shaman’s Personal Instruction Book, Cao Bang province, Vietnam, Early 20th c, Ink on handmade mulberry paper (tapa), Written in Nom (Chinese characters adapted to Vietnamese), books are an integral part of a shaman’s repertoire. They range from explanations of various rituals and use of objects, to astrology, history, songs, laws, etiquette, children’s tales, hunting practices, formulas, spells and Feng Shui. Shaman make their own books to help store their knowledge therefore no two are alike and a high level shaman will have a large library. 9 ½” x 8 ½” x ¾”, $850.
Inside Detail of Shaman’s Personal Instruction Book, Cao Bang province, Vietnam, Early 20th c, Ink on handmade mulberry paper (some individual pages below)

 

Pages from Shaman's Personal Instructional Book, Cao Bang province, Vietnam, Red Yao people Early 20th c, Ink on handmade mulberry paper (tapa), Written in Nom (Chinese characters adapted to Vietnamese), books are an integral part of a shaman’s repertoire. They range from explanations of various rituals and use of objects, to astrology, history, songs, laws, etiquette, children’s tales, hunting practices, formulas, spells and feng shui. Shaman make their own books to help store their knowledge therefore no two are alike and a high level shaman will have a large library. 12” x 11” x ½” (framed), $120. each
Pages from Shaman’s Personal Instructional Book, Cao Bang province, Vietnam, Red Yao people, Early 20th c, Ink on handmade mulberry paper (tapa) (we have 19 individual framed pages), 2 more examples below. If you’d like to see more, please contact us. They are all different!)

 

Pages from Shaman's Personal Instructional Book, Cao Bang province, Vietnam, Red Yao people Early 20th c, Ink on handmade mulberry paper (tapa), Written in Nom (Chinese characters adapted to Vietnamese), books are an integral part of a shaman’s repertoire. They range from explanations of various rituals and use of objects, to astrology, history, songs, laws, etiquette, children’s tales, hunting practices, formulas, spells and feng shui. Shaman make their own books to help store their knowledge therefore no two are alike and a high level shaman will have a large library. 12” x 11” x ½” (framed), $120. each
Pages from Shaman’s Personal Instructional Book, Cao Bang province, Vietnam, Red Yao people, Early 20th c, Ink on handmade mulberry paper (tapa) 

Written in Nom (Chinese characters adapted to Vietnamese), books are an integral part of a shaman’s repertoire. They range from explanations of various rituals and use of objects, to astrology, history, songs, laws, etiquette, children’s tales, hunting practices, formulas, spells and feng shui. Shaman make their own books to help store their knowledge therefore no two are alike and a high level shaman will have a large library. 12” x 11” x ½” (framed), $120. each

Amulet Yantra Shirt - extremely rare and powerful protective garment Thailand Vietnamese tribal shaman Mid 20th c. Cotton, ink, pigment Handmade and drawn by the shaman, it depicts prayers, signs, numbers and a deities. The sacred cloth is an undergarment worn as a talisman with great protective power against physical harm, like bullets, spears, knives, wild animals and evil spirits. This one may have been commissioned by a wealthy man who felt he needed protection. Soldiers would also wear these if they could afford one. 21” x 61” $2900
Amulet Yantra Shirt, Thailand (Vietnamese tribal shaman), Mid 20th c, Cotton, ink, pigment 

Handmade and drawn by the shaman, it depicts prayers, signs, numbers and a deities. The sacred cloth is an undergarment worn as a talisman with great protective power against physical harm, like bullets, spears, knives, wild animals and evil spirits. This one may have been commissioned by a wealthy man who felt he needed protection. Soldiers would also wear these if they could afford one. 21” x 61”, $2900. SOLD

Amulet Yantra Vest Nong Pho, Thailand Vietnamese shaman Mid to late 19th c. Cotton, pigment Handmade and drawn by the shaman It is endowed with prayers, signs, numbers and a depiction of the great guru monk Luang Phor Doem. The sacred cloth is an undergarment worn as a talisman with great protective power against physical harm, like bullets, spears, knives, wild animals and evil spirits. 19” x 22” $2,900.
Amulet Yantra Vest, Nong Pho, Thailand, (Vietnamese shaman), Mid to late 19th c. Cotton, pigment (Back view, see front image below)

 

Amulet Yantra Vest Nong Pho, Thailand Vietnamese shaman Mid to late 19th c. Cotton, pigment Handmade and drawn by the shaman It is endowed with prayers, signs, numbers and a depiction of the great guru monk Luang Phor Doem. The sacred cloth is an undergarment worn as a talisman with great protective power against physical harm, like bullets, spears, knives, wild animals and evil spirits. 19” x 22” $2,900.
(Front view) Amulet Yantra Vest, Nong Pho, Thailand, (Vietnamese shaman), Mid to late 19th c. Cotton, pigment

Handmade and drawn by the shaman. It is endowed with prayers, signs, numbers. The sacred cloth is an undergarment worn as a talisman with great protective power against physical harm, like bullets, spears, knives, wild animals and evil spirits. 19” x 22”, $2,900. SOLD

Instruments are essential tools for shaman. They create the rhythmic atmosphere that facilitates entering and maintaining the trance state necessary for the shaman to enter the spirit worlds. Cymbals Tuyen Province, Northern Vietnam Cao Lan People Late 19th to early 20th c. Bronze For welcoming divinities and warding off evil beings. The cymbals represent the turtle - legendary hero figures, who are exercised for killing monsters. (small - 3 ½” x 6 ¾’ x 6 ¾”, $400.), (large - 4” x 9 ½ x 9 ½”, $590.) Shaman/Buddhist Priest Bell, Vietnam, Black Yao people, Late 19th c, Metal coin as clapper, The handle is embellished with a human face. Used in religious rituals. Its sound is meant to evoke protective deities and dispel evil spirits. This type of bell is also used during chanting and incantations of mantras. 5” x 2 ½” x 2 ½”, $325. Round Finger Bells, Hoa Binh province, Vietnam, H’mong people, Late 19th to early 20th c, Bronze, Placed on one’s finger, the tone can be modified with the palm and remaining fingers. $90. each, (2 ½” x 1” x 1”); (2 ½” x 1” x 1”); (2 ¼” x 1” x 1”). Oboe/Flute Cao Bang province, Vietnam Red Yao people Early to mid 20th c, Wood, metal, An essential element of the musical ensembles that accompany the shaman’s rituals and performances to help the living and provide salvation for the dead. 19 ¼” x 4” x 4”, $220.
Shaman Instruments, Cymbals, Bells and Flute, Late 19th to early 20th c, wood, metal

Instruments are essential tools for shaman. They create the rhythmic atmosphere that facilitates entering and maintaining the trance state necessary for the shaman to enter the spirit worlds. (Cymbals, Bells, Flute)

Cymbals -;Tuyen Province, Northern Vietnam, Cao Lan People, Late 19th to early 20th c, Bronze. For welcoming divinities and warding off evil beings. Cymbals represent the turtle – legendary hero figures, who are exercised for killing monsters. Dimensions: (small – 3 ½” x 6 ¾’ x 6 ¾”, $400.), (large – 4” x 9 ½ x 9 ½”, $590.) SOLD

Shaman/Buddhist Priest Clapper Bell; Black Yao people, Late 19th c, Metal coin as clapper, The handle is embellished with a human face. Used in religious rituals. Its sound is meant to evoke protective deities and dispel evil spirits. This type of bell is also used during chanting and incantations of mantras. 5” x 2 ½” x 2 ½”, $325. SOLD

Round Finger Bells, Hoa Binh province, Vietnam, H’mong people, Late 19th to early 20th c, Bronze, Placed on one’s finger, the tone can be modified with the palm and remaining fingers. $90. each, (2 ½” x 1” x 1”); (2 ½” x 1” x 1”); (2 ¼” x 1” x 1”). SOLD

Oboe/Flute, Cao Bang province, Red Yao people Early to mid 20th c, Wood, metal, An essential element of the musical ensembles that accompany the shaman’s rituals and performances to help the living and provide salvation for the dead. 19 ¼” x 4” x 4”, $220. SOLD

Shaman's Court Tablet or Wand, Vietnam, Yao people, Mid to late 19th c, Wood, finely woven cotton band with glass beads. Potent tool used similarly to a Himalayan Phurba, to direct evil energy away and to summon and control spirits. Text characters are painted onto all sides. 13 ¼” x 16 ½” x ¾”, $650
Shaman’s Court Tablet, or Wand, Vietnam, Yao people, Mid to late 19th c, Wood, finely woven cotton band with glass beads

Potent tool used similarly to a Himalayan Phurba, to direct evil energy away and to summon and control spirits. Text characters are painted onto all sides. 13 ¼” x 16 ½” x ¾”, $650.

Dragon Robe (front), Shaman Priest's Costume, complete outfit; Robe, Skirt, Belt, ( Scarf see next image), Vietnam, Tao people, Mid 20th c, Cotton, silk embroidery. Worn by shaman/priests for all ceremonies. The motif typically includes all the deities of heaven to clothe the shaman in the universe for protection. Not a vain adornment, it is a reminder of man's place in the hierarchical order. Long ago shamans were women and men the providers. Not being encumbered by childbirth and child rearing, men replaced women as shaman but retained the same sacred costume. This type of headpiece/scarf is worn by postulant or newly ordained shaman. High level priests will wear a hat made of human hair. Dimensions (49” x 42” robe); (35” x 26” skirt); (106” x 3” belt); (118” x 9 ½” scarf), $3900 full costume
Dragon Robe (front), Shaman Priest’s Costume, complete outfit; Robe, Skirt, Belt, (Scarf – see next image), Vietnam, Tao people, Mid 20th c, Cotton, silk embroidery

Worn by shaman priests for all ceremonies. The motif typically includes all the deities of heaven to clothe the shaman in the protection of the universe. Not a vain adornment, it is a reminder of man’s place in the hierarchical order. Long ago shamans were women and men the providers. Not being encumbered by childbirth and child rearing, men gradually replaced women as shaman but the sacred costume remained the same. This type of headpiece/scarf (image below) is worn by postulant or newly ordained shaman. High level priests will wear a hat made of human hair. Dimensions
(49” x 42” robe); (35” x 26” skirt); (106” x 3” belt); (118” x 9 ½” scarf – below), $3900 full costume.

Shaman's Ritual Costume Headscarf (from full costume - see above image), Shaman Priest's Costume, complete outfit; Robe, Skirt, Belt and Scarf, Vietnam, Tao people, Mid 20th c, Cotton, silk embroidery. Worn by shaman/priests for all ceremonies. (118” x 9 ½” scarf)
Shaman’s Ritual Costume Headscarf (from full costume – see above image)

 

Shaman Hat, Vietnam, Feng Yuan Fa people, Late 19th c, Human hair, pigment, Hats are a crucial part of the shaman's costume. Hats made from human hair are worn only by high level priests. Postulants and newly ordained shaman wear a cotton and silk head scarf. Human hair strands are twisted together to make thicker ones, dyed dark brown and woven into patterns. They are very difficult to make but are durable and last a long time. The symbol for good luck symbol is woven into the front of the hat and the shaman’s name into back. 9” x 10” x 2”, $675
Shaman Hat, Vietnam, Feng Yuan Fa people, Late 19th c, Human hair, pigment

Hats are a crucial part of the shaman’s costume. Hats made from human hair are worn only by high level priests. Postulants and newly ordained shaman wear a cotton and silk head scarf. Human hair strands are twisted together to make thicker ones, dyed dark brown and woven into patterns. They are very difficult to make but are durable and last a long time. The symbol for good luck symbol is woven into the front of the hat and the shaman’s name into back. 9” x 10” x 2”, $675.

Dragon Robe/Ritual Cloak (back), Vietnam, Late 19th to early 20th c, Dao Lan-Tien people, Early 20th century, Cotton dyed with local indigo, hand embroidered with silk, (dyed with very difficult to obtain, European dyes - indicating an exceptional piece. Worn only by high level shaman. The motif typically includes all the deities of heaven to clothe the shaman in the protection of the universe. Not a vain adornment, it is a reminder of man's place in the hierarchical order. Originally a female costume. Long ago shamans were women and men the providers. Not being encumbered by childbirth and rearing, men replaces women as shamans but retained this part of the sacred costume. *more detailed information available. 45” x 26”, $2900.
Dragon Robe/Ritual Cloak (back), Vietnam, Late 19th to early 20th c, Dao Lan-Tien people, Early 20th century, Cotton dyed with local indigo, hand embroidered with silk

Worn only by high level shaman. The use of expensive and difficult to obtain brighter European dyes indicates an exceptional piece. The motif typically includes all the deities of heaven to clothe the shaman in the protection of the universe. Not a vain adornment, it is a reminder of man’s place in the hierarchical order. Originally a female costume. Long ago shamans were women and men the providers. Not being encumbered by childbirth and rearing, men replaces women as shamans but retained this part of the sacred costume. *more detailed information available. 45” x 26”, $2900. (front view below) SOLD

Dragon Robe/Ritual Cloak (back), Vietnam, Late 19th to early 20th c, Dao Lan-Tien people, Early 20th century, Cotton dyed with local indigo, hand embroidered with silk. Worn only by high level shaman. The use of expensive and difficult to obtain brighter European dyes indicates an exceptional piece. The motif typically includes all the deities of heaven to clothe the shaman in the protection of the universe. Not a vain adornment, it is a reminder of man's place in the hierarchical order. Originally a female costume. Long ago shamans were women and men the providers. Not being encumbered by childbirth and rearing, men replaces women as shamans but retained this part of the sacred costume. *more detailed information available. 45” x 26”, $2900. 
Dragon Robe Ritual Costume, Front view of previous Robe.

 

Shaman’s ‘Pan Hung’ Wand Quang Ninh province, Vietnam, San Diu people, Early to mid 20th c, Wood with red pigment, patinated with use and age. Pan Hung is a Taoist mythical, composite beast: Dragon, Tiger, Dog. This particular wand is dominantly Dragon It is typically used for calling spiritual powers and for fending off evil spirits - especially at funeral rites, and to wave over items to be burned as offerings to the ancestors. The slot on the underside is for mounting on a wall when not in use. 3” x 1” x 8”, $375.
Shaman’s ‘Pan Hung’ Wand, Quang Ninh province, Vietnam, San Diu people, Early to mid 20th c, Wood with red pigment

Pan Hung is a Taoist mythical, composite beast, usually a varied mixture of Dragon, Tiger and Dog. This particular wand is dominantly Dragon. It is typically used for calling spiritual powers and for fending off evil spirits – especially at funeral rites, and to wave over items to be burned as offerings to the ancestors. The slot on the underside is for mounting on a wall when not in use. 3” x 1” x 8”, $375.

Shaman’s ‘Pan Hung’, Wand, Vietnam, Black Yao people, Early to mid 20th c, Wood, pigment, patinated with use and age. Pan Hung is a varied mythical, composite beast: Dragon, Tiger, Dog. It is typically used for calling spiritual powers and for fending off evil spirits - especially at funeral rites, and to wave over items to be burned as offerings to the ancestors. (small - Early 20th c, 2 ½” x 1 ¾” x 5”, $340.); (large - Mid 20th c, 3 ½” x 1 ½” x 6 ¼”, $240.) ,
Shaman’s ‘Pan Hung’, Wand, Vietnam, Black Yao people, Early to mid 20th c, Wood, pigment

Pan Hung is a varied mythical, composite beast: Dragon, Tiger, Dog. It is typically used for calling spiritual powers and for fending off evil spirits – especially at funeral rites, and to wave over items to be burned as offerings to the ancestors. (small – Early 20th c, 2 ½” x 1 ¾” x 5”, $340.); (large – Mid 20th c, 3 ½” x 1 ½” x 6 ¼”, $240.)

Shaman’s ‘Pan Hung’ Cat Wand, Northern Vietnam, Tay people, Mid to late 19th c. Wood with smooth patina from use and age. Pan Hung is a Taoist mythical, varied, composite beast: Dragon, Tiger, Dog. It is typically used for calling spiritual powers and for fending off evil spirits - especially at funeral rites, and to wave over items to be burned as offerings to the ancestors. 2 ¼” x 1 ¼” x 4”, $190.
Shaman’s ‘Pan Hung’ Cat Wand, Northern Vietnam, Tay people, Mid to late 19th c, Wood with smooth patina from use and age

Pan Hung is a Taoist mythical, varied, composite beast: Dragon, Tiger, Dog. It is typically used for calling spiritual powers and for fending off evil spirits – especially at funeral rites, and to wave over items to be burned as offerings to the ancestors. 2 ¼” x 1 ¼” x 4”, $190. SOLD

Shaman’s ‘Pan Hung’ Wand Dong Hy district, Thai Nguyen province, Vietnam Nung people, Late 19th to early 20th c, Wood, pigment, patinated with use and age, Pan Hung is a Taoist mythical, composite beast: Dragon, Tiger, Dog This particular wand is dominantly Dragon. It is typically used for calling spiritual powers and for fending off evil spirits, especially at funeral rites, and to wave over items to be burned as offerings to the ancestors. The slot on the underside is for mounting on a wall when not in use. 3 ¾” x 1 14” x 18”, $800.
Shaman’s ‘Pan Hung’ Wand, Dong Hy district, Thai Nguyen province, Vietnam, Nung people, Late 19th to early 20th c, Wood, pigment

Pan Hung is a Taoist mythical, composite beast: Dragon, Tiger, Dog. This particular wand is dominantly Dragon. It is typically used for calling spiritual powers and for fending off evil spirits, especially at funeral rites, and to wave over items to be burned as offerings to the ancestors. The slot on the underside is for mounting on a wall when not in use. 3 ¾” x 1 14” x 18”, $800.

Sacred Unicorn (Kỳ lân) Panel (rare), Vietnam, Bac Ninh province, Mid 19th c, Red cotton textile with hand embroidered silk and precious-metal-wrapped thread. One of the four sacred animals, the unicorn symbolizes purity, happiness and wealth. If the unicorn appears, many good things will happen. It is often hung over the altar table in pagodas, temples or in homes of traditional families. Its strength and faithful nature are desirable for guarding temples and places of worship. Almost all of these pieces from this time period are portrayed in blue, cream and metallic color schemes. Because of its coloring, this panel is unusual and particularly desirable. 15 ½” x 17 ½” x ¾”, $590.
Sacred Unicorn (Kỳ lân) Panel (rare), Vietnam, Bac Ninh province, Mid 19th c, Red cotton textile with hand embroidered silk and precious-metal-wrapped thread

One of the four sacred animals, the unicorn symbolizes purity, happiness and wealth. If the unicorn appears, many good things will happen. It is often hung over the altar table in pagodas, temples or in homes of traditional families. Its strength and faithful nature are desirable for guarding temples and places of worship. Almost all of these pieces from this time period are portrayed in blue, cream and metallic color schemes. Because of its coloring, this panel is unusual and particularly desirable. 15 ½” x 17 ½” x ¾”, $590.

Zhu Zhong Fan, Shaman Priest Altar Figures, Vietnam, Yao people, Mid to late 19th c, Wood, pigment, Kept in Shaman’s home. Part of necessary items to contact spirit world. Every shaman has a set of three called, Zhu Zhong Fan figures. The 3 are: To Sai - ancestor shaman priest figure; Nyut Hung - seated Mandarin or God figure; and Khong Zhao - a protecting officer or messenger to the gods. He is always mounted and brandishing a sword or pennant. They are only sacred when once they are gifted with a soul. A ceremony is performed calling for the deity or ancestor to enter the figure. A piece of silver and some threads are placed in a secret hole in the back and sealed up. This is where the soul resides. When the figure is given away or sold the silver is removed rendering the figure inert and no longer sacred. (left - 'Nyut Hung' figure, 8” x 4 ¼” x 2 ½”, $650); (middle - 'Khong Zhao' figure, 11” x 4” x 6 ¾”, $900.); (right - 'To Sai' figure,7” x 3 ¼” x 2 ½”, $650)
Zhu Zhong Fan, Shaman Priest Altar Figures, Vietnam, Yao people, Mid to late 19th c, Wood, pigment

Kept in a Shaman’s home. Part of the items required to contact the spirit world. Every shaman has a set of three ‘Zhu Zhong Fan’ figures. They are: ‘To Sai’ – an ancestor shaman priest figure; ‘Nyut Hung’ – a seated Mandarin or God figure; and ‘Khong Zhao’ – a protecting officer or messenger to the gods. He is always mounted and brandishing a sword or pennant. They are only sacred once they are gifted with a soul. A ceremony is performed calling for the deity or ancestor to enter the figure. A piece of silver and some threads are placed in a secret hole in the back and sealed up. This is where the soul resides. When the figure is given away or sold the silver is removed rendering the figure inert and no longer sacred. (left – ‘Nyut Hung’ figure, 8” x 4 ¼” x 2 ½”, $650); (middle – ‘Khong Zhao’ figure, 11” x 4” x 6 ¾”, $900.); (right – ‘To Sai’ figure,7” x 3 ¼” x 2 ½”, $650).

Shaman's Costume Tunic and Belt, Vietnam, Yao people, Late 19th c, Cotton, indigo, silk embroidery, Worn only by high level shaman. The motif typically includes all the deities of heaven to clothe the shaman in the protection of the universe. Not a vain adornment, it is a reminder of man's place in the hierarchical order. Originally a female costume. Long ago shamans were women and men the providers. Not being encumbered by childbirth and rearing, men replaces women as shamans but retained this part of the sacred costume. *more information available. 47” x 27 ½” x 3”, $3100.
Shaman’s Costume Tunic and Belt, Vietnam, Yao people, Late 19th c, Cotton, indigo, silk embroidery

Worn only by high level shaman. The motif typically includes all the deities of heaven to clothe the shaman in the protection of the universe. Not a vain adornment, it is a reminder of man’s place in the hierarchical order. Originally a female costume. Long ago shamans were women and men the providers. Not being encumbered by childbirth and rearing, men replaces women as shamans but retained this part of the sacred costume. *more information available. 47” x 27 ½” x 3”, $3100.

Shamanic Belt with full set of 12 Handkerchiefs, Da Bac district, Hoa Binh province, Vietnam, Tight Trouser Dao people, Early to mid 20th c. Cotton, hand embroidered with silk. Worn by shaman while performing religious rituals. A complete belt would have a minimum of 12 handkerchiefs (embroidered squares). The belt is passed down through generations, revealing its history. If a shaman has two sons or apprentices, he will spit the belt and the new shaman’s wife will make the other necessary handkerchiefs. 75” x 18” x 2 ½”, $775.
Shamanic Belt with 12 Handkerchiefs, Da Bac district, Hoa Binh province, Vietnam, Tight Trouser Dao people, Early to mid 20th c, Cotton, hand embroidered with silk

Worn by shaman while performing religious rituals. A complete belt would have a minimum of 12 handkerchiefs (embroidered squares). The belt is passed down through generations, revealing its history. If a shaman has two sons or apprentices, he will spit the belt and the new shaman’s wife would make the other necessary handkerchiefs. Several generations are represented in this belt. 75” x 18” x 2 ½”, $775.

Handkerchief/Panel from a Shamanic Belt, Da Bac district, Hoa Binh province, Vietnam, Tight Trouser Dao people Early to mid 20th c, Cotton, hand embroidered with silk, Worn by shaman while performing religious rituals. A complete belt would have a minimum of 12 squares (handkerchiefs). The belt is passed down through generations, revealing its history. If a shaman has two sons or apprentices, he will spit the belt and the new shaman’s wife will make the other necessary handkerchiefs. $75. to $90.
Handkerchief/Panel from a Shamanic Belt, Da Bac district, Hoa Binh province, Vietnam, Tight Trouser Dao people, Early to mid 20th c, Cotton, hand embroidered with silk

Worn by shaman while performing religious rituals. A complete belt would have a minimum of 12 squares (handkerchiefs). The belt is passed down through generations, revealing its history. $75. to $90.

Shaman's Personal Knife and Sheath, Vietnam, Yao people Late 19th c, Metal, horn, wood, 10” x 1 ½” x 1”, $580.
Shaman’s Personal Knife and Sheath, Vietnam, Yao people, Late 19th c, Metal, horn

Used in sacred rituals. 10” x 1 ½” x 1”, $580.

Shaman Medicine Flask, Thailand/Vietnam, Yao people, Early to mid 20th c, Wood, bamboo, For medicine used in healing rituals, 10” x 4” x 2 ½”, $420.
Shaman Medicine Flask, Thailand/Vietnam, Yao people, Early to mid 20th c, Wood, bamboo

To carry medicinal remedies used in healing rituals, 10” x 4” x 2 ½”, $420.

Shaman Printing Block, Tuyen Quang province, Vietnam, Mid 20th c, Printing blocks are important shaman tools for creating talismans and ghost money to burn as offerings to deities. They were stamped on paper or on envelopes to mark the contents as holy. (Top - 2 ¼” x ½’ x 5’, $110.); (Bottom, 1 ¾” x 6 ¼” x 1”, $90.)
Shaman Printing Block, Tuyen Quang province, Vietnam, Mid 20th c.

Printing blocks are important shaman tools for creating talismans and ghost money to burn as offerings to deities. They were stamped on paper or on envelopes to mark the contents as holy. (Top – 2 ¼” x ½’ x 5’, $110.); (Bottom, 1 ¾” x 6 ¼” x 1”, $90.) see image below for example of a print

Shamanic Print - Flying Horse, Vietnam, Thai Nguyen province San Diu people, Contemporary, Pigment printed on handmade *Do paper from a hand carved, wooden shamanic printing block The print would be burned for carting a message to deities for protecting people against evil spirits. *Do is made from the bark of Rhamnoneuron balansae This one is for a variety of ceremonies: initiation of a shaman; fending off evil spirits; building a house or farm structure, 6 ¼” x 7 ¼” x ¾”, sold
Shamanic Print – Flying Horse, Vietnam, Thai Nguyen province, San Diu people, Contemporary, Pigment printed on handmade ‘Do’ paper

Print from a hand carved shamanic printing block (see previous image). The print would be burned for carrying a message to deities for protecting people against evil spirits. ‘Do’ paper is made from the bark of Rhamnoneuron balansae tree. This one is for a variety of ceremonies: initiation of a shaman; fending off evil spirits; building a house or farm structure, 6 ¼” x 7 ¼” x ¾”, SOLD

Shamanic Print - Man Loading a Horse, Vietnam, Thai Nguyen province, San Diu people Contemporary, Pigment printed on handmade *Do paper from a hand carved, wooden shamanic printing block. The print would be burned for carting a message to deities for protecting people against evil spirits. *Do is made from the bark of Rhamnoneuron balansae. This print is for worshiping the stars in an effort to relieve someone’s run of bad luck, 7” x 10 ¾” x ¾”, sold
Shamanic Print – Man Loading a Horse, Vietnam, Thai Nguyen province, San Diu people,Contemporary, Pigment printed on handmade ‘Do’ paper

This print is for worshiping the stars in an effort to relieve someone’s run of bad luck, 7” x 10 ¾” x ¾”, SOLD

Shamanic Print - Tiger, Vietnam Dao Lo Gang people, Contemporary, Pigment printed on handmade *Do paper from a hand carved, wooden shamanic printing block The print would be burned for carting a message to deities for protecting people against evil spirits. *Do is made from the bark of Rhamnoneuron balansae. 8” x 12” x ¾”, $55.
Shamanic Print – Tiger, Vietnam, Dao Lo Gang people, Contemporary, Pigment printed on handmade ‘Do’ paper, 8″ x 12″ x 3/4″, $55.

 

Shamanic Print, Man with Horse / Man with Bird, Vietnam, Hoa Binh province,Dao Quan Chet people, Contemporary, Pigment printed on handmade *Do paper from a shamanic hand carved printing block. The print would be burned for carting a message to deities for protecting people against evil spirits. *Do is made from the bark of Rhamnoneuron balansae The print would be burned for carting a message to deities for protecting people against evil spirits 7” x 10 ¾” x ¾”, $55.
Shamanic Print, Man with Horse / Man with Bird, Vietnam, Hoa Binh province,Dao Quan Chet people, Contemporary, Pigment printed on handmade paper, 7″ x 10 3/4″ x 3/4″, $55.

 

Shaman’s Stamp ‘Chop’, Northern Thailand, Mid to late 20th c, Wood, pigment, Important tool for a shaman. They are unique to a particular shaman and used as a mark of authenticity. They would be placed on a message from one shaman to another, to the deities or into the shaman’s book. $50./$60. each, Dimensions left to right: (left -2 ¾” x 2 ¼” x 3 ½”, $60.); (middle - 2 ¾” x 2” x 2 ¾”, $50.); (right - 2 ¾” x 1 ¾” x 2 ¾”, $50.)
Shaman’s Personal Stamp ‘Chop’, Northern Thailand, Mid to late 20th c, Wood, pigment

Important tool for a shaman. They are unique to a particular shaman and used as a mark of authenticity. They would be placed on a message from one shaman to another, to the deities or into the shaman’s book. $50./$60. each – Dimensions left to right: (left -2 ¾” x 2 ¼” x 3 ½”, $60.); (middle – 2 ¾” x 2” x 2 ¾”, $50.); (right – 2 ¾” x 1 ¾” x 2 ¾”, $50.)

Shaman Bag, Vietnam, Yao people, Late 19th to early mid c, Cotton and silk The shaman use this to keep and carry magic ritual items. 8” x 15” x ½”
Shaman Bag, Yao people, Late 19th to early mid c., Cotton and silk

Shaman use a bag or purse to keep and carry magic ritual items. 8” x 15” x ½”, $70.

Shaman Bag, Vietnam, Yao people, Early to mid 20th c, Cotton, Keep and carry magic ritual items, 11” x 17” x ½”, $120.
Shaman Bag, Vietnam, Yao people, Early to mid 20th c, Cotton

Bag or Purse to carry magic ritual items, 11” x 17” x ½”, $120.

Ritual Dagger with Rattle, Vietnam, Yao people Late 19th c, Iron, coins, cloth These commanding rattle daggers are the most common ritual weapon used by a shaman priest. Similar in function to swords, they fend off evil spirits when shaken. The red (sometimes blue) streamers attract cosmic energy to empower it. This coin-laden top is still wound with red streamers from the ceremony it was last used in. Dimensions (left - 15” x 6 ¼” x 4 ½”); (right - 16 ½” x 5 ½” x 5”) $350. each
Ritual Dagger with Rattle, Vietnam, Yao people, Late 19th c, Iron, coins, cloth

These commanding rattle daggers are the most common ritual weapon used by a shaman priest. Similar in function to swords, they fend off evil spirits when shaken. The red streamers attract cosmic energy to empower it. The coin-laden top is still wound with red streamers from the ceremony it was last used in. Dimensions (left – 15” x 6 ¼” x 4 ½”, $350 SOLD); (right – 16 ½” x 5 ½” x 5”, $350. SOLD)

Ritual Sword, Tuyen Quang province, Vietnam, Yao people, Early 20th c, Iron blade, aluminum bands, wood handle, metal coins, darkened patina from use and age An essential item for any Yao shaman ritual. Used to summon gods and goddesses and to punish disobedient spirits. Harmless to mortals but a formidable weapon when shaken against evil spirits. This is a male sword - top detail differs on female swords. $295. each, Dimensions left to right, (left - 15 ¼” x 3 ¼” x 1”); (middle - 15 ¼” x 3 ¼” x 1”); (right -13 ¾” x 3” x 1”)
Ritual Sword, Tuyen Quang province, Vietnam, Yao people, Early 20th c, Iron blade, aluminum bands, wood handle, metal coins

An essential item for any Yao shaman ritual. Used to summon gods and goddesses and to punish disobedient spirits. Harmless to mortals, but a formidable weapon when shaken against evil spirits. This is a male sword – top detail differs on female swords. $295. each, Dimensions left to right, (left – 15 ¼” x 3 ¼” x 1” SOLD); (middle – 15 ¼” x 3 ¼” x 1” SOLD); (right -13 ¾” x 3” x 1”)

Ritual Dragon Knife, Vietnam, San Diu people Early 20th c, Iron, patinated with use and age, Used in rituals to subdue evil forces. (small - 12” x 3 ¾” x 1 ¼”, $270.); (large - 13 ¾” x 4 ½” x 1 ¾”, $270.)
Ritual Dragon Knife, Vietnam, San Diu people Early 20th c, Iron

 Ritual Dragon Knife, Vietnam, San Diu people Early 20th c, Iron, patinated with use and age, Used in rituals to subdue evil forces. (small – 12” x 3 ¾” x 1 ¼”, $270.); (large – 13 ¾” x 4 ½” x 1 ¾”, $270.)

Shaman Cloth Vietnam Yao people Early 20th c. Cotton with pigment Ritual use 13” x 14” $190
Shaman’s Amulet Cloth, Vietnam , Yao people, Early 20th c, Cotton with pigment, 13″ x 14′, $190.

 

Shaman Cloth Vietnam Yao people Early 20th c. Cotton with pigment Ritual use 13” x 14” $190
Shaman’s Amulet Cloth, Vietnam , Yao people, Early 20th c., Cotton with pigment, 13″ x 14″, $190.

 

Shaman Cloth Vietnam Yao people Early 20th c. Cotton with pigment Ritual use 13” x 15” $160
Shaman’s Amulet Cloth, Vietnam, Yao people, Early 20th c., Cotton with pigment, 13” x 15”, $160″ 

 

Shaman Cloth Vietnam Late 19th to early 20th c. Cotton Ritual use
Shaman’s Amulet Cloth, Vietnam, Late 19th to early 20th c, Cotton, 36″ x 50″

 

Shaman Costume Belt, Vietnam, Mid 20th c, Cotton, embroidered with silk, glass beads, Part of shaman’s costume. 69 ½” x 3” x 1”, $180
Shaman Costume Belt, Vietnam, Mid 20th c, Cotton, embroidered with silk, glass beads

Part of shaman’s traditional ritual costume. 69 ½” x 3” x 1”, $180. 

Dragon Tunic Ritual Costume, Vietnam, Tight Trouser Yao people, Mid 20th c, Cotton, silk embroidery. Worn only by high level shaman. The motif typically includes all the deities of heaven to clothe the shaman in the protection of the universe. Not a vain adornment, it is a reminder of man's place in the hierarchical order. Originally a female costume. Long ago shamans were women and men the providers. Not being encumbered by childbirth and rearing, men replaces women as shamans but retained this part of the sacred costume. 34” x 24”, $2800
Dragon Tunic Ritual Costume, Vietnam, Tight Trouser Yao people, Mid 20th c, Cotton, silk embroidery

Worn only by high level shaman. The motif typically includes all the deities of heaven to clothe the shaman in the protection of the universe. Not a vain adornment, it is a reminder of man’s place in the hierarchical order. Originally a female costume. Long ago shamans were women and men the providers. Not being encumbered by childbirth and rearing, men replaces women as shamans but retained this part of the sacred costume. 34” x 24”, $2800.

Shaman Belt, Vietnam, Yao people, Mid 20th c, Cotton cloth, indigo dye, Part of shaman's costume. 110” x ¾”” x ⅛”, $30
Shaman Costume Belt, Vietnam, Yao people, Mid 20th c, Cotton, indigo

Part of shaman’s traditional costume. 110” x ¾”” x ⅛”, $30.

Dragon Robe/Ritual Cloak, Vietnam, (front view) Yao people, Mid 20th c, Cotton, indigo, silk embroidery. Worn only by high level priest/shaman. The motif typically includes all the deities of heaven to clothe the shaman in the universe for protection. Not a vain adornment, it is a reminder of man's place in the hierarchical order. Originally a female costume. Long ago shamans were women and men the providers. Not being encumbered by childbirth and rearing, men replaces women as shamans but retained this part of the sacred costume. 49” x 29”, $2200.
Dragon Robe/Ritual Cloak (front view), Vietnam, Yao people, Mid 20th c, Cotton, indigo, silk embroidery

Worn only by high level priest/shaman. The motif typically includes all the deities of heaven to clothe the shaman in the universe for protection. Not a vain adornment, it is a reminder of man’s place in the hierarchical order. Originally a female costume. Long ago shamans were women and men the providers. Not being encumbered by childbirth and rearing, men replaces women as shamans but retained this part of the sacred costume. 49” x 29”, $2200. (see below for back view)

Dragon Robe/Ritual Cloak (back), Vietnam, Yao people, Mid 20th c, Cotton, indigo, silk embroidery. Worn only by high level priest/shaman. The motif typically includes all the deities of heaven to clothe the shaman in the universe for protection. Not a vain adornment, it is a reminder of man's place in the hierarchical order. Originally a female costume. Long ago shamans were women and men the providers. Not being encumbered by childbirth and rearing, men replaces women as shamans but retained this part of the sacred costume. 49” x 29”, $2200.
Dragon Robe/Ritual Cloak, Vietnam, (back view of previous image) Yao people, Mid 20th c, Cotton, indigo, silk embroidery

 

Dragon Robe/Ritual Cloak (front), Vietnam, Tao people, Early to mid 20th c, Cotton, silk embroidery. Worn only by high level priest/shaman for all ceremonies. The motif typically includes all the deities of heaven to clothe the shaman in the universe for protection. Not a vain adornment, it is a reminder of man's place in the hierarchical order. Originally a female costume. Long ago shamans were women and men the providers. Not being encumbered by childbirth and rearing, men replaces women as shamans but retained this part of the sacred costume. 48” x 39”, $2700.
Dragon Robe/Ritual Cloak (front), Vietnam, Tao people, Early to mid 20th c, Cotton, silk embroidery – front view, 48″ x 39″, $2700, (see below for back veiw)

 

Dragon Robe/Ritual Cloak (back), Vietnam, Tao people, Early to mid 20th c, Cotton, silk embroidery. Worn only by high level priest/shaman for all ceremonies. The motif typically includes all the deities of heaven to clothe the shaman in the universe for protection. Not a vain adornment, it is a reminder of man's place in the hierarchical order. Originally a female costume. Long ago shamans were women and men the providers. Not being encumbered by childbirth and rearing, men replaces women as shamans but retained this part of the sacred costume. 48” x 39”, $2700.
Dragon Robe/Ritual Cloak (back view, see previous image for front view)

 

Yin Yang Divination Blocks, Vietnam, Early 20th c, Bamboo, These pairs of blocks are used by shaman to get answers to questions and requests. They are round on the yin side and flat on the yang side. They are thrown like dice. The answer is determined by the configuration of how they land: 1 yin and 1 yang side up = YES; Both the same side up = NO (also typically made of wood or horn) $175 each set. Dimensions: (right - 5” x 1 ¾” x 1 ½”); (left - 4 ¾” x 1 ½” x 1 ½”)
Yin Yang Divination Blocks, Vietnam, Early 20th c, Bamboo

These pairs of blocks are used by shaman to get answers to questions and requests. They are round on the yin side and flat on the yang side. They are thrown like dice. The answer is determined by the configuration of how they land: 1 yin and 1 yang side up = YES; Both the same side up = NO (also typically made of wood or horn) $175 each set. Dimensions: (right – 5” x 1 ¾” x 1 ½”); (left – 4 ¾” x 1 ½” x 1 ½”)

Pages from a Shamanic Book, Vietnam, Cao Lan people, Mid 20th c, Ink and watercolor handwritten on Mulberry paper, It is a book for making astrological predictions using the East Asian zodiac’s twelve animal characters. The text of the book uses images, maps and text to describe in detail, for the learned shaman, how to navigate this complex system of looking into the future. 12” x 17 ¾” x ¾”, $260.
Pages from a Shamanic Book, Vietnam, Cao Lan people, Mid 20th c, Ink and watercolor handwritten on Mulberry paper

It is a book for making astrological predictions using the East Asian zodiac’s twelve animal characters. The text of the book uses images, maps and text to describe in detail, for the learned shaman, how to navigate this complex system of looking into the future. 12” x 17 ¾” x ¾”, $260.

Shaman’s Personal Instruction Book, Cao Bang province, Vietnam Red Yao people, Early 20th c, Ink on handmade mulberry paper (tapa), Written in Nom (Chinese characters adapted to Vietnamese), books are an integral part of a shaman’s repertoire. They range from explanations of various rituals and use of objects, to astrology, history, songs, laws, etiquette, children’s tales, hunting practices, formulas, spells and Feng Shui. Shaman make their own books to help store their knowledge therefore no two are alike and a high level shaman will have a large library. 9 ½” x 8 ½” x ¾”, $850.
Shaman’s Personal Instruction Book, Cao Bang province, Vietnam
Red Yao people, Early 20th c, Ink on handmade mulberry paper

Written in Nom (Chinese characters adapted to Vietnamese), books are an integral part of a shaman’s repertoire. They range from explanations of various rituals and use of objects, to astrology, history, songs, laws, etiquette, children’s tales, hunting practices, formulas, spells and Feng Shui. Shaman make their own books to help store their knowledge therefore no two are alike and a high level shaman will have a large library. 9 ½” x 8 ½” x ¾”, $850.

Shaman's Personal Instructional Book, China, Yunnan Shui people, Early 20th c, Paper, ink, pigment, Scripted by the shaman, on handmade paper, to record all his knowledge and to instruct future shaman, 9” x 6 ¼” 1”, $750.
Shaman’s Personal Instructional Book, China, Yunnan Shui people, Early 20th c, Paper, ink, pigment

Scripted by the shaman, on handmade paper, to record all his knowledge and to instruct future shaman, 9” x 6 ¼” 1”, $750. (see below for inside detail)

Inside detail of Shaman's Personal Instructional Book, China, Yunnan Shui people, Early 20th c, Paper, ink, pigment, Scripted by the shaman, on handmade paper, to record all his knowledge and to instruct future shaman, 9” x 6 ¼” 1”, $750
Inside detail of Shaman’s Personal Instructional Book, China

 

Ceremonial Mask Vietnam/Thailand Early 20th c. Pigment (ink and watercolor) on handmade paper Paper masks are required possessions for shaman. Usually tied to the forehead, they are worn during certain rituals to impersonate deities. A shaman will have a full set of twenty seven. Only female shaman can wear masks of female deities. 11 ¼” x 9 ¾” x ¾” (framed) $240 each
Ceremonial Masks, Vietnam/Thailand, Early 20th c, Pigment (ink and watercolor) on handmade paper

Paper masks are required possessions for shaman. Usually tied to the forehead, they are worn during certain rituals to impersonate deities. A shaman will have a full set of twenty seven. Only female shaman can wear masks of female deities. 11 ¼” x 9 ¾” x ¾” (framed) $240 each

Horn for Drinking Spirits, Vietnam, Nghe An province, Thai people, Mid 20th c, Water Buffalo Horn, (horizontal - 11 ¾” x 2 ¼” x 5”, $160.); (vertical - 12” x 3 ¼” x 2 ¼”, $160.)
Horn for Drinking Spirits, Vietnam, Nghe An province, Thai people, Mid 20th c, Water Buffalo Horn

(horizontal – 11 ¾” x 2 ¼” x 5”, $160.); (vertical – 12” x 3 ¼” x 2 ¼”, $160.)

Shaman Paintings, Thailand Vietnamese, Yap people Mid to late 20th c. Cotton, pigment The shaman derives spiritual power from paintings, who effectively become the deities they represent, and ritual texts that allow him/her to communicate with ancestors, negotiate with unfriendly beings and treat diseases. An essential set of three basic painting panels is the minimum requirement for a a newly initiated shaman. Full sets, required for many rituals, can range from 17 paintings to more than 27. An example of a ritual requiring a full set would be one performed to liberate souls of the dead from Hell to be reborn into Heaven. The many panels including those depicting the 10 Kings of the underworld are hung around the main room of a house. The shaman enters a trance and imagines them as the real underworld thereby entering Hell and chanting a ritual that will save the soul of the recently dead. (42"x16", $450 each banner or painting)

Shaman ritual painting, 42″ x 16″, $425.

Shaman Paintings, Thailand Vietnamese, Yap people Mid to late 20th c. Cotton, pigment The shaman derives spiritual power from paintings, who effectively become the deities they represent, and ritual texts that allow him/her to communicate with ancestors, negotiate with unfriendly beings and treat diseases. An essential set of three basic painting panels is the minimum requirement for a a newly initiated shaman. Full sets, required for many rituals, can range from 17 paintings to more than 27. An example of a ritual requiring a full set would be one performed to liberate souls of the dead from Hell to be reborn into Heaven. The many panels including those depicting the 10 Kings of the underworld are hung around the main room of a house. The shaman enters a trance and imagines them as the real underworld thereby entering Hell and chanting a ritual that will save the soul of the recently dead. (42"x16", $450 each banner or painting)

Shaman ritual painting, 42″ x 16″, $425.

Shaman Paintings, Thailand Vietnamese, Yap people Mid to late 20th c. Cotton, pigment The shaman derives spiritual power from paintings, who effectively become the deities they represent, and ritual texts that allow him/her to communicate with ancestors, negotiate with unfriendly beings and treat diseases. An essential set of three basic painting panels is the minimum requirement for a a newly initiated shaman. Full sets, required for many rituals, can range from 17 paintings to more than 27. An example of a ritual requiring a full set would be one performed to liberate souls of the dead from Hell to be reborn into Heaven. The many panels including those depicting the 10 Kings of the underworld are hung around the main room of a house. The shaman enters a trance and imagines them as the real underworld thereby entering Hell and chanting a ritual that will save the soul of the recently dead. (42"x16", $450 each banner or painting)

Shaman ritual painting, 42″ x 16″, $425.

Shaman Paintings, Thailand Vietnamese, Yap people Mid to late 20th c. Cotton, pigment The shaman derives spiritual power from paintings, who effectively become the deities they represent, and ritual texts that allow him/her to communicate with ancestors, negotiate with unfriendly beings and treat diseases. An essential set of three basic painting panels is the minimum requirement for a a newly initiated shaman. Full sets, required for many rituals, can range from 17 paintings to more than 27. An example of a ritual requiring a full set would be one performed to liberate souls of the dead from Hell to be reborn into Heaven. The many panels including those depicting the 10 Kings of the underworld are hung around the main room of a house. The shaman enters a trance and imagines them as the real underworld thereby entering Hell and chanting a ritual that will save the soul of the recently dead. (42"x16", $450 each banner or painting)

Shaman ritual painting, 42″ x 16″, $425.

Shaman Paintings, Thailand Vietnamese, Yap people Mid to late 20th c. Cotton, pigment The shaman derives spiritual power from paintings, who effectively become the deities they represent, and ritual texts that allow him/her to communicate with ancestors, negotiate with unfriendly beings and treat diseases. An essential set of three basic painting panels is the minimum requirement for a a newly initiated shaman. Full sets, required for many rituals, can range from 17 paintings to more than 27. An example of a ritual requiring a full set would be one performed to liberate souls of the dead from Hell to be reborn into Heaven. The many panels including those depicting the 10 Kings of the underworld are hung around the main room of a house. The shaman enters a trance and imagines them as the real underworld thereby entering Hell and chanting a ritual that will save the soul of the recently dead. (42"x16", $450 each banner or painting)

Shaman ritual painting, 42″ x 16″, $425.

Shaman Paintings, Thailand Vietnamese, Yap people Mid to late 20th c. Cotton, pigment The shaman derives spiritual power from paintings, who effectively become the deities they represent, and ritual texts that allow him/her to communicate with ancestors, negotiate with unfriendly beings and treat diseases. An essential set of three basic painting panels is the minimum requirement for a a newly initiated shaman. Full sets, required for many rituals, can range from 17 paintings to more than 27. An example of a ritual requiring a full set would be one performed to liberate souls of the dead from Hell to be reborn into Heaven. The many panels including those depicting the 10 Kings of the underworld are hung around the main room of a house. The shaman enters a trance and imagines them as the real underworld thereby entering Hell and chanting a ritual that will save the soul of the recently dead. (42"x16", $450 each banner or painting)

Shaman ritual painting, 42″ x 16″, $425.

Shaman Paintings, Thailand Vietnamese, Yap people Mid to late 20th c. Cotton, pigment The shaman derives spiritual power from paintings, who effectively become the deities they represent, and ritual texts that allow him/her to communicate with ancestors, negotiate with unfriendly beings and treat diseases. An essential set of three basic painting panels is the minimum requirement for a a newly initiated shaman. Full sets, required for many rituals, can range from 17 paintings to more than 27. An example of a ritual requiring a full set would be one performed to liberate souls of the dead from Hell to be reborn into Heaven. The many panels including those depicting the 10 Kings of the underworld are hung around the main room of a house. The shaman enters a trance and imagines them as the real underworld thereby entering Hell and chanting a ritual that will save the soul of the recently dead. (42"x16", $450 each banner or painting)

Shaman ritual painting, 42″ x 16″, $425.

Shaman Paintings, Thailand Vietnamese, Yap people Mid to late 20th c. Cotton, pigment The shaman derives spiritual power from paintings, who effectively become the deities they represent, and ritual texts that allow him/her to communicate with ancestors, negotiate with unfriendly beings and treat diseases. An essential set of three basic painting panels is the minimum requirement for a a newly initiated shaman. Full sets, required for many rituals, can range from 17 paintings to more than 27. An example of a ritual requiring a full set would be one performed to liberate souls of the dead from Hell to be reborn into Heaven. The many panels including those depicting the 10 Kings of the underworld are hung around the main room of a house. The shaman enters a trance and imagines them as the real underworld thereby entering Hell and chanting a ritual that will save the soul of the recently dead. (42"x16", $450 each banner or painting)

Shaman ritual painting, 42″ x 16″, $425.

Shaman Paintings, Thailand Vietnamese, Yap people Mid to late 20th c. Cotton, pigment The shaman derives spiritual power from paintings, who effectively become the deities they represent, and ritual texts that allow him/her to communicate with ancestors, negotiate with unfriendly beings and treat diseases. An essential set of three basic painting panels is the minimum requirement for a a newly initiated shaman. Full sets, required for many rituals, can range from 17 paintings to more than 27. An example of a ritual requiring a full set would be one performed to liberate souls of the dead from Hell to be reborn into Heaven. The many panels including those depicting the 10 Kings of the underworld are hung around the main room of a house. The shaman enters a trance and imagines them as the real underworld thereby entering Hell and chanting a ritual that will save the soul of the recently dead. (42"x16", $450 each banner or painting)

Shaman ritual painting, 42″ x 16″, $425.

Shaman Paintings, Thailand Vietnamese, Yap people Mid to late 20th c. Cotton, pigment The shaman derives spiritual power from paintings, who effectively become the deities they represent, and ritual texts that allow him/her to communicate with ancestors, negotiate with unfriendly beings and treat diseases. An essential set of three basic painting panels is the minimum requirement for a a newly initiated shaman. Full sets, required for many rituals, can range from 17 paintings to more than 27. An example of a ritual requiring a full set would be one performed to liberate souls of the dead from Hell to be reborn into Heaven. The many panels including those depicting the 10 Kings of the underworld are hung around the main room of a house. The shaman enters a trance and imagines them as the real underworld thereby entering Hell and chanting a ritual that will save the soul of the recently dead. (42"x16", $450 each banner or painting)

Shaman ritual painting, 42″ x 16″, $425.

Shaman Paintings, Thailand Vietnamese, Yap people Mid to late 20th c. Cotton, pigment The shaman derives spiritual power from paintings, who effectively become the deities they represent, and ritual texts that allow him/her to communicate with ancestors, negotiate with unfriendly beings and treat diseases. An essential set of three basic painting panels is the minimum requirement for a a newly initiated shaman. Full sets, required for many rituals, can range from 17 paintings to more than 27. An example of a ritual requiring a full set would be one performed to liberate souls of the dead from Hell to be reborn into Heaven. The many panels including those depicting the 10 Kings of the underworld are hung around the main room of a house. The shaman enters a trance and imagines them as the real underworld thereby entering Hell and chanting a ritual that will save the soul of the recently dead. (42"x16", $450 each banner or painting)

Shaman ritual painting, 42″ x 16″, $425.

Shaman Paintings, Thailand Vietnamese, Yap people Mid to late 20th c. Cotton, pigment The shaman derives spiritual power from paintings, who effectively become the deities they represent, and ritual texts that allow him/her to communicate with ancestors, negotiate with unfriendly beings and treat diseases. An essential set of three basic painting panels is the minimum requirement for a a newly initiated shaman. Full sets, required for many rituals, can range from 17 paintings to more than 27. An example of a ritual requiring a full set would be one performed to liberate souls of the dead from Hell to be reborn into Heaven. The many panels including those depicting the 10 Kings of the underworld are hung around the main room of a house. The shaman enters a trance and imagines them as the real underworld thereby entering Hell and chanting a ritual that will save the soul of the recently dead. (42"x16", $450 each banner or painting)

Shaman ritual painting, 42″ x 16″, $425.

Shaman Paintings, Thailand Vietnamese, Yap people Mid to late 20th c. Cotton, pigment The shaman derives spiritual power from paintings, who effectively become the deities they represent, and ritual texts that allow him/her to communicate with ancestors, negotiate with unfriendly beings and treat diseases. An essential set of three basic painting panels is the minimum requirement for a a newly initiated shaman. Full sets, required for many rituals, can range from 17 paintings to more than 27. An example of a ritual requiring a full set would be one performed to liberate souls of the dead from Hell to be reborn into Heaven. The many panels including those depicting the 10 Kings of the underworld are hung around the main room of a house. The shaman enters a trance and imagines them as the real underworld thereby entering Hell and chanting a ritual that will save the soul of the recently dead. (42"x16", $450 each banner or painting)

Shaman ritual painting, 42″ x 16″, $425.

Shaman Paintings, Thailand Vietnamese, Yap people Mid to late 20th c. Cotton, pigment The shaman derives spiritual power from paintings, who effectively become the deities they represent, and ritual texts that allow him/her to communicate with ancestors, negotiate with unfriendly beings and treat diseases. An essential set of three basic painting panels is the minimum requirement for a a newly initiated shaman. Full sets, required for many rituals, can range from 17 paintings to more than 27. An example of a ritual requiring a full set would be one performed to liberate souls of the dead from Hell to be reborn into Heaven. The many panels including those depicting the 10 Kings of the underworld are hung around the main room of a house. The shaman enters a trance and imagines them as the real underworld thereby entering Hell and chanting a ritual that will save the soul of the recently dead. (42"x16", $450 each banner or painting)

Shaman ritual painting, 42″ x 16″, $425.

Shaman Paintings, Thailand Vietnamese, Yap people Mid to late 20th c. Cotton, pigment The shaman derives spiritual power from paintings, who effectively become the deities they represent, and ritual texts that allow him/her to communicate with ancestors, negotiate with unfriendly beings and treat diseases. An essential set of three basic painting panels is the minimum requirement for a a newly initiated shaman. Full sets, required for many rituals, can range from 17 paintings to more than 27. An example of a ritual requiring a full set would be one performed to liberate souls of the dead from Hell to be reborn into Heaven. The many panels including those depicting the 10 Kings of the underworld are hung around the main room of a house. The shaman enters a trance and imagines them as the real underworld thereby entering Hell and chanting a ritual that will save the soul of the recently dead. (42"x16", $450 each banner or painting)

Shaman ritual painting, 42″ x 16″, $425.

Balancing The Universe: Shamanism in Nagaland and Myanmar

The Naga people are a collection of 35+ tribes, or about 3.5 million people, who live in the hills of Nagaland, India and in the bordering country of Myanmar. Their beliefs are animistic and shamanism is a respected, integral part of everyday life.

Shaman Effigy Figure, Nagaland, India, Naga tribe, Early 20th c, Wood, pigment, shell, Probably for calling spirits as well as for use in healing rituals There are 7 images on the back of creatures made by poking holes as an outline for each one. 14” x 5 ¾” x 2 ¾”, Sold
Shaman Effigy, Nagaland, India, Naga tribe, Early 20th c, Wood, pigment, shell 

This figure was used in healing rituals and probably for connecting to ancestor spirits. There are seven creature images on the backside. The creature depictions are made by poking holes as an outline for each one. 
14” x 5 ¾” x 2 ¾”, SOLD

Monkey Skull Amulet Necklace, Naga Tribe, Nagaland, India, Mid to late 19th c, Bone, horn, fiber cord, This Macaque skull and goat horn amulet was worn by the shaman for healing rituals and likely for connecting to helpful spirits. It was passed down from shaman to shaman and worn for many generations, 22” x 4 ½” x 2 ½”, $780.
Monkey Skull Amulet Necklace, Naga tribe, Nagaland, India, Mid to late 19th c, Bone, horn, fiber cord

This Macaque skull and goat horn amulet was worn by the shaman for healing rituals and likely for connecting to helpful spirits. It was passed down from shaman to shaman, worn for many generations 
22” x 4 ½” x 2 ½”, $780. SOLD

Naga Tribe, Shaman's Medicinal Mortar, Nagaland, India, Early 20th c, Carved Wood, for preparing healing medicinal herbs and substances for remedies tailored for each patient. It is carved by the shaman with power designs that relate to healing rituals. , 6 ½” x 4” x 4”, $190.
Medicinal Mortar, Nagaland, India, Early 20th c, Wood

This shaman grinding bowl is for preparing healing medicinal herbs and other substances for remedies tailored for each patient. It is carved by the shaman with power designs that relate to healing rituals. 
6 ½” x 4” x 4”, $190. 
_______________
MYANMAR

Burmese Medicine Figurine Myanmar (Burma) Late 19th c. Mixture of herbs For healing potions The Shaman makes these medicine figures only between 3:00 and 6:00 am. He will use them to chip off small bits from the bottom side with which to prepare healing elixirs for his patient. 2 1/2" to 3", Left to right - $375., $240., $395.
Burmese Medicine Blocks – Compressed Herbal Figurines, Myanmar/Burma, Late 19th c, Mixture of Dried, Pressed Herbs

These 3 figures are not Naga, but from the neighboring country of Myanmar. They are a mixture of herbs pressed into blocks and carved into figurines for healing potions/remedies. The Shaman follows precise rituals and recipes to make these medicine figures between 3:00 and 6:00 am only. 
Once pressed and detailed into the tiny figurines, the shaman will use them many times by chipping off small bits from the bottom side to prepare the appropriate mixture and dosage of healing elixirs for  patients.  2 ½” to 3″, Left to right – $375., $240., $395.

Balancing the Universe: Shamanism In Nepal

Nepal is home to many ethnic groups and religious traditions including Hinduism and Buddhism. Shamanism combines these religions with the worship of nature and natural phenomenon. There is a unique village, called “Lugum”, in Western Nepal whose only inhabitants, at the time of this writing, are 126 shaman – 18 of whom are women. In addition to their role as healers and intermediaries between the mortal and spiritual worlds, is a duty to protect the larger community around them from witches and harmful spirits, whose evil doings wreak havoc if not managed. It is the shaman’s roll to keep everything in balance to maintain the natural order of life. Scroll for images and captions of all the Nepal pieces from our “Balancing The Universe” exhibition. 9/10 – 12/3/17

Shaman Nepal

Damaru with Chopin (2 sided drum with sash), late 19th and early 20th c, Wood, Hide, Fabric
This power drum, associated with Shiva, is used for tantric rituals and is played with a twisting motion so the two beaters – attached by cords, hit the drum heads simultaneously. It produces a rhythmic and spiritual sound by which the universe was created and is regulated. The Chopin (sash) is typically embroidered with the colors of the tantric elements and waves its colors as the drum is played. It is used to attract and dispel negative energy.
(large) 32” x 11 ¼” x 4 ½”; $700.;  (small) 2” x 5 ¼” x 3” [case 6” x 5” x 3”] $500. SOLD

Not meant for stabbing or causing harm to humans, it is used to attract and dispel negative energy. After collecting the demons or evil spirits into the phurba, the shaman pierces the ground with the dagger dispersing or redirecting the harmful energy by releasing them from whatever was causing them to be evil. Still used by Buddhists and shamans in Nepal, Tibet and the Himalayas, these magical daggers date back to at least the 7th or 8th century.
Phurba – Ritual Daggers, Early 20th c, Wood / Metal.

Not meant for stabbing or causing harm to humans, it is used to attract and dispel negative energy. After collecting the demons or evil spirits into the phurba, the shaman pierces the ground with the dagger dispersing or redirecting the harmful energy by releasing them from whatever was causing them to be evil.
Still used by Buddhists and shamans in Nepal, Tibet and the Himalayas, these magical daggers date back to at least the 7th or 8th century. Please see previous ‘Phurba’ blog entry for full history and information on individual pieces – price range is $190. to $650., or contact us for more photos, availability and pricing details.

Snake Vertebrae Necklace Early 20th c. Snake Vertebrae, Rudraksha seeds Invokes snake gods to protect shaman during healing rituals
Snake Vertabrae and Rudraksha Bead Naga Mala Necklace; Early 20th c; Bone, Rudraksha Seeds

Snake vertebrae prayer bead necklace, worn by shaman to invoke snake gods to protect themselves during healing rituals. From 18″ to 33″; $290 to 370. (see detail image below)

Snake Vertebrae Necklace Early 20th c. Snake Vertebrae, Rudraksha seeds Invokes snake gods to protect shaman during healing rituals. Snake Vertebrae Necklace Early 20th c. Snake Vertebrae, Rudraksha seeds Invokes snake gods to protect shaman during healing rituals
Detail of Naga Mala necklace of snake vertebrae and rudraksha beads, early 20th c

The Naga Mala are primarily used in healing ceremonies for protection against harmful spirits and to connect the shaman with the sacred snake gods and goddesses who help inform their work. The preparation of the snake bones, and of creating the necklace itself, involves an intricate sacred ritual to properly empower them. Rudraksha, meaning ‘Enlightened’, seeds symbolize divine wisdom and are traditionally used as prayer beads.                    

Shaman Yak Bell Hat Strap Nepal Bells - mid to late 19th c. Mid 20th century; some bells up to 150 years old Plant fiber, brass, cloth Worn as a chin strap to hold the shaman’s hat in place Cotton cloth covered woven fiber collar with conical and crotal bells Used in rituals to protect shaman and villagers from witches and other evil beings. Also worn for healing rituals. Some of the bells are old, hand forged iron bells; some are newer cast bronze. 18 ⅓” x 4 ½” x 1 ⅗” $395
Yak Bell Hat Strap, mid 2oth c (some bells up to 150 years old), Plant Fiber, Indgo Cloth, Brass, Iron

Worn over the head piece and under the chin to secure the shaman’s ‘hat’; Indigo dyed cotton cloth covering a woven fiber band with attached conical and crotal bells. Used in healing rituals and to protect the shaman and the villagers from witches and other evil beings. Some of the bells are newer case brass, some are old hand forged iron.
18 ⅓” x 4 ½” x 1 ⅗”; $395.

Hand carved wooden Shaman Cuff Bracelet, worn to protect the shaman from witches and harmful spirits during rituals and ceremonies. mid 19th c, wood, 3 ¼” x 4 ¼” x 5 ¼”, $120.
Shaman Cuff Bracelet, Mid 19th c, Wood

Worn by shaman during rituals and ceremonies to protect themselves from witches and harmful spirits. Hand carved wood,  3 ¼” x 4 ¼” x 5 ¼”, $120. SOLD

Naga Mala Shaman Necklace Nepal Late 19th c. Snake bone, rudraksha seeds, Himalayan goat horn, old European handmade glass trade beads, Brass crotal bells The Naga Mala are primarily used in healing ceremonies for protection and to connect the shaman with the sacred snake gods and goddesses who help inform their work. The preparation of the snake bones and necklace has an intricate sacred ritual to properly empower them. The Rudraksha (enlightened) seeds symbolize divine wisdom and are traditionally used as prayer beads. The bells make a sound that evoke ancestor spirits and helps the shaman transition into a trance state for ceremonies. 22” x 7” x 1 ¾” $750
Naga Mala ritual necklace, late 19th c, bone, Himalayan goat horn, Rudraksha seeds, old European glass trade beads, iron beads, brass crotal bells

The Naga Mala are primarily used in healing ceremonies for protection and to connect the shaman with the sacred snake gods and goddesses who help inform their work. The preparation of the snake bones and of the necklace itself, involves an intricate sacred ritual to properly empower them. The Rudraksha (enlightened) seeds symbolize divine wisdom and are traditionally used as prayer beads. The bells make a sound that evoke ancestor spirits and helps the shaman transition into a trance state for ceremonies., 22” x 7” x 1 ¾”, $750.

Sacred Ritual Drum, Nepal, Mid to late 19th c., Skin stretched over wood, iron, shaman bells and amulets, To facilitate entering and maintaining a trance state necessary for the shaman to perform rituals 17 ½” x 8” x 8” (plus 7” bell chains), $1400.
Sacred Ritual Drum with Bells, Mid to late 19th c, wood, hide, iron

The Yak bells and amulets facilitate entering and maintaining a trance state necessary for the shaman to perform rituals, 17 ½” x 8” x 8” (plus 7” bell chains), $1400.

Shaman Wand is a powerful shaman tool. Held in one hand while chanting, it is shaken with short, quick jerks then tapped to the ground to cleanse the area from harmful spirits.
Shaman Wand, Early 19th c., wood, metal, cotton cord, pigment

This Wand from Northwestern Nepal (near Lake Jumla) is a powerful shaman tool. Held in one hand while chanting, the shaman shakes it with short, quick jerks then taps it to the ground to cleanse the area from harmful spirits. 
28” x 11” x 3 ¼”, $650. SOLD

Hand Carved Wooden Ceremonial Shaman Stools, from the late 19th to mid 20th century, Wood, Used for meditation and for ritual ceremonies. 12" to 14", $185. to $320.
Shaman Ceremonial Stools; Late 19th to mid 20th c; wood

Hand carved wood. They are used to sit slightly elevated off the ground for meditation and for ritual ceremonies.
12″ to 14″, $185. to $320.

Hand Carved Wooden Ceremonial Shaman Stools, from the late 19th to mid 20th century, Wood, Used for meditation and for ritual ceremonies, Mid 19th to early 20th century, 8" to 14", $95. to $190.
Shaman Stools, late 19th to mid 20th c, Wood

Hand Carved Wooden Ceremonial Shaman Stools. They are used to sit slightly elevated off the ground for meditation and for ritual ceremonies, Mid 19th to early 20th century, 8″ to 14″, $95. to $190.

Shaman Necklace (rare), Western Nepal, Late 19th c., Old European handmade glass trade beads, Brass crotal bells, snake bone, paint The pair of unusually large snake vertebrae are from a 20 foot anaconda. They have been painted green. The preparation of the snake bones and necklace has an intricate sacred ritual to properly empower them. The bell amulets make a sound that helps the shaman transition into a trance state in preparation for a ceremony., 13” x 3 ¾” 1 ½”, $875.
Ritual Necklace with Rare Large Anaconda Snake Bone, Western Nepal, Late 19th c, painted bone, brass, glass and quartz beads

This sacred shaman necklace is particularly rare because of the size of the snake vertebrae used. It is colorfully detailed with the old European handmade glass trade beads and old clear quartz beads, and the age and use worn small brass crotal bells. The pair of unusually large snake vertebrae are from a 20 foot anaconda. They have been painted green. The preparation of the snake bones and the necklace itself involves an intricate sacred ritual to properly empower them. The bell sound helps the shaman transition into a trance state in preparation for a ceremony and the snake bone connects them to ancestral spirits. 13” x 3 ¾” 1 ½”, $875. SOLD

Naga Mala Shaman Necklace, Nepal, Late 19th c., Rudraksha seeds, snake vertebrae, ribbed Himalayan goat horn, wild boar tusks, iron tube beads, crotal bells and old European glass trade beads, wooden beads The Naga Mala are primarily used in healing ceremonies for protection and to connect the shaman with the sacred snake gods and goddesses who help inform their work. The preparation of the snake bones and necklace has an intricate sacred ritual to properly empower them, The Rudraksha (enlightened) seeds symbolize divine wisdom and are traditionally used as prayer beads, 22” x 7 ½” x 1 ¼”, $690.
Naga Mala, Ritual Necklace, Late 19th c, Rudraksha seeds, snake vertebrae, Himalayan goat horn, wild boar tusks, iron, brass, glass trade beads, wood beads

The Naga Mala, primarily used in healing ceremonies, are for the shaman’s protection and to connect them with the  snake gods and goddesses who help inform their work. The preparation of the snake bones and the necklace itself involve an intricate sacred ritual to properly empower them., The Rudraksha, meaning ‘enlightened’, seeds symbolize divine wisdom and are traditionally used as prayer beads. 22” x 7 ½” x 1 ¼”, $690.

Dhyango with Phurba Handle Sacred Ritual Drum, Nepal Early 19th
Dhyango with Phurba Handle – Ritual 2 Sided Drum Drum, Early 19th c, Hide, Wood

Played by shaman (Jhakri), with a curved stick, to facilitate entering and maintaining the shaman’s trance state for their journey into the spirit world. A deity will often reside in the drum during the ritual. 26″ x 14″ x 6′, $900.

Shaman Ritual Apron Belt, Nepal, Early 20th c., (some bells up to 150 years old), Leather, iron chain and hand crafted crotal, and cylindrical bells and bangles, brass conical bells, cowrie shell, goat horn, wild boar tusk, (it is a waist belt with hanging bells and over the shoulder cross straps). Used in rituals to protect shaman, villagers and the area from witches and other evil beings. 58” x 32” x 3”, $3200
Ritual Apron Belt, Early 20th c, Leather, Iron, Brass, Horn, Tusk, Shell (some bells up to 150 years old)

This large belt is an essential part of all Nepalese shaman costumes. The belt, or apron, is heavy and loud with the many parts: hide leather, iron chain and hand crafted crotal, and cylindrical bells and bangles, and the brass conical bells. The cowrie shells, goat horn and wild boar tusk are all symbolic and spiritual tools. They are used in rituals to protect shaman, villagers and the area from witches and other evil beings. (it is a waist belt with hanging bells and over the shoulder cross straps). 58” x 32” x 3”, $3200.

This large belt is an essential part of all Nepalese shaman costumes. The belt/apron is heavy and loud with all its many parts: hide leather, iron chain and hand crafted crotal, and cylindrical bells and bangles and the brass conical bells. The yak hair and other amulets all are symbolic and spiritual tools. Used in rituals to protect shaman, villagers and the area from witches and other evil beings. (it is a waist belt with hanging bells and over the shoulder cross straps), 44” x 33” x 3”, $3200
Ritual Apron Belt, Early 20th c (some bells up to 150 years old), Leather, Iron, Brass, Yak hair

An essential part of Nepalese shaman costumes, this heavy apron belt is made of hide leather, iron chain and hand crafted cylindrical bells and bangles, brass conical and crotal bells. The yak tail, and other amulets which are attached, are powerful spiritual tools. They are worn during rituals and ceremonies to protect the shaman, the villagers, and the area from witches and other evil beings. (it is a waist belt with hanging bells and over the shoulder cross straps), 44” x 33” x 3”, $3200.

Shaman Bell and Amulet Necklace, Nepal, Early 20th c., Iron chain, brass conical bells, leather, cowrie shell The leather Amulet with the four cowrie shells is an addition to the bell necklace. Shamans wear them to facilitate entering a trance state. Makes a nice sound when worn or hung in the wind. The sound represents a caravan of yaks coming down a mountain creating a magical link to their ancestors who migrated over the Himalayas from Tibet to Nepal, 28 ½” x 3 ¼” x 1”, $295
Shaman Amulet and Bell Necklace, Early 20th c, Iron, Brass, Leather, Shell

This leather amulet with the four cowrie shells and brass conical bells on a chain, is a sacred ritual necklace is worn to facilitate entering a trance state. The bells make a nice sound when worn or hung in the wind, that represents a caravan of yaks coming down a mountain, creating a magical link to their ancestors who migrated over the Himalayas from Tibet to Nepal, 28 ½” x 3 ¼” x 1”, $295.

Shaman Bell and Amulet Necklace, Nepal, Early 20th c.,Shaman Bell and Amulet Necklace, Nepal, Early 20th c., Leather Amulet with the four cowrie shells and brass conical bells on a chain, is a sacred ritual necklace is worn to facilitate entering a trance state. The bells make a nice sound when worn or hung in the wind. The sound represents a caravan of yaks coming down a mountain creating a magical link to their ancestors who migrated over the Himalayas from Tibet to Nepal, 28 ½” x 3 ¼” x 1”, $295
Shaman Amulet and Bell Necklace, Early 20th c, Iron, Brass, Leather, Shell

This leather amulet with the four cowrie shells and brass conical bells on a chain, is a sacred ritual necklace is worn to facilitate entering a trance state. The bells make a nice sound when worn or hung in the wind, that represents a caravan of yaks coming down a mountain, creating a magical link to their ancestors who migrated over the Himalayas from Tibet to Nepal, 28 ½” x 3 ¼” x 1”,$295.

Shaman Yak Bell, Chain Necklace, Nepal, Early 20th c., Iron, brass Shamans wear them to facilitate entering a trance state necessary for their practice. Makes a nice sound when worn or hung in the wind. The sound represents a caravan of yaks coming down a mountain creating a magical link to their ancestors who migrated over the Himalayas from Tibet to Nepal, 15" to 21", $230. to 290.
Ritual Yak Bell, Chain Necklace, Early 20th c, Iron, Brass, Bronze

Shaman wear loud bells to facilitate entering a trance state necessary for their practice. Makes a nice sound when worn or hung in the wind, that represents a caravan of yaks coming down a mountain, creating a magical link to their ancestors who migrated over the Himalayas from Tibet to Nepal, 15″ to 21″, $230. to 290. SOLD

Ritual Chain (and Yak Bell) Necklace, Early 20th c, Iron, Brass

Part of the shaman’s costume worn during rituals and ceremonies to protect them from witches and harmful spirits. Bells and amulets are often attached to the chain. 15″ to 21″, $110. to $130.

Shaman, Asian Art and Healing Magic: The Debut of a 15 Year Collection

Shamanic Culture, Tribal Art, Healing and Magic converge in an unmatched, museum quality collection of over 300 shaman pieces from across SE Asia. We had an opening extravaganza to debut the rare amulets, instruments and costumes, acquired over the last 15 years.  

It took months to research the individual pieces that represent many different, ancient healing cultures from South East Asia – Nepal, Vietnam, Thailand, Myanmar, Nagaland (India) and across the 17,000 Islands of Indonesia. Some of the pieces have been passed down through generations of healers and date back 400 years. Please inquire for a tour of the magical mystery pieces! If you have the time to browse, we learned a lot and would love to share all the intriguing histories.

For continuity, we have grouped the blog entries by country and culture. Check back as we continue to add a full listing and photographs of all pieces in the original exhibition.

Custom Round Slab Table Concept – Figured Bastogne Walnut and Steel

We are excited to share a custom slab table concept we’ve been working on. 

The idea started after seeing a very rare and obscure cross section of Bastogne walnut that friends of ours have had in storage.

Knowing that this piece would never be a table without combining materials we started daydreaming about the possibilities.

After a series of sketches we came up with the size and round shape you see below.

After narrowing down the shape of the slab we started daydreaming about what type of material to combine this organic piece with.

We narrowed it down to two different choices, either a hand patina-ed steel or potentially marble.

A simple X shape base made in steel will support the entire structure.

After we complete the construction of the base, hand plane and properly sand the live edges of the slab.  We will then move forward with the water-jetting of the steel or marble, and begin the custom finishing of the wood by starting with hand rubbed oil finish which will be followed by a protective matte top coat for durability.

Balancing The Universe – Shamanic Amulets, Instruments and Costumes *Exhibition Opening Party VIDEO in this post*

Shamanism is a fascinating subject. Reaching far back into prehistory, the quest to cure the ailing and ensure our survival gave rise to its development. It is deeply rooted in *animism and appears as such in virtually all societies around the globe. The striking similarities in beliefs and rituals throughout so many different cultures make it an intriguing and mysterious phenomena from the modern western perspective. Continue reading

Tongba – Tibetan Drinking Vessel

Antique Millet Beer Mugs

A Tibetan mug or vessel for a traditional, indigenous, hot, alcoholic beer-like drink called Jaand.

These ‘beer tea’ mugs are made of sections of mature bamboo. The inner nodes are carved out and often ringed with metal bands on the exterior. The cover or lid keeps the Jaand hot and has a small hole to stabilize the fine bamboo straw used to filter the grainy drink.

Our collection of Tongbas are beautifully worn and patinated pieces of Nepalese ethnic art.

If you’re wild enough to try making Jaand..  the process is relatively simple and we have the mugs!

The millet grain is cooked, cooled and mixed with ‘murcha’, a fermenting yeast (like brewer’s yeast) and left to sit for two days. It’s then transferred to a sealed container to mature for two weeks. The concentrated, fermented mash can then be stored for up to six months.

To prepare the drink, the mash is generously scooped into a tongba and boiling water is poured over it like loose tea leaves. After steeping for five minutes it’s ready to drink.

Because the fermenting happens in the grain and the water is added later, it’s easily transportable which is ultimately practical for carrying at the high altitudes of Tibet.

All pieces in our collection were hand collected by David while trekking in Mustang.  They are between 50-100 years old and range in price from $150-200.

 

2000 Year Old Coins – Kushan Empire Antiques into Jewelry

2000 Year Old Coins – Necklaces by David Alan Designs. 

 Part of ‘David Alan Designs’ signature style is to incorporate antiquity into wearable art. 

This post highlights 17 recently completed necklaces featuring beautifully patinated  Kushan copper coins set in sterling silver to create beautifully elegant yet casual necklaces. We invite you to come browse the drawers in our jewelry gallery to view the collection these new creations and thousands of other one-of-a-kind handmade jewelry pieces by David Alan Designs.

 History of the coins – The Kushan Empire reigned for 500 years and spanned from Northern India to Central Asia. They Kushan people were a major world power and master traders along the Silk Road. 

 Coin Design – Inspired by ancient Roman and Greek currency, they depict a Deity on one side, a King on the other and include symbols and motto’s. The rulers were shown either in profile bust, standing pose or on horseback. The Deities chosen for the flip side of the coin illustrate how the individual Kings wished to be perceived. 

 This enduring style of personal propaganda became an invaluable historical resource.  The Kushan’s long and intricate political history has largely been revealed through the study of its surviving coins. 

 These pieces are not only beautiful artifacts but keys to history and a treasure to be worn. 

Prices range from $300-500, please contact one of our sales associates for more information or for current inventory.

 

Antique Japanese Tea Cabinet

Japanese Cha Dansu “Tea cabinet”, late 1800’s – early 1900’s

 

When this Late 19th century Japanese cha-dansu (tea chest) arrived on a recent shipment from Kyoto, one of our sales associates immediately tagged it “sold” in their name and set it aside until time presented an opportunity for further inspection. When the time came, investigation revealed the top center drawer was jammed, unable to be opened. With careful coercion the source of the jam was divulged which only compounded the interest in the chest.

Inside the drawer was one color photograph, four black and whites dated 12/29/1941  and a hand written letter. If a picture’s worth a thousand words the photos found within could comprise a novel. The photos, of three generations of family members and the accompanying letter relate the everyday goings on of what appears to be an average Japanese household covering the same topics you might find in an equivalent letter of American origin. i.e. A recent move to a new town and the adjustments being made, plans for a visit in the new year. Our son, looking forward to sports day* at school, our Daughter is starting 6th grade, winter is coming on and the days are getting shorter. Colder. These old memories and photographs make one nostalgic and curious about a family they’ve never known. They offer a glimpse into the lives of strangers and rather than highlight differences, magnify the similarities and remind us that lives and people around the world are often much the same in spite of cultural customs and visible differences.

Note: The term Tansu is a general term referring to wooden storage chests of Japanese origin. When a particular use is attributed to a Tansu the word becomes “Dansu”. As in Clothing Dansu, Kitchen Dansu or in this case Tea (cha) Dansu.

This piece measures 25″ wide x 28″ tall x 11″ deep and is made from Japanese cedar faced with Japanese Keyaki wood.

*-The second Monday of October is “Undokai” or “Sports Day”.  Often a national holiday where elementary aged school children engage in various competitive games and sports for prizes and trophies.

Magnificent Snow Lion Pendants from Tibet

120 Year Old Tibetan Snow Lion Pendants

The Snow Lion – or ‘Gangs Seng Ge’ in Tibetan, is a powerful celestial animal that resides in the eastern Himalayas. Protector of Buddha, it personifies fearlessness and a cheerful mind. For more than a century it has remained the national emblem of Tibet.

The Snow Lion is a common theme in proverbs and folk songs dating back to the 3rd century AD. Monks as well as lay people perform Snow Lion dances, often at festivals, to drive away evil spirits and to celebrate the balance between the spiritual and temporal realms. This king of beasts is also depicted to represent Yogis and Hermits living high in the mountains.

Although Snow Lions do not fly, their paws never touch the ground. The lioness has the extra ability to produce magical milk from her paws. It can heal the body and restore harmony. Holy medicinal remedies containing its essence are still prescribed.

As well as being protector to Buddha, the Snow Lion is one of the Four Dignities of Shambhala – the ancient Hindu mythological kingdom. They are; Tiger, Garuda (a humanoid bird-like creature), Dragon and the SnowLion who represents joy and discipline.  Together they symbolize the four principals of confidence that a ruler must develop in order to bring wisdom and compassion into daily life.

These 120+ year old Tibetan pendants are believed to carry the power and attributes of the creature and have become a symbol of freedom.