Since our epic Balancing The Universe: Shamanic Amulets, Instruments and Costumes exhibition last fall, we have additional objects to include – healing and power objects and ritual protector figures, that didn’t make it into the show. If you follow our Gallery Blog, no doubt you will see even more of these ancient southeast Asian shaman ritual objects in the future. The pieces below are from tribal Indonesia and are included together in this one post instead of divided by specific island or tribe as in the previous shaman show posts.
Female Magic Figure
Kodi village, West Sumba, Indonesia, early to mid 20th c., stone, Shaman uses this for prayer and to gather healing power to treat people. 14 1/2″ x 7″ x 6 1/2″ without base (16 1/2″ with base), $850.
Shaman Healing Figure
(near) Kodi village, West Sumba Island, Indonesia, mid 20th c., jack fruit wood, 11 1/2″ x 6″ x 5″, $400.
Shaman’s Ritual Dance Rattle
Borneo, Indonesia, Dayak tribe, early 20th c., Monkey skull, sea shells, bone, ceramic beads, Shaken to scare away evil or harmful spirits, ~ 13″ x 5″, $550.
Shaman’s Ritual Dance Rattle
Borneo, Indonesia, Dayak tribe, early 20th c., Monkey skull, sea shells, metal nail, ceramic beads, glass bead, Shaken to scare away evil or harmful spirits, 12″ x 7″, $550.
Shaman Male and Female (pair) protection and healing figures
Timor Island, Indonesia, Early to mid 20th c., stone, cloth, pigment, used to protect the home and for healing, (male – 7 1/4″ x 5 1/4″) (female – 7 3/4″x 5″), $975. for the pair
Shaman Magic Figures
Timor Island, Indonesia, Early to mid 20th c., stone, Used in rituals to make rain. ~ (left – 6 1/2″ x 5 1/2″ x 4 1/2″), (right – 7″ x 5″ x 4 1/2″, $340. each
Pig Hunting Effigy
Lamboya village, West Sumba Island, Indonesia, Early to mid 20th c., Sentiki root wood, Shaman empowers the effigy to bring a successful hunt. (male – 7 1/4″ x 5 1/4″), (female – 7 3/4″ x 5″), $380.
Shaman’s mortar and anthropomorphic pestle (set)
Besikama village, Timor, Indonesia, mid 20th c. wood, for healing herbs and substances, pestle – 12 1/2″ x 2 1/2″; mortar – 7 3/4″ x 4 1/2″ x 4″, $650. for the set
Shaman’s 3-Faced Figure Holy Water Jar Stopper
Kodi village, Sumba Island, Indonesia, late 19th to early 20th c., ceramic, 14″ x 9″, $1200.
Shaman Figure – Rare
Dhoki village, Flores Island, Indonesia, stone, late 19th to early 20th c., For healing and divination rituals. This effigy was passed down from father to son. Once a year, it is fed blood to empower it. 14″ x 9 1/2″ 6 1/2″ w/o base (17″ with base), $1600.
Shaman’s Medicine Jar (see next image for top detail)
Sumba Island, Indonesia, early 20th c., bamboo, wood, twine, pigment, Container for healing herbs and substances, with carved seated figure holding a ceramic or wooden vessel. 23″ x 7″, $390.
Detail (from previous image) of Shaman’s Medicine JarShaman’s Medicine Jar
Sumba Island, Indonesia, early 20th c. bamboo, wood, twine, for healing herbs and substances, 12″ x 4 1/2″, $280.
Shaman Figure
Anakalang village, West Sumba Island, Indonesia, Early 20th c., stone, pigment, used for healing and protection and to predict auspicious dates for rituals, and possibly to find lost items. 15 1/4″ x 8″, $1800.
Shaman’s Power Object/Healing Wand, Cat, Horse, Dog, Bird (see next image for detail)
Sumba Island, Indonesia, Early 20th c., wood, 9 1/2″ x 2 1/4″ x 2″, $160.
(detail of previous image) Shaman’s Power Object/Healing Wand, Cat, Horse, Dog, BirdShaman Ritual Healing Object
Lesser Sunda Islands, Indonesia, wood, 13 1/2″ x 1 3/4″ x 8″, $220.
Borneo, home of the Dayak tribes is one of the largest islands in Indonesia, and is of volcanic origin. Their ancient belief system, like that across most of Indonesia, is Animistic – the belief that they are descendants of a bird/dragon/serpent. This is visually represented by the pervasive motifs in their art. Shaman are intrinsic to Dayak religion. They bring together the spirit world, the mortal world, and the underworld and thus serve to maintain the balance of life, protecting the community, and healing the sick. Although the Dayak are a peace loving people, they were historically feared by outsiders for their little understood practice of headhunting. In reality, a head is taken only after death during war, and is taken out of respect for the spirit.
‘Lupong Manang’ Shaman’s Medicine Carrier/Backpack with Healing Charm Figures (rare), East Kalimantan, Borneo, Indonesia, Dayak tribe. Late 19th to early 20th c, Wood, braided reed, feathers
The Shaman makes his own traveling medicine kit. It would typically contain items for healing, protections and predictions – such as special teeth, stones, herbs and other magical items. The figures on the exterior correspond to illnesses and other conditions or ailments. 17 ½” x 13” x 13”, $4800. SOLD
Shaman Figure with Cap, Kalimantan, Borneo, Indonesia, Dayak tribe Early 20th c, Ironwood
Used in healing rituals. 13” x ¾” x 8” x 6”, $390.
Shaman Healing Amulet, Necklace, Borneo, Indonesia, Dayak tribe, Mid 19th to early 20th c, Root wood pigmented with soot, shell, animal teeth, cloth pouches, glass beads, disk beads, patinated with age and use
Used for healing rituals. The amulets correspond to various illnesses and conditions. 26” x 8” x 2 ½”, $2400. (see image below for detail)
Detail View of Shaman Healing Amulet, Necklace (see previous image)Shaman Healing Fetish, Kalimantan, Borneo, Indonesia, Dayak tribe, Early 20th c, Wood, pigmented with soot
For healing rituals. 6 ½” x 13” x 10”, $250.
Shaman Amulet/Talisman Figures for Healing, Kalimantan, Borneo, Indonesia, Dayak tribe, Wood, :Late 19th to Mid 20th c
Dimensions/Info Left to Right: (Early 20th c. Wood, 4 ¾” x 1 ½” x 1 ½”, $90.) ; (Late 19th to early 20th c, Wood, stopper for medicine bottle – 5” x 2 ½” x 1 ½”, $90.); (Mid 20th c, Wood, Stopper for shaman’s medicine container, 5 ¾” x 1” x 1 ¼”, $130.); ( Early 20th c. Wood, Used for healing a child, 3 ¼” x 1” x 1 ¾”, $85.) (ALL 4 SOLD)
Shaman Healing Amulet/Talisman
Used for healing rituals. 4 ¾” x 4” x 5”. $70. SOLD
Shaman Healing Fetish with padlocks, Kalimantan, Borneo, Indonesia, Dayak Tribe, Late 19th c, Wood, metal, shell, fiber netting
This is used by the shaman to contact the spirits for healing rituals. 16” x 6” x 5”, $1800.
Magic Protection Figure, Kalimantan, Borneo, Indonesia, Dayak tribe, Early to mid 19th c, Ironwood
This figure gives protection from harmful spirits. 35” x 21 ½” 8”, $1600.
Skull Necklace Kalimantan, Borneo, Indonesia, Dayak tribe, Early 20th c, Wooden Beads, Rodent Skull, darkened with soot
Worn for healing and protection rituals 17 ½” x 2 ¾” x 1 ¾”, $450.
Shaman Amulet/Talisman Figure (rare), Kalimantan, Borneo, Indonesia, Modang Dayak tribe, Early to mid 20th c, Wood
Zoomorphic or monkey figure amulet. $650 (sold as pair) Dimensions” (left – 7” x 1 ½” x 3 ¾”); (right – 7” x 1 ½” x ¾”) SOLD
Shaman Healing Fetish Rattle, Borneo, Indonesia, Dayak tribe, Early 20th c, Wood pigmented with soot
Used for healing rituals. 14” x 8” x 4”, $560.
Shaman Fetish Figure, Kalimantan, Borneo, Indonesia, Dayak tribe, Early 20th c, Wood pigmented with soot, animal hideShaman Figure with Red Skirt, Kalimantan, Borneo, Indonesia, Dayak, Early 20th c, Wood, cotton cloth
Used for healing and protection.20” x 4” x 2”, $800.
Shaman Protector Figure, Kalimantan, Borneo, Indonesia, Dayak tribe, Early 20th c, Wood, cloth straps
Kept in the shaman’s home for his protection. 28” x 6” x 5 ½”, $1900.
Shaman Female Amulet Figure, Kalimantan, Borneo, Indonesia, Dayak tribe, Early 20th c, Ironwood
Used for healing treatments, 8 ¼” x 5” x 4”, $90. SOLD
Medicine Man Effigy Betel Nut Offering Figure, Kalimantan, Borneo, Indonesia, Dayak tribe, Early 20th c, Wood, cloth, paint
Used to hold betel nuts as a ritual offering to the deities.
13” x 4 ½” x 5”, $1200.
Used in healing rituals. The figure corresponds to specific illness or conditions. Dimensions and prices left to right: (left – 7 ¾” x 5 ¾” x 4”, $220.); tall middle – 10 ½” x 6 ½” x 2 ½”, $160.) SOLD; (light middle – 7 ½” x 2” x 2”, $210.); (right – 8 ½” x 5” x 4”, $190.)
Shaman Protection Figure, Kalimantan, Borneo, Indonesia, Modong Dayak tribe, Late 19th c, Wood darkened with soot
Shaman use these to protect themselves and villagers from evil creatures, 14” x 4 ¼” x 4”, $560.
Shaman Healing Amulet/Talisman, Borneo, Indonesia, Dayak tribe, Early 20th c, Wood pigmented with soot. SOLDShaman Healing Amulet/Talisman, Borneo, Indonesia, Dayak Tribe, Late 19th c, Root wood, glass beads, pigmented with soot
Two sided figure. Used for healing rituals (double sided/two faces), 5” x 4 ½” x 4 ½”, $365.
Shaman Healing Fetish, Kalimantan, Borneo, Indonesia, Dayak tribe, Early to mid 20th c, Wood
Held in shaman’s hand during ritual for healing calling the spirits, 10 ½” x 4” x 3 ½”, $420.
‘Lupong Manang’ or Shaman’s Medicine Carrier/Backpack with Healing Amulet/Fetish Figures (rare), East Kalimantan, Borneo, Indonesia, Dayak tribe, Late 19th to early 20th c, Wood pigmented with soot, raffia, feathers, porcupine quills
Shaman made their own medicine kit backpacks to carry items for healing, protection and predictions such as special teeth, stones and other items. The healing amulet figures on the exterior correspond to illnesses and other conditions. 17” x 12 ½” x 15”, $3,900. (see below image for detail image of shoulder straps)
Essential to the shamanic traditions of the Vietnamese is the ability to read and write Chinese. A requisite, extensive knowledge of Buddhism, Hinduism, Confucianism, Animism and Ancestor worship make the shaman’s training a long and rigorous process. They must draw on a complex base of philosophies and abilities which include the use of scroll paintings, ritual texts, and prints. The shaman use a collection of specific objects and instruments to aid them in entering the realm of the spirits. They wear intricately crafted robes designed for women, who were the original healers – before the demands of child rearing caused a gradual shift to a predominantly male profession. The elaborate imagery embroidered on the robes represents the universe with all its deities. Shaman wrap themselves in this ‘Universe’ for protection during rituals, in which they negotiate directly with supernatural beings – both good, and evil. Shaman are the cornerstones of culture and society in Vietnam and Thailand. They care for both rich and poor, and preside over individual and community events and celebrations. (please keep checking as we add to this Vietnam post)
Shaman Paintings (set – 15 banners), Thailand (Vietnamese Yap people), Mid to late 20th c, Cotton, pigment
Shamans derive spiritual power from these paintings. When hung around the room in specifically arranged layouts, they effectively become the spirit world they represent and, like a portal, the shaman can then enter that realm. The ritual texts allow him/her to communicate directly with the deities and ancestors to negotiate and treat diseases and other things that have become out of balance. An essential set of three basic painting panels is the minimum requirement for a a newly initiated shaman. Full sets, required for many rituals, can range from 17 paintings to more than 27. An example of a ritual requiring a full set would be one performed to liberate souls of the dead from Hell to be reborn into Heaven. The panels depicting the 10 Kings of the underworld are hung around the main room of a house. The shaman enters a trance, thereby entering Hell, and chants a ritual that will save the soul of the recently dead. 42” x 16” (15 pcs $6200.) Or $425 for a single individual banner. *Please scroll to bottom of this post for detailed images of each of the large 42″ x 16″ banners above.
Detail of Shaman Paintings/Banners
In addition to the previous set (previous image) of 18 large paintings – these are 3 smaller sizes – (3 pcs – 17 ½” x 10″, $170 each); (3 pcs – 10 ½” x 7 ½” , $110 each); (1 piece – 9″ x 80″, $325.) The horizontal one is shown folded. Please contact us for additional images.
Shaman’s Personal Instruction Book, Cao Bang province, Vietnam, Early 20th c, Ink on handmade mulberry paper
Written in Nom (Chinese characters adapted to Vietnamese), books are an integral part of a shaman’s repertoire. They range from explanations of various rituals and use of objects, to astrology, history, songs, laws, etiquette, children’s tales, hunting practices, formulas, spells and Feng Shui. Shaman make their own books to help store their knowledge therefore no two are alike and a high level shaman will have a large library. 9 ½” x 8 ½” x ¾”, $850. (see inside detail below)
Inside Detail of Shaman’s Personal Instruction Book, Cao Bang province, Vietnam, Early 20th c, Ink on handmade mulberry paper (some individual pages below)
Pages from Shaman’s Personal Instructional Book, Cao Bang province, Vietnam, Red Yao people, Early 20th c, Ink on handmade mulberry paper (tapa) (we have 19 individual framed pages), 2 more examples below. If you’d like to see more, please contact us. They are all different!)
Pages from Shaman’s Personal Instructional Book, Cao Bang province, Vietnam, Red Yao people, Early 20th c, Ink on handmade mulberry paper (tapa)
Written in Nom (Chinese characters adapted to Vietnamese), books are an integral part of a shaman’s repertoire. They range from explanations of various rituals and use of objects, to astrology, history, songs, laws, etiquette, children’s tales, hunting practices, formulas, spells and feng shui. Shaman make their own books to help store their knowledge therefore no two are alike and a high level shaman will have a large library. 12” x 11” x ½” (framed), $120. each
Handmade and drawn by the shaman, it depicts prayers, signs, numbers and a deities. The sacred cloth is an undergarment worn as a talisman with great protective power against physical harm, like bullets, spears, knives, wild animals and evil spirits. This one may have been commissioned by a wealthy man who felt he needed protection. Soldiers would also wear these if they could afford one. 21” x 61”, $2900. SOLD
Amulet Yantra Vest, Nong Pho, Thailand, (Vietnamese shaman), Mid to late 19th c. Cotton, pigment (Back view, see front image below)
(Front view) Amulet Yantra Vest, Nong Pho, Thailand, (Vietnamese shaman), Mid to late 19th c. Cotton, pigment
Handmade and drawn by the shaman. It is endowed with prayers, signs, numbers. The sacred cloth is an undergarment worn as a talisman with great protective power against physical harm, like bullets, spears, knives, wild animals and evil spirits. 19” x 22”, $2,900. SOLD
Shaman Instruments, Cymbals, Bells and Flute, Late 19th to early 20th c, wood, metal
Instruments are essential tools for shaman. They create the rhythmic atmosphere that facilitates entering and maintaining the trance state necessary for the shaman to enter the spirit worlds. (Cymbals, Bells, Flute)
Cymbals -;Tuyen Province, Northern Vietnam, Cao Lan People, Late 19th to early 20th c, Bronze. For welcoming divinities and warding off evil beings. Cymbals represent the turtle – legendary hero figures, who are exercised for killing monsters. Dimensions: (small – 3 ½” x 6 ¾’ x 6 ¾”, $400.), (large – 4” x 9 ½ x 9 ½”, $590.) SOLD
Shaman/Buddhist Priest Clapper Bell; Black Yao people, Late 19th c, Metal coin as clapper, The handle is embellished with a human face. Used in religious rituals. Its sound is meant to evoke protective deities and dispel evil spirits. This type of bell is also used during chanting and incantations of mantras. 5” x 2 ½” x 2 ½”, $325. SOLD
Round Finger Bells, Hoa Binh province, Vietnam, H’mong people, Late 19th to early 20th c, Bronze, Placed on one’s finger, the tone can be modified with the palm and remaining fingers. $90. each, (2 ½” x 1” x 1”); (2 ½” x 1” x 1”); (2 ¼” x 1” x 1”). SOLD
Oboe/Flute, Cao Bang province, Red Yao people Early to mid 20th c, Wood, metal, An essential element of the musical ensembles that accompany the shaman’s rituals and performances to help the living and provide salvation for the dead. 19 ¼” x 4” x 4”, $220. SOLD
Shaman’s Court Tablet, or Wand, Vietnam, Yao people, Mid to late 19th c, Wood, finely woven cotton band with glass beads
Potent tool used similarly to a Himalayan Phurba, to direct evil energy away and to summon and control spirits. Text characters are painted onto all sides. 13 ¼” x 16 ½” x ¾”, $650.
Dragon Robe (front), Shaman Priest’s Costume, complete outfit; Robe, Skirt, Belt, (Scarf – see next image), Vietnam, Tao people, Mid 20th c, Cotton, silk embroidery
Worn by shaman priests for all ceremonies. The motif typically includes all the deities of heaven to clothe the shaman in the protection of the universe. Not a vain adornment, it is a reminder of man’s place in the hierarchical order. Long ago shamans were women and men the providers. Not being encumbered by childbirth and child rearing, men gradually replaced women as shaman but the sacred costume remained the same. This type of headpiece/scarf (image below) is worn by postulant or newly ordained shaman. High level priests will wear a hat made of human hair. Dimensions (49” x 42” robe); (35” x 26” skirt); (106” x 3” belt); (118” x 9 ½” scarf – below), $3900 full costume.
Shaman’s Ritual Costume Headscarf (from full costume – see above image)
Shaman Hat, Vietnam, Feng Yuan Fa people, Late 19th c, Human hair, pigment
Hats are a crucial part of the shaman’s costume. Hats made from human hair are worn only by high level priests. Postulants and newly ordained shaman wear a cotton and silk head scarf. Human hair strands are twisted together to make thicker ones, dyed dark brown and woven into patterns. They are very difficult to make but are durable and last a long time. The symbol for good luck symbol is woven into the front of the hat and the shaman’s name into back. 9” x 10” x 2”, $675.
Dragon Robe/Ritual Cloak (back), Vietnam, Late 19th to early 20th c, Dao Lan-Tien people, Early 20th century, Cotton dyed with local indigo, hand embroidered with silk
Worn only by high level shaman. The use of expensive and difficult to obtain brighter European dyes indicates an exceptional piece. The motif typically includes all the deities of heaven to clothe the shaman in the protection of the universe. Not a vain adornment, it is a reminder of man’s place in the hierarchical order. Originally a female costume. Long ago shamans were women and men the providers. Not being encumbered by childbirth and rearing, men replaces women as shamans but retained this part of the sacred costume. *more detailed information available. 45” x 26”, $2900. (front view below) SOLD
Dragon Robe Ritual Costume, Front view of previous Robe.
Shaman’s ‘Pan Hung’ Wand, Quang Ninh province, Vietnam, San Diu people, Early to mid 20th c, Wood with red pigment
Pan Hung is a Taoist mythical, composite beast, usually a varied mixture of Dragon, Tiger and Dog. This particular wand is dominantly Dragon. It is typically used for calling spiritual powers and for fending off evil spirits – especially at funeral rites, and to wave over items to be burned as offerings to the ancestors. The slot on the underside is for mounting on a wall when not in use. 3” x 1” x 8”, $375.
Shaman’s ‘Pan Hung’, Wand, Vietnam, Black Yao people, Early to mid 20th c, Wood, pigment
Pan Hung is a varied mythical, composite beast: Dragon, Tiger, Dog. It is typically used for calling spiritual powers and for fending off evil spirits – especially at funeral rites, and to wave over items to be burned as offerings to the ancestors. (small – Early 20th c, 2 ½” x 1 ¾” x 5”, $340.); (large – Mid 20th c, 3 ½” x 1 ½” x 6 ¼”, $240.)
Shaman’s ‘Pan Hung’ Cat Wand, Northern Vietnam, Tay people, Mid to late 19th c, Wood with smooth patina from use and age
Pan Hung is a Taoist mythical, varied, composite beast: Dragon, Tiger, Dog. It is typically used for calling spiritual powers and for fending off evil spirits – especially at funeral rites, and to wave over items to be burned as offerings to the ancestors. 2 ¼” x 1 ¼” x 4”, $190. SOLD
Shaman’s ‘Pan Hung’ Wand, Dong Hy district, Thai Nguyen province, Vietnam, Nung people, Late 19th to early 20th c, Wood, pigment
Pan Hung is a Taoist mythical, composite beast: Dragon, Tiger, Dog. This particular wand is dominantly Dragon. It is typically used for calling spiritual powers and for fending off evil spirits, especially at funeral rites, and to wave over items to be burned as offerings to the ancestors. The slot on the underside is for mounting on a wall when not in use. 3 ¾” x 1 14” x 18”, $800.
Sacred Unicorn (Kỳ lân) Panel (rare), Vietnam, Bac Ninh province, Mid 19th c, Red cotton textile with hand embroidered silk and precious-metal-wrapped thread
One of the four sacred animals, the unicorn symbolizes purity, happiness and wealth. If the unicorn appears, many good things will happen. It is often hung over the altar table in pagodas, temples or in homes of traditional families. Its strength and faithful nature are desirable for guarding temples and places of worship. Almost all of these pieces from this time period are portrayed in blue, cream and metallic color schemes. Because of its coloring, this panel is unusual and particularly desirable. 15 ½” x 17 ½” x ¾”, $590.
Zhu Zhong Fan, Shaman Priest Altar Figures, Vietnam, Yao people, Mid to late 19th c, Wood, pigment
Kept in a Shaman’s home. Part of the items required to contact the spirit world. Every shaman has a set of three ‘Zhu Zhong Fan’ figures. They are: ‘To Sai’ – an ancestor shaman priest figure; ‘Nyut Hung’ – a seated Mandarin or God figure; and ‘Khong Zhao’ – a protecting officer or messenger to the gods. He is always mounted and brandishing a sword or pennant. They are only sacred once they are gifted with a soul. A ceremony is performed calling for the deity or ancestor to enter the figure. A piece of silver and some threads are placed in a secret hole in the back and sealed up. This is where the soul resides. When the figure is given away or sold the silver is removed rendering the figure inert and no longer sacred. (left – ‘Nyut Hung’ figure, 8” x 4 ¼” x 2 ½”, $650); (middle – ‘Khong Zhao’ figure, 11” x 4” x 6 ¾”, $900.); (right – ‘To Sai’ figure,7” x 3 ¼” x 2 ½”, $650).
Shaman’s Costume Tunic and Belt, Vietnam, Yao people, Late 19th c, Cotton, indigo, silk embroidery
Worn only by high level shaman. The motif typically includes all the deities of heaven to clothe the shaman in the protection of the universe. Not a vain adornment, it is a reminder of man’s place in the hierarchical order. Originally a female costume. Long ago shamans were women and men the providers. Not being encumbered by childbirth and rearing, men replaces women as shamans but retained this part of the sacred costume. *more information available. 47” x 27 ½” x 3”, $3100.
Shamanic Belt with 12 Handkerchiefs, Da Bac district, Hoa Binh province, Vietnam, Tight Trouser Dao people, Early to mid 20th c, Cotton, hand embroidered with silk
Worn by shaman while performing religious rituals. A complete belt would have a minimum of 12 handkerchiefs (embroidered squares). The belt is passed down through generations, revealing its history. If a shaman has two sons or apprentices, he will spit the belt and the new shaman’s wife would make the other necessary handkerchiefs. Several generations are represented in this belt. 75” x 18” x 2 ½”, $775.
Handkerchief/Panel from a Shamanic Belt, Da Bac district, Hoa Binh province, Vietnam, Tight Trouser Dao people, Early to mid 20th c, Cotton, hand embroidered with silk
Worn by shaman while performing religious rituals. A complete belt would have a minimum of 12 squares (handkerchiefs). The belt is passed down through generations, revealing its history. $75. to $90.
Shaman’s Personal Knife and Sheath, Vietnam, Yao people, Late 19th c, Metal, horn
Used in sacred rituals. 10” x 1 ½” x 1”, $580.
Shaman Medicine Flask, Thailand/Vietnam, Yao people, Early to mid 20th c, Wood, bamboo
To carry medicinal remedies used in healing rituals, 10” x 4” x 2 ½”, $420.
Shaman Printing Block, Tuyen Quang province, Vietnam, Mid 20th c.
Printing blocks are important shaman tools for creating talismans and ghost money to burn as offerings to deities. They were stamped on paper or on envelopes to mark the contents as holy. (Top – 2 ¼” x ½’ x 5’, $110.); (Bottom, 1 ¾” x 6 ¼” x 1”, $90.) see image below for example of a print
Shamanic Print – Flying Horse, Vietnam, Thai Nguyen province, San Diu people, Contemporary, Pigment printed on handmade ‘Do’ paper
Print from a hand carved shamanic printing block (see previous image). The print would be burned for carrying a message to deities for protecting people against evil spirits. ‘Do’ paper is made from the bark of Rhamnoneuron balansae tree. This one is for a variety of ceremonies: initiation of a shaman; fending off evil spirits; building a house or farm structure, 6 ¼” x 7 ¼” x ¾”, SOLD
Shamanic Print – Man Loading a Horse, Vietnam, Thai Nguyen province, San Diu people,Contemporary, Pigment printed on handmade ‘Do’ paper
This print is for worshiping the stars in an effort to relieve someone’s run of bad luck, 7” x 10 ¾” x ¾”, SOLD
Shamanic Print – Tiger, Vietnam, Dao Lo Gang people, Contemporary, Pigment printed on handmade ‘Do’ paper, 8″ x 12″ x 3/4″, $55.
Shamanic Print, Man with Horse / Man with Bird, Vietnam, Hoa Binh province,Dao Quan Chet people, Contemporary, Pigment printed on handmade paper, 7″ x 10 3/4″ x 3/4″, $55.
Shaman’s Personal Stamp ‘Chop’, Northern Thailand, Mid to late 20th c, Wood, pigment
Important tool for a shaman. They are unique to a particular shaman and used as a mark of authenticity. They would be placed on a message from one shaman to another, to the deities or into the shaman’s book. $50./$60. each – Dimensions left to right: (left -2 ¾” x 2 ¼” x 3 ½”, $60.); (middle – 2 ¾” x 2” x 2 ¾”, $50.); (right – 2 ¾” x 1 ¾” x 2 ¾”, $50.)
Shaman Bag, Yao people, Late 19th to early mid c., Cotton and silk
Shaman use a bag or purse to keep and carry magic ritual items. 8” x 15” x ½”, $70.
Shaman Bag, Vietnam, Yao people, Early to mid 20th c, Cotton
Bag or Purse to carry magic ritual items, 11” x 17” x ½”, $120.
Ritual Dagger with Rattle, Vietnam, Yao people, Late 19th c, Iron, coins, cloth
These commanding rattle daggers are the most common ritual weapon used by a shaman priest. Similar in function to swords, they fend off evil spirits when shaken. The red streamers attract cosmic energy to empower it. The coin-laden top is still wound with red streamers from the ceremony it was last used in. Dimensions (left – 15” x 6 ¼” x 4 ½”, $350 SOLD); (right – 16 ½” x 5 ½” x 5”, $350. SOLD)
Ritual Sword, Tuyen Quang province, Vietnam, Yao people, Early 20th c, Iron blade, aluminum bands, wood handle, metal coins
An essential item for any Yao shaman ritual. Used to summon gods and goddesses and to punish disobedient spirits. Harmless to mortals, but a formidable weapon when shaken against evil spirits. This is a male sword – top detail differs on female swords. $295. each, Dimensions left to right, (left – 15 ¼” x 3 ¼” x 1” SOLD); (middle – 15 ¼” x 3 ¼” x 1” SOLD); (right -13 ¾” x 3” x 1”)
Ritual Dragon Knife, Vietnam, San Diu people Early 20th c, Iron
Ritual Dragon Knife, Vietnam, San Diu people Early 20th c, Iron, patinated with use and age, Used in rituals to subdue evil forces. (small – 12” x 3 ¾” x 1 ¼”, $270.); (large – 13 ¾” x 4 ½” x 1 ¾”, $270.)
Shaman’s Amulet Cloth, Vietnam , Yao people, Early 20th c, Cotton with pigment, 13″ x 14′, $190.
Shaman’s Amulet Cloth, Vietnam , Yao people, Early 20th c., Cotton with pigment, 13″ x 14″, $190.
Shaman’s Amulet Cloth, Vietnam, Yao people, Early 20th c., Cotton with pigment, 13” x 15”, $160″
Shaman’s Amulet Cloth, Vietnam, Late 19th to early 20th c, Cotton, 36″ x 50″
Worn only by high level shaman. The motif typically includes all the deities of heaven to clothe the shaman in the protection of the universe. Not a vain adornment, it is a reminder of man’s place in the hierarchical order. Originally a female costume. Long ago shamans were women and men the providers. Not being encumbered by childbirth and rearing, men replaces women as shamans but retained this part of the sacred costume. 34” x 24”, $2800.
Worn only by high level priest/shaman. The motif typically includes all the deities of heaven to clothe the shaman in the universe for protection. Not a vain adornment, it is a reminder of man’s place in the hierarchical order. Originally a female costume. Long ago shamans were women and men the providers. Not being encumbered by childbirth and rearing, men replaces women as shamans but retained this part of the sacred costume. 49” x 29”, $2200. (see below for back view)
Dragon Robe/Ritual Cloak, Vietnam, (back view of previous image) Yao people, Mid 20th c, Cotton, indigo, silk embroidery
Dragon Robe/Ritual Cloak (front), Vietnam, Tao people, Early to mid 20th c, Cotton, silk embroidery – front view, 48″ x 39″, $2700, (see below for back veiw)
Dragon Robe/Ritual Cloak (back view, see previous image for front view)
Yin Yang Divination Blocks, Vietnam, Early 20th c, Bamboo
These pairs of blocks are used by shaman to get answers to questions and requests. They are round on the yin side and flat on the yang side. They are thrown like dice. The answer is determined by the configuration of how they land: 1 yin and 1 yang side up = YES; Both the same side up = NO (also typically made of wood or horn) $175 each set. Dimensions: (right – 5” x 1 ¾” x 1 ½”); (left – 4 ¾” x 1 ½” x 1 ½”)
Pages from a Shamanic Book, Vietnam, Cao Lan people, Mid 20th c, Ink and watercolor handwritten on Mulberry paper
It is a book for making astrological predictions using the East Asian zodiac’s twelve animal characters. The text of the book uses images, maps and text to describe in detail, for the learned shaman, how to navigate this complex system of looking into the future. 12” x 17 ¾” x ¾”, $260.
Shaman’s Personal Instruction Book, Cao Bang province, Vietnam Red Yao people, Early 20th c, Ink on handmade mulberry paper
Written in Nom (Chinese characters adapted to Vietnamese), books are an integral part of a shaman’s repertoire. They range from explanations of various rituals and use of objects, to astrology, history, songs, laws, etiquette, children’s tales, hunting practices, formulas, spells and Feng Shui. Shaman make their own books to help store their knowledge therefore no two are alike and a high level shaman will have a large library. 9 ½” x 8 ½” x ¾”, $850.
Shaman’s Personal Instructional Book, China, Yunnan Shui people, Early 20th c, Paper, ink, pigment
Scripted by the shaman, on handmade paper, to record all his knowledge and to instruct future shaman, 9” x 6 ¼” 1”, $750. (see below for inside detail)
Inside detail of Shaman’s Personal Instructional Book, China
Ceremonial Masks, Vietnam/Thailand, Early 20th c, Pigment (ink and watercolor) on handmade paper
Paper masks are required possessions for shaman. Usually tied to the forehead, they are worn during certain rituals to impersonate deities. A shaman will have a full set of twenty seven. Only female shaman can wear masks of female deities. 11 ¼” x 9 ¾” x ¾” (framed) $240 each
Horn for Drinking Spirits, Vietnam, Nghe An province, Thai people, Mid 20th c, Water Buffalo Horn
(horizontal – 11 ¾” x 2 ¼” x 5”, $160.); (vertical – 12” x 3 ¼” x 2 ¼”, $160.)