Musical and Ritual Instruments from Southeast Asia – Japan, China, Indonesia, Nepal, Tibet, Vietnam: Sacred, Secular, and Unusual

INSTRUMENTS!!!

Large Drum, with tacks, China, vintage, Wood, metal, hde, paint, 60" x 35", $5500., thedavidalancollection.com , solana beach, Ca
Antique Chinese Tiger Drum (side view – alternate views below)

WE HOPE YOU ENJOY BROWSING OUR INTRIGUING COLLECTION OF HANDMADE MUSICAL INSTRUMENTS
Carved, cast and intricately constructed, they are beautiful works of art as well. From across Southeast Asia, vintage to contemporary, tribal folk craft to fine art, every piece was masterfully engineered to produce a particular sound. Each has its own intangible significance – some sacred from temples, shrines or holy spaces, some employed by shaman as both costume and instrument and some for traditional, secular use. Music is a highly evocative, healing and transportive magic that transcends time and spoken language and exists in every culture. Please scroll through these enchanting sound makers. (organized by type of instrument – drums, gongs, bells, strings etc… vs by country)

DRUMS

Musical Instrument, Large Drum, Byo-Uchi-Daiko (drum with tacks), Japan, vintage, Wood, metal, hide, paint, 60" x 35", $, thedavidalancollection.com , solana beach, Ca
Vintage Chinese Hanging Tiger Drum (top view), wood, metal tacks, hide, paint, 60″ x 35″, $5500.

 

Musical Instrument, Large Drum, Byo-Uchi-Daiko (drum with tacks), China, vintage, Wood, metal, hide, paint, 60" x 35", $, thedavidalancollection.com , solana beach, Ca
Vintage Chinese Hanging Tiger Drum (detail side view)
 
Musical Instrument, Early 19th c Edo Period Taiko Style (tacked down) Japanese Drum, Keyaki wood (Japanese Red Elm), rawhde, red paint metal tacks, ink, 19" x 18", $1250.; thedavidalancollection.com , solana beach, ca
Edo Period Japanese Taiko Style, Nagadou (long body) Drum

Early 19th c, Keyaki (zelkova) wood, hide, red pigment, metal tacks, carved from one piece of wood,  ink, 19″ x 18″, $1250.

Japanese Taiko Style (tacked down) Drum, Japan, 19th c Edo Period, (new head skin and tacks), wood, rawhide, rope, iron rings and tacks, ink/paint, 20" x 24", $1200.; thedavidalancollection.com , solana beach, ca
Edo Period Japanese Taiko Style (tacked down) Drum

19th c, (new head skin and tacks), Keyaki wood, hide, rope, iron rings and tacks, ink/paint, carved from one block of wood; 20″ x 24″, $1200.

Musical Instrument, Edo period Taiko Buddhist Drum, Japan, 18th c, keyaki wood (Japanese red elm), metal panel on side, metal tacks on rawhide skin (missing center of drum head skin on both sides) Metal ring with rope for carrying, 29 1/2" x 34", $2800. thedavidalancollection.com , solana beach, ca
Edo Period Japanese Taiko Style Nagadou (long body) Drum

19th c, Buddhist Drum, Keyaki (zelkova ) wood, metal panel on side, metal tacks on rawhide skin (missing center of drum head skin both sides) Metal ring with rope for carrying, carved from one block of wood; 29 1/2″ x 34″, $2800.

Musical Instrument, Hanging drum, Japan, wood frame, wood drum, hide head painted with black and gold, with Tomoe symbols (circular, turning motif referring to motion of the earth and play of forces, metal tacks, 18 1/4" x 6 1/2" ; frame - 52 1/2" x 30 1/2"), $650., thedavidalancollection.com , solana beach, ca
Japanese Hanging Hira (short or flat) Drum

Wood, hide head painted with black and gold ‘Tomoe’ symbol (circular, turning motif referring to motion of the earth and play of forces), metal tacks, 18 1/4″ x 6 1/2″ ; frame – 52 1/2″ x 30 1/2″, $650.

Japanese Hanging Drum, wood and metal frame, rawhide skin tacked down. 21 1/2" x 6", (30" x 27" x 13" with stand), $750.; thedavidalancollection.com , solana beach, ca
Japanese Hanging Hira (short or flat) Drum

Wood and metal frame, hide skin tacked down. 21 1/2″ x 6″, (30″ x 27″ x 13″ with stand), $750.

Japanese Hanging Temple Drum, wood, rawhide, metal tacks and rings, 22 1/2" x 33", (31" x 33" with frame), $950.; thedavidalancollection.com , solana beach, ca
Japanese Hanging Temple Hira (short or flat) Drum

Wood, hide, metal tacks and rings, 22 1/2″ x 33″, (31″ x 33″ with frame), $950. (see top detail image below)

top detail of Japanese Hanging Taiko Style Drum
top detail of Japanese Hanging Drum (previous image)
Temple Drum, Tibet, 100+ years old, Wood, carved and painted polychrome by hand Iron, string, fabric and papier-mâché, decprated with Tibetan symbols. It is played with a curved stick and used for religious ceremonies and for meditation. 44 1/2" x 16 1/2" x 3 1/4", $1100. thedavidalancollection.com , solana beach, ca
Tibetan Handheld Temple Drum or ‘Dhyangro’; played with a curved stick

Early 20th c, Hide, Wood – carved and polychrome hand painted, iron, string, fabric and papier-mâché, decorated with Tibetan symbols. Played with a curved stick and used for religious ceremonies and meditation. 44 1/2″ x 16 1/2″ x 3 1/4″, $1100. SOLD (see detail image below)

detail of Tibetan Temple Drum
Description Musical Instuments, Drums, wood, paint, hide skin, Indonesia, left to right - 27 1/2" x 16" $295.; white/front- 20 1/2" x 12", $225.; 25 1/2" x 13", $280., thedavidalancollection.com , solana beach, ca
Drums with hide laced head (middle and small size are missing head skins)

Indonesia, Wood, paint, hide, left to right – 27 1/2″ x 16″ $295.; white/front- 20 1/2″ x 12″, $225.; 25 1/2″ x 13″, $280.

Double Headed Drum, Java, Indonesia, hide skin heads with hide lacing and tuning straps. wood and paint with metal rings for carrying strap, contemporary, 21" x 10" (top) x 7 3/4" (bottom); $440. ; thedavidalancollection.com , solana beach, ca
Javanese Double Headed Drum

Java, Indonesia, hide skin heads with hide lacing and tuning straps. wood and paint with metal rings for carrying strap, contemporary, 21″ x 10″ (top) x 7 3/4″ (bottom); $440. (side detail see image below)

side detail of Javanese Double Headed Drum
Sumbanese Carved Hornbill Bird Drum, Sumba Island, Indonesia, Mid 20th c, hardwood, rawhide, strap and peg style head, The Hornbill is a religious symbol of great antiquity. 22" x 7" x 8"; $1100.; thedavidalancollection.com , solana beach, ca
Sumbanese Carved Hornbill Bird Drum

Sumba Island, Indonesia, Mid 20th c, hardwood, rawhide, strap and peg style head, The Hornbill is a religious symbol of great antiquity. 22″ x 7″ x 8″; $1100.

TEMPLE RIN GONG/MEDITATION BELL

Buddhist Temple Altar, Hammered Bronze, Singing Bowl and Cushion Stand, with Wooden and hyde Striker and Striker Stand Japan, 7" x 10" (10 1/2" x 12 1/2" with cuchion, striker - 13 1/2" x 2" (5 1/2" tall with striker stand) $1250., thedavidalancollection.com , solana beach, ca,
Vintage Japanese Buddhist Temple Rin Gong or Meditation Bell, Cushion Stand, Striker and Striker Stand

Hand hammered bronze bowl with purple and gold cushion stand, hide wrapped wooden striker, decorative wooden striker stand; Bowl – 7″ x 10″ (10 1/2″ x 12 1/2″ with cushion) striker – 13 1/2″ x 2″ (5 1/2″ tall with striker stand) $1250. (set) 

GONGS

Musical Instrument, Hanging Gong and Striker with wood frame and hand carved stand, Japan, bronze, wood, fabric, rope, gong - 32 1/2" x 36" x 12" (Frame - 17 1/2" x 6"), $2400., thedavidalancollection , solana beach, ca
Japanese Buddhist Temple Gong and Striker

Hand carved wood frame and stand, bronze, rope, cloth, – 32 1/2″ x 36″ x 12″ (Frame – 17 1/2″ x 6″), $2400.

SLIT GONGS or DRUMS

Pair of Tribal Musical Instruments, Anthropomorphic Slit Drum or Gong, Kulkul, Bali, Indonesia, wood, paint, This type of percussion instrument was developed and used by people in forested areas as its sound will carry far through the surrounding jungle and rice fields. Often hung or placed in a drum pavilion or tower and used to call villagers to meetings, or other events by tapping out a signal. Left - 39 1/2" x 7 1/2" x 7", $950.; Right - 34 1/2" x 7" x 7", $590.; thedavidalancollection.com , solana beach, ca
Pair of Balanese Kulkul or Slit Gong or Drum

Bali, Indonesia, wood, paint, This type of percussion instrument was developed and used by people in forested areas as its sound will carry far through the surrounding jungle and rice fields. Often hung or placed in a drum pavilion or tower and used to call villagers to meetings, or other events by tapping out a signal. Left – 39 1/2″ x 7 1/2″ x 7″, $950.; Right – 34 1/2″ x 7″ x 7″, $590.

Musical Instrument and long distance jungle communication system. Sumba Island, Indonesia, Teak wood, each one of these large gongs is carved from a single piece. This type of gong or drum was developed and used by people in the forested areas as its sound will carry far through the jungle and rice fields. Often hung or placed in a drum pavilion or tower, and used to call villagers to meetings or otherevents by tapping out a signal, base is 33 1/2" square, height is 108" (tallest) www.thedavidalancollection.com solana beach, ca
Sumbanese Slit Gongs and Striker (with stand)

Musical Instrument and long distance jungle communication system. Sumba Island, Indonesia, Teak wood, each one of these three large gongs has been carved from a single piece. This type of gong or drum was developed and used by people in forested areas. Its sound will carry far through the jungle and rice fields. Often hung or placed in a drum pavilion or tower, it was used to call villagers to meetings or other events by tapping out a signal. base is 33 1/2″ square, height is 108″ (tallest) $2800.

Tribal Musical Instrument, Slit Drum/Gong, depicting Semar and important Javanese God/clown, Indonesia, wood, paint, bicycle chain handle, This type of percussion instrument was developed and used by people in forested areas as its sound will carry far through the surrounding jungle and rice fields. Often hung or placed in a drum pavilion or tower and used to call villagers to meetings, or other events by tapping out a signal. 36" x 10" x 12", $750., thedavidalancollection.com , solana beach, ca
Javanese Hanging Slit Gong or Drum Depicting Semar – a traditional God-like/clown

Java, Indonesia, Semar is an important God-like/clown, wood, paint, bicycle chain handle. (see 1st Slit Gong post for full description) 36″ x 10″ x 12″, $750. (see back detail in image below) 

Back detail) -Slit Drum or Gong, Semar (clown), Java, Indonesia, wood, paint, bicycle chain handle, This type of percussion instrument was developed and used by people in forested areas as its sound will carry far through the surrounding jungle and rice fields. Often hung or placed in a drum pavilion or tower and used to call villagers to meetings, or other events by tapping out a signal. 36" x 10" x 12", $750., thedavidalancollection.com , solana beach, ca
back detail – Javanese Slit Gong or Drum – Semar, the character depicted, is a traditional God/clown (back detail from previous image)

Javanese Slit Drum or Gong, Java, Indonesia, Early 20th c, hardwood, paint, This type of percussion instrument was developed and used by people in forested areas as its sound will carry far through the surrounding jungle and rice fields. Often hung or placed in a drum pavilion or tower and used to call villagers to meetings, or other events by tapping out a signal. 28" x 64" x 15, $2400. thedavaialancollection.com , solana beach, ca
Javanese Slit Gong or Drum

Indonesia, Early 20th c, hardwood, paint, (see 1st Slit Gong post for full description) 28″ x 64″ x 15, $2400.

Musical Instrument, Slit Drum or Gong, Java, Indonesia, wood, paint, animal form with a beautiful age patina, This type of percussion instrument was developed and used by people in forested areas as its sound will carry far through the surrounding jungle and rice fields. Often hung or placed in a drum pavilion or tower and used to call villagers to meetings, or other events by tapping out a signal. 12" x 34" x 9", $750. thedavidalancollection.com , solana beach, ca
Javanese Carved Slit Gong or Drum

Indonesia, wood, paint, animal form with a beautiful age patina, (see 1st Slit Gong post for full description) 12″ x 34″ x 9″, $750.

Tribal Musical Instrument, Slit Drum or Gong with zoomorphic head, Indonesia, Early 20th c, wood, pigment on head, This type of percussion instrument was developed and used by people in forested areas as its sound will carry far through the surrounding jungle and rice fields. Often hung or placed in a drum pavilion or tower and used to call villagers to meetings, or other events by tapping out a signal. 9" x 31" x 7", $450.; thedavidalancollection.com , solana beach, ca
Indonesian Hanging Slit Gong or Drum with Carved Zoomorphic Head

Early 20th c, wood, pigment on head, (see 1st Slit Gong post for full description) 9″ x 31″ x 7″, $450. (see image below for detail of head)

detail of head carving, Tribal Musical Instrument, Slit Drum or Gong with zoomorphic head, Indonesia, wood, pigment on head, 9" x 31" x 7", thedavidalancollection.com , solana beach, ca
detail of head carving, Slit Gong or Drum
Tribal Musical Instrument, Slit Drum or Gong, in animal form, Java, Indonesia, jackfruit wood, paint, brown paint over an older bright blue. with an age patina, This type of percussion instrument was developed and used by people in forested areas as its sound will carry far through the surrounding jungle and rice fields. Often hung or placed in a drum pavilion or tower and used to call villagers to meetings, or other events by tapping out a signal. 13 1/2" x 37" x 9", $475. thedavidalancollection.com , solana beach, ca
Javanese Slit Gong or Drum

Indonesia, Jackfruit wood, paint, brown paint over an older bright blue. with an age patina, (see 1st Slit Gong post for full description) 13 1/2″ x 37″ x 9″, $475.

Musical Instrument, Slit Drum or Gong, Indonesia, wood, zoomorphic - horse/snake like animal with a beautiful age patina, This type of percussion instrument was developed and used by people in forested areas as its sound will carry far through the surrounding jungle and rice fields. Often hung or placed in a drum pavilion or tower and used to call villagers to meetings, or other events by tapping out a signal. 13 1/2" x 43" x 13". $1250., thedavidalancollection.com , solana beach, ca
Carved Slit Gong or Drum

Indonesia, wood, horse/snake animal with a beautiful age patina, (see 1st Slit Gong post for full description) 13 1/2″ x 43″ x 13″. $1250.

Musical Instrument, Slit Drum or Gong, Java, Indonesia, wood, paint, animal form, This type of percussion instrument was developed and used by people in forested areas as its sound will carry far through the surrounding jungle and rice fields. Often hung or placed in a drum pavilion or tower and used to call villagers to meetings, or other events by tapping out a signal. 9 1/2'" x 30" x 6", $370. thedavidalancollection.com , solana beach, ca
Javanese Carved Slit Gong or Drum

Indonesia, wood, paint, animal form, (see 1st Slit Gong post for full description) 9 1/2′” x 30″ x 6″, $370.

Tribal Musical Instrument, Slit Drum or Gong, in animal form, Java, Indonesia, wood, Early 20th c, hardwood, paint, This type of percussion instrument was developed and used by people in forested areas as its sound will carry far through the surrounding jungle and rice fields. Often hung or placed in a drum pavilion or tower and used to call villagers to meetings, or other events by tapping out a signal. thedavaialancollection.com , solana beach, ca 8 1/4" x 29" x 96", $390. thedavidalancollection.com , solana beach, ca
Javanese Carved Slit Gong or Drum

Indonesia, wood, Early 20th c, hardwood, paint, (see 1st Slit Gong post for full description) 8 1/4″ x 29″ x 96″, $390.

Zoomorphic Slit Gong or Drum, Java, Indonesia, Early to mid c, wood, paint, played with a wooden striker. This type of percussion instrument was developed and used by people in forested areas as its sound will carry far through the surrounding jungle and rice fields. Often hung or placed in a drum pavilion or tower and used to call villagers to meetings, or other events by tapping out a signal; 10 3/4" x 26 1/4" x 8"; $390.; davidalancollection.com ; solana beach, ca
Javanese Zoomorphic Slit Gong

Zoomorphic Slit Gong or Drum, Java, Indonesia, Early to mid c, wood, paint, played with a wooden striker. This type of percussion instrument was developed and used by people in forested areas as its sound will carry far through the surrounding jungle and rice fields. Often hung or placed in a drum pavilion or tower and used to call villagers to meetings, or other events by tapping out a signal; 10 3/4″ x 26 1/2″ x 8″; $390. (see below image for detail of head)

head detail of Javanese Zoomorphic Slit Gong
Tribal Musical Instrument, Ironwood Slot Drum or Gong, Java, Indonesia, Late 19th to early 20th c, Ironwood, red paint, 13" x 58" x 12", $1050., thedavidalancollection.com , solana beach, ca
Javanese Slit Gong or Drum

Indonesia, Late 19th to early 20th c, Ironwood, red paint,
In Kodi, as in the rest of Sumba, the most powerful, sacred music is played on gongs. Played in interlocking rhythms with one or two gongs to a player, the music is closely tied to Marapu ritual and ceremony, especially funerals. 13″ x 58″ x 12″, $1050.

Tribal Musical Instrument, Slit Drum or Gong, Java, Indonesia, teak wood, This type of percussion instrument was developed and used by people in forested areas as its sound will carry far through the surrounding jungle and rice fields. Often hung or placed in a drum pavilion or tower and used to call villagers to meetings, or other events by tapping out a signal. 6" x 20 1/2" x 5", $145.; thedavicalancollection.com , solana beach, ca
Javanesse Hanging Slit Gong or Drum

Indonesia, Jackfruit wood, (see 1st Slit Gong post for full description) 6″ x 20 1/2″ x 5″, $145.

STRING INSTRUMENTS

Sungga or Sumbanese Lute, Tribal Musical Instrument, 4 string guitar-like with pegs and strings, Kodi village, Sumba island, Indonesia, early 20th c, hardwood, pigment, anthropomorphic figure, The music is closely tied to ritual and ceremony, especially funerals. Unlikely as it seems from the looks of it, the dungga exists in the same musical world of slot drums/gongs, taking those rhythms and transferring them to its four strings. While gong ensembles can have seven or more instruments, the dungga’s four strings are enough to replicate most gong melodies: the high string, plucked by the left hand, replicates the metronomic sounds of the smallest gong, ngaha; the two inner strings play the sound of the “middle” gongs, dopoduyo, while the lowest string plays the part of the large gong or kaduka; 23 1/2" x 3 1/2" x 4" (with stand - 25 1/2" x 5" x 4 1/2"), $460.; thedavidalancollection.com , soland beach, ca
Dungga or Sumbanese Lute – Tribal 4 String Instrument with anthropomorphic figure

Kodi village, Sumba Island, Indonesia, early 20th c, hardwood, pigment, anthropomorphic figure, The music is closely tied to ritual and ceremony, especially funerals. Unlikely as it seems from the looks of it, the dungga exists in the same musical world of slot drums/gongs, taking those rhythms and transferring them to its four strings. While gong ensembles can have seven or more instruments, the dungga’s four strings are enough to replicate most gong melodies: the high string, plucked by the left hand, replicates the metronomic sounds of the smallest gong, ngaha; the two inner strings play the sound of the “middle” gongs, dopoduyo, while the lowest string plays the part of the large gong or kaduka; 23 1/2″ x 3 1/2″ x 4″ (with stand – 25 1/2″ x 5″ x 4 1/2″), $460.

Dungga or Sumbanese Lute, Tribal 4 String Musical Instrument, Sumba, Indonesia, wood, 4 strings (missing its strings and pegs), The music is closely tied to ritual and ceremony, especially funerals. Unlikely as it seems from the looks of it, the dungga exists in the same musical world of slot drums/gongs, taking those rhythms and transferring them to its four strings. While gong ensembles can have seven or more instruments, the dungga’s four strings are enough to replicate most gong melodies: the high string, plucked by the left hand, replicates the metronomic sounds of the smallest gong, ngaha; the two inner strings play the sound of the “middle” gongs, dopoduyo, while the lowest string plays the part of the large gong or kaduka, 28 1/2" x 7 1/4" x 3 1/4", $360., thedavidalancollection.com , solana beach, ca
Dungga or Sumbanese Lute – Tribal 4 String Instrument (missing its strings and pegs) with Female Anthropomorphic Figure

Indonesia, Early 20th c, wood, (see 1st Dungga post for full description)  28 1/2″ x 7 1/4″ x 3 1/4″, $360.

Dunga or Sumbanese Lute, Tribal 4 String Musical Instrument, Sumba, Indonesia, wood, 4 strings (missing its strings and pegs), The music is closely tied to ritual and ceremony, especially funerals. Unlikely as it seems from the looks of it, the dungga exists in the same musical world of slot drums/gongs, taking those rhythms and transferring them to its four strings. While gong ensembles can have seven or more instruments, the dungga’s four strings are enough to replicate most gong melodies: the high string, plucked by the left hand, replicates the metronomic sounds of the smallest gong, ngaha; the two inner strings play the sound of the “middle” gongs, dopoduyo, while the lowest string plays the part of the large gong or kaduka; 20 1/2" x 3 3/4" x 2 1/4", (22 1/2" x 4 3/4" x 4 3/4", $375., thedavidalancollection.com , solana beach, ca
Dungga or Sumbanese Lute – Tribal 4 String Instrument (missing its strings and pegs) with Anthropomorphic Figure

Indonesia, Mid 20th c, wood, (see 1st Dungga post for full description), 20 1/2″” x 3 3/4″ x 2 1/4″, (22 1/2″ x 4 3/4″ x 4 3/4″, $375.

Sungga or Sumbanese Lute, Tribal 4 String Musical Instrument, Sumba, Insonesia, wood, 4 strings (missing its strings and pegs), The music is closely tied to ritual and ceremony, especially funerals. Unlikely as it seems from the looks of it, the dungga exists in the same musical world of slot drums/gongs, taking those rhythms and transferring them to its four strings. While gong ensembles can have seven or more instruments, the dungga’s four strings are enough to replicate most gong melodies: the high string, plucked by the left hand, replicates the metronomic sounds of the smallest gong, ngaha; the two inner strings play the sound of the “middle” gongs, dopoduyo, while the lowest string plays the part of the large gong or kaduka; 19 1/2"" x 4" x 2 3/4", (21 1/2" x 5 1/4" x 4 1/4", $380., thedavidalancollection.com , solana beach, ca
Dungga or Sumbanese Lute – Tribal 4 String Instrument (missing its strings and pegs), Anthropomorphic Figure

Indonesia, Early to mid 20th c, wood, (see first Dungga post for full description) 19 1/2″” x 4″ x 2 3/4″, (21 1/2″ x 5 1/4″ x 4 1/4″ , $380.

Dungga or Sumbanese Lute, Musical Instrument, 4 string ukulele-like, Kodi village, Sumba island, Indonesia, hardwood, pigment, Monkey-like figure, 14 1/2" x 6 1/2" 2 3/4" (with stand - 16 1/2" x 5 3/4" x 3"), $320., thedavidalancollection.com , soland beach, ca
Dungga or Sumbanese Lute – Tribal 4 String Instrument (missing its strings and pegs), Primate Figure

Indonesia, Mid 20th c, wood, (see 1st Dungga post for full description), 14 1/2″ x 6 1/2″ 2 3/4″ (with stand – 16 1/2″ x 5 3/4″ x 3″), $320.

Dungga or Sumbanese Lute, Tribal Musical Instrument, 4 string guitar-like, Kodi village, Sumba island, Indonesia, hardwood, pigment, 2 anthropomorphic figures, The music is closely tied to ritual and ceremony, especially funerals. Unlikely as it seems from the looks of it, the dungga exists in the same musical world of slot drums/gongs, taking those rhythms and transferring them to its four strings. While gong ensembles can have seven or more instruments, the dungga’s four strings are enough to replicate most gong melodies: the high string, plucked by the left hand, replicates the metronomic sounds of the smallest gong, ngaha; the two inner strings play the sound of the “middle” gongs, dopoduyo, while the lowest string plays the part of the large gong or kaduka; 23 1/2" x 5 1/4" 2 3/4" (with stand - 26 1/4" x 6" x 4"), $450.; thedavidalancollection.com , soland beach, ca
Dungga or Sumbanese Lute – Tribal 4 String Instrument (missing its strings and pegs) with 2 Anthropomorphic figures

Indonesia, hardwood, pigment, (see 1st Dungga post for full description); 23 1/2″ x 5 1/4″ 2 3/4″ (with stand – 26 1/4″ x 6″ x 4″), $450.

Sumbanese Lute, Tribal 4 String Musical Instrument, Guitar, Sumba, Insonesia, Early to mid 20th c, wood, 4 strings (missing), 25" x 5 1/4" x 4", thedavidalancollection.com , solana beach, ca
Sumbanese Lute – Tribal 4 String Instrument (missing its strings and pegs) with an anthropomorphic figure

Insonesia, Early to mid 20th c, wood, (see 1st Dungga post for full description), 25″ x 5 1/4″ x 4″, $380. 

Gambus - Lute-like instrument made by the Batak people of Sumatra. This was carved from a single piece of wood, had 7 strings and a skin covered resonator box. The peg box is carved with a zoomorphic head. It has no frets and would be played with a plektrum. Popular throughout Indonesia. Originating from the Arabian peninsula, the styles vary from 3 to 12 strings. 38" x 8" x 7", $425. www.thedavidalancollection.com , solana beach, ca
Gambus – A traditional Indonesian tribal instrument.

 Gambus – Lute-like instrument made by the Batak people of Sumatra. This was carved from a single piece of wood, had 7 strings and a skin covered resonator box. The peg box is carved with a zoomorphic head. It has no frets and would be played with a plektrum. Popular throughout Indonesia. Originating from the Arabian peninsula, the styles vary from 3 to 12 strings.
38″ x 8″ x 7″, $425. 

Gambus - Lute-like instrument made by the Batak people of Sumatra. This was carved from a single piece of wood, had 7 strings and a skin covered resonator box. The peg box is carved with a zoomorphic head. It has no frets and would be played with a plektrum. Popular throughout Indonesia. Originating from the Arabian peninsula, the styles vary from 3 to 12 strings. 38" x 8" x 7", $425. www.thedavidalancollection.com , solana beach, ca
Back detail of Gambus

 

Gambus - Lute-like instrument made by the Batak people of Sumatra. This was carved from a single piece of wood, had 7 strings and a skin covered resonator box. The peg box is carved with a zoomorphic head. It has no frets and would be played with a plektrum. Popular throughout Indonesia. Originating from the Arabian peninsula, the styles vary from 3 to 12 strings. 38" x 8" x 7", $425. www.thedavidalancollection.com , solana beach, ca
Top detail of Gambus

CHINESE ERHU or VIOLIN

2 String Musical Instrument played with a bow (strings and bow missing), Chinese, wood, snakeskin, pigment, 29 1/2" x 3 1/2" x 6 1/2" $400., thedavidalancollection.com , Solana Beach, CA
Chinese Erhu – 2 String Violin (strings and bow missing)

China, Wood, snakeskin, pigment, The Erhu is one of the most important Chinese instruments with a 4000 year history. It is played vertically and is incredibly expressive. It you have a sound associated with China, it is the Erhu. 29 1/2″ x 3 1/2″ x 6 1/2″,  $400.

detail of resonating box - 2 String Musical Instrument played with a bow (strings and bow missing), Chinese, wood, snakeskin, pigment, 29 1/2" x 3 1/2" x 6 1/2", $400.; thedavidalancollection.com , Solana Beach, CA
Chinese Erhu Violin – detail of resonating box 
detail of top with tuning pegs - 2 String Musical Instrument played with a bow (strings and bow missing), Chinese, wood, snakeskin, pigment, 29 1/2" x 3 1/2" x 6 1/2". $400.; thedavidalancollection.com , Solana Beach, CA
Chinese Erhu Violin – detail of top with tuning pegs

BELLS

Musical Instrument, Ganesha Temple Bell, Nepal, bronze, with clapper, 6 1/2" x 3 1/4", $875. , thedavidalancollection.com , solana beach, ca
Ganesha Temple Clapper Bell

Nepal, antique, bronze, with clapper, 6 1/2″ x 3 1/4″, $875. (see detail images of back and clapper below)

Ganesha Temple Bell, Nepal, bronze, with clapper, 6 1/2" x 3 1/4", $875., thedavidalancollection.com , solana beach, ca
back detail of Ganesha Temple Bell
Musical Instrument, Ganesha Temple Bell, Nepal, bronze, with clapper, 6 1/2" x 3 1/4", $75. , thedavidalancollection.com , solana beach, ca
clapper detail of Ganesha Bell
Musical Instrument, temple clapper bell with face, Nepal, 150 years old, bronze, The Bell, representing the female aspect, stands for wisdom. It is held in the left hand. If the Dorje (crown motif on top) is separate, it is held in the right hand. The are always used in combination in religious ceremonies. Together they represent enlightenment. 7 1/4" x 3 1/4", $1300. thedavidalancollection.com , solana beach, ca
 Temple Bell and Dorje with Face

Nepal, 150 years old, bronze, The Bell, representing the female aspect, stands for wisdom. It is held in the left hand. If the Dorje (crown motif on top) is separate, it is held in the right hand. The are always used in combination in religious ceremonies. Together they represent enlightenment. 7 1/4″ x 3 1/4″, $1300. (see detail of back and clapper in images below)

Detail back view - Musical Instrument, temple bell , Nepal, 150 years old, bronze, 7 1/4" x 3 1/4", $1300. thedavidalancollection.com , solana beach, ca
detail back view of previous image – Temple Bell with face
detail clapper view - Musical Instrument, temple bell , Nepal, 150 years old, bronze, 7 1/4" x 3 1/4", $1300. thedavidalancollection.com , solana beach, ca
clapper detail – Temple Bell with face
Musical Instrument Temple Clapper Bell with Face, Nepal, 100 years old, Bronze, 8 1/4" x 3 1/4", $1100., thedavidalancollection.com , solana beach, ca
Nepalese Temple Clapper Bell with Face

Late 19th to Early 20th c, Bronze, 8 1/4″ x 3 1/4″, $1100. (see image below for clapper detail) 

Musical Instrument Temple Clapper Bell with Face, Nepal, 100 years old, Bronze, 8 1/4" x 3 1/4", $1100., thedavidalancollection.com , solana beach, ca
clapper detail – Temple Clapper Bell
Musical Instrument, temple clapper bell with face, Nepal, 150 years old, bronze, The Bell, representing the female aspect, stands for wisdom. It is held in the left hand. If the Dorje (crown motif on top) is separate, it is held in the right hand. The are always used in combination in religious ceremonies. Together they represent enlightenment. 6 1/2" x 3 1/4", $900. thedavidalancollection.com , solana beach, ca
Buddhist Temple Clapper Bell and Dorje with Face

Nepal, Late 19th to Early 20th c, bronze – The Bell, representing the female aspect, stands for wisdom. It is held in the left hand. If the Dorje (crown motif on top) is separate, it is held in the right hand. The are always used in combination in religious ceremonies. Together they represent enlightenment. 6 1/2″ x 3 1/4″, $900. (see image below for clapper detail)

detail of Musical Instrument, temple clapper bell with face, Nepal, 150 years old, bronze, The Bell, representing the female aspect, stands for wisdom. It is held in the left hand. If the Dorje (crown motif on top) is separate, it is held in the right hand. The are always used in combination in religious ceremonies. Together they represent enlightenment. 6 1/2" x 3 1/4", $900. thedavidalancollection.com , solana beach, ca
Clapper detail of Nepalese Buddhist Temple Bell and Dorje
Bell Gong, Antique Japanese, is played with an unattached striker. Cloth handle strap and tassel, Bronze, 9 1/2" x 6", $1200.
Hanging Clapper-less Bell or Bell Gong

Antique Japanese Bell is played with an unattached striker. Cloth handle strap and tassel, Bronze, 9 1/2″ x 6″, $1200. 

Musical Instrument, Hand Carved Bell with Clappers, Indonesia, Early 20th c, Vintage, Teak Wood, Rope, 15" x 42" x 15", $1200. thedavidalancollection.com , solana beach, ca
Vintage Indonesian Hand Carved Hanging Bell with Clappers

Indonesia, Early 20th c, Teak wood, Rope, carved from single block of wood; 15″ x 42″ x 15″, $1200. (see next two images  below for clapper detail)

Detail - Musical Instrument, Hand Carved Bell with Clappers, Japan, Vintage, Teak Wood, Rope, 15" x 42" x 15", $1200. thedavidalancollection.com , solana beach, ca
clapper detail of Vintage Indonesian Hand Carved Teak Bell with Clappers
Detail, Musical Instrument, Hand Carved Bell with Clappers, Indonesia, Vintage, Teak Wood, Rope, 15" x 42" x 15", $1200. thedavidalancollection.com , solana beach, ca
underside detail of Vintage Indonesian Hand Carved Teak Bell with Clappers
Musical Instrument, hand carved, single piece, teak bell, Indonesia, Early 20th c, vintage, clapper missing, 22" x 33" x 12", $425., thedavidalancollection.com , solana beach, ca
Indonesian Hanging Bell Hand Carved out of Single Piece of Teak

Early 20th c, clapper missing, 22″ x 33″ x 12″, $425. 

Ancient Chinese 'Bo' or Suspension Bells are 80 year old metal alloy reproductions of ones that are thousands of years old. Around 2000 BC, Chinese musicians worked with foundry technicians to cast matched sets of bronze bells of different data-lazy-sizes to produce a range of tones. They developed oval-shaped bells that, depending on where they were struck, produced two distinct pitches with an intentional interval between them. A graduated set of 'Bo' are hung from a beam frame and played with a hammer striker. Dimensions: (from large to small) 12 1/2" x 9 1/2" x 7" - $650.; 12" x 8" x 6 1/2" - $650.; 9" x 5 1/2' x 3" - $190.; 8 1/4" x 4 1/2" x 2 3/4" - $140.; 6 1/2" x 3 3/4" x 3" - $100.; 6 1/4" x 3 3/4" x 2 3/4" - $90.; thedavidalancollection.com , solana beach, ca
Ancient Chinese ‘Bo’ or Suspension Bells (80 year old metal alloy reproductions)

Early 20th c, Vintage reproductions of Bells that are thousands of years old.
Around 2000 BC, Chinese musicians worked with foundry technicians to cast matched sets of bronze bells of different sizes to produce a range of tones. They developed oval-shaped bells that, depending on where they were struck, produced two distinct pitches with an intentional interval between them.
Graduated sets of ‘Bo’ are hung from beam frames and played with a hammer striker.
Dimensions: (from large to small) 12 1/2″ x 9 1/2″ x 7″ – $650.; 12″ x 8″ x 6 1/2″ – $650.; 9″ x 5 1/2′ x 3″ – $190.; 8 1/4″ x 4 1/2″ x 2 3/4″ – $140.; 6 1/2″ x 3 3/4″ x 3″ – $100.; 6 1/4″ x 3 3/4″ x 2 3/4″ – $90. 

Musical Instrument, Small Japanese Bell Gong on Bronze Wreath Motif Mount - Reproduction, Japan, contemporary, cast bronze, plastic base plate, works with an external striker, 6 1/2" x 4" (10 3/4" x 7" w/stand), $80., thedavidalancollection.com , solana beach, ca
Japanese ‘Bonsho’ Bronze Clapperless Bell Gong (contemporary reproduction)

Cast Bronze Bell and Wreath Motif Mount, plastic base plate, Struck with an outside striker, 6 1/2″ x 4″ (10 3/4″ x 7″ w/stand), $80. SOLD

Tribal Musical Instrument, Mouth Harp with pull stick, Sasak tribe, Lombok Island, Indonesia, Early to mid 20th c, bamboo, string, played by using the mouth as the resonating cavity and pulling the string to vibrate the bamboo. There are many traditional songs written for it. It has been referred to as a 'mind cleaner' Because it uses the mouth to resonate, it clears the brain of unclear thoughts. 7 1/2" x 5/8" x 1/8", pull stick - 6 3/4" x 3/8, $65., thedavidalancollection.com , solana beach, ca
Indonesian Mouth Harp or ‘Gengong’, with pull stick

Sasak tribe, Lombok Island, Indonesia, Early to mid 20th c, bamboo, string, played by using the mouth as the resonating cavity and pulling the string to vibrate the bamboo. There are many traditional songs written for it. It has been referred to as a ‘mind cleaner’ – because it uses the mouth to resonate, it clears the brain of unclear thoughts. 7 1/2″ x 5/8″ x 1/8″, pull stick – 6 3/4″ x 3/8, $65.

Tribal Musical Instrument, Mouth Harp (missing pull stick), Sasak tribe, Lombok Island, Indonesia, Early to mid 20th c, bamboo, string, played by using the mouth as the resonating cavity and pulling the string to vibrate the bamboo. There are many traditional songs written for it. It has been referred to as a 'mind cleaner' Because it uses the mouth to resonate, it clears the brain of unclear thoughts. 7 1/4" x 1/2" x 1/8", $60, thedavidalancollection.com , solana beach, ca
Indonesian Mouth Harp, or ‘Gengong’ (missing pull stick)

Lombok, Indonesia, Bamboo, string, (for full description see 1st Mouth Harp post), 7 1/4″ x 1/2″ x 1/8″, $60.

Tribal Musical Instrument, Mouth Harp (missing pull stick), Sasak tribe, Lombok Island, Indonesia, Early to mid 20th c, bamboo, string, played by using the mouth as the resonating cavity and pulling the string to vibrate the bamboo. There are many traditional songs written for it. It has been referred to as a 'mind cleaner' Because it uses the mouth to resonate, it clears the brain of unclear thoughts. 8 1/4" x 5/8" x 1/8", $60., thedavidalancollection.com , solana beach, ca
Indonesian Mouth Harp, ‘Gengong’ (missing pull stick)

Lombok, Indonesia, Bamboo, string, (for full description see 1st Mouth Harp post) 8 1/4″ x 5/8″ x 1/8″, $60, 

Tribal Musical Instrument, Mouth Harp with pull stick, Sasak tribe, Lombok Island, Indonesia, Early to mid 20th c, bamboo, string, played by using the mouth as the resonating cavity and pulling the string to vibrate the bamboo. There are many traditional songs written for it. It has been referred to as a 'mind cleaner' Because it uses the mouth to resonate, it clears the brain of unclear thoughts. 7 3/4" x 5/8" x 1/8", pull stick - 4 3/4" x 1/4, sold, thedavidalancollection.com , solana beach, ca
Indonesian Mouth Harp or ‘Gengong’, with pull stick

Lombok, Indonesia, Bamboo, string, 7 3/4″ x 5/8″ x 1/8″, pull stick – 4 3/4″ x 1/4, $65., Sold

XYLOPHONES

Xylophone or Gambang, Java, Indonesia, early to med 20th c, Wood, hand carved and painted with 14 metal keys resting on pads made from pieces of a rubber flip flop sandals (footwear), played with 2 padded mallets, and oriented with the larger keys to the left of the player. 13 1/2" x 40 1/2" x 6"; $630. thedavidalancollection.com , solana beach, ca
Javanese Gambang or xylophone, and mallets

Xylophone or ‘Gambang’, Java, Indonesia, early to med 20th c, Wood, hand carved and painted with 14 metal keys resting on pads made from pieces of a rubber flip flop sandal (footwear), played with 2 padded mallets, and oriented with the larger keys to the left of the player.  The xylophone is an essential instrument in a traditional orchestral ensemble called a ‘Gamelan’; 13 1/2″ x 40 1/2″ x 6″; $630. 

Traditional wooden xylophone or Gambang Kayu, Java, Indonesia, Late 19th to early 20th c, wooden resonating box (grobog), 18 hardwood keys (wilah), played with 2 padded wooden mallets with the larger keys on the player's left. The 2 risers on each end are similarly carved with a simple motif around a circular hole. 23 1/4" x 52 1/2" x 18 3/4"; $750.; thedavidalancollection.com , solana beach, ca
Traditional Javanese Gambang Kayu or Wooden Xylophone

Traditional wooden xylophone or Gambang Kayu, Java, Indonesia, Late 19th to early 20th c, wooden resonating box (grobog), 18 hardwood keys (wilah), played with 2 padded wooden mallets with the larger keys on the player’s left. The 2 risers on each end are similarly carved with a simple motif around a circular hole. The xylophone is an essential instrument in a traditional orchestral ensemble called a ‘Gamelan’; 23 1/4″ x 52 1/2″ x 18 3/4″; $750.

Traditional Xylophone or Pattala, Burma/Myanmar, Early 20th c, 24 bamboo keys or slats, strung and suspended by a string over the decorated wooden resonating box, played with 2 padded mallets and the longer keys to the players left. It is a key instrument in a traditional orchestral ensemble. Its first use dates back to around 150 C.E.; (There are 2 almost identical in our collection) 30" x 54" x 19 1/2" and 29 1/2" x 54" x 19 1/2", $ 2100. each; thedavidalancollection.com , solana beach, ca
Traditional Burmese Xylophone or Pattala
detail of end riser_Traditional Burmese Xylophone or Pattala
detail of end riser – Traditional Burmese Xylophone or Pattala
detail of end riser top_Traditional Burmese Xylophone or Pattala
detail of end riser top – Traditional Burmese Xylophone or Patalla
detail of side panel_Traditional Burmese Xylophone or Pattala
detail of side panel – Traditional Burmese Xylophone or Pattala

Traditional Xylophone or Pattala, Burma/Myanmar, Early 20th c, 24 bamboo keys or slats, strung and suspended by a string over the decorated wooden resonating box, played with 2 padded mallets. The longer keys oriented to the players left. It is an essential instrument in a traditional orchestral ensemble. Its first use dates back to around 150 C.E.; (There are 2 almost identical in our collection) 30″ x 54″ x 19 1/2″ and 29 1/2″ x 54″ x 19 1/2″, $ 2100. each

Traditional wooden xylophone or Gambang Kayu, Java, Indonesia, Early 20th c, wooden resonating box (grobog), 20 hardwood keys (wilah), played with 2 padded wooden mallets and the larger keys on the player's left. The 2 risers on each end are similarly detailed with a star motif and 3 small circular holes and a monogram on the side panel; it is usually played as part of an ensemble called a Gamelan; 16 1/4" x 49 1/4" x 19"; $750.; thedavidalancollection.com , solana beach, ca
Traditional Javanese Wooden Xylophone or Gambang Kayu

Java, Indonesia, Early 20th c, wooden resonating box (grobog), 20 hardwood keys (wilah), played with 2 padded wooden mallets, the larger keys oriented on the player’s left. The 2 risers on each end are similarly detailed with a star motif, 3 small circular holes and a monogram on the side panel; it is an essential part of an ensemble called a Gamelan; 16 1/4″ x 49 1/4″ x 19″; $750.

MORE INSTRUMENTS and NOISE MAKERS – FROM THE SHAMAN COLLECTION:

Dhyango with Phurba Handle Sacred Ritual Drum, Nepal Early 19th
Dhyango or Sacred Drum with Phurba Handle

Shaman Ritual Instrument Drum, Nepal, Early 20th c, hide/skin, wood. Played by Jhakri (shaman) with a curved stick, to enter and maintain the shaman’s trance for the journey into the spirit world. A deity will often reside in the drum during the ritual. 26″ x 14″ x 6′, $900.

Damaru with Chopin (2 sided drum with sash), late 19th and early 20th c, wood, hide, fabric This power drum, associated with Shiva, is used for tantric rituals and is played with a twisting motion so the two beaters - attached by cords, hit the drum heads simultaneously. It produces a spiritual sound by which the universe was created and is regulated. The Chopin is typically embroidered with the colors of tantric elements and waves as the drum is played. large - 32" x 11" x 4 ", $700.; small with case
Damaru with Chopin (2 sided drum with sash), late 19th and early 20th c, wood, hide, fabric

Damaru with Chopin (2 sided drum with sash), late 19th and early 20th c, wood, hide, fabric
This power drum, associated with Shiva, is used for tantric rituals. A cord is tied around the middle where knotted ends make the sound when it is played with a twisting motion so the two beaters hit the drum heads simultaneously. It produces a spiritual sound by which the universe was created and is regulated. The Chopin is typically embroidered with the colors of tantric elements and waves as the drum is played. (large) 32” x 11 ¼” x 4 ½”; $700.; (small) 2” x 5 ¼” x 3” [case 6” x 5” x 3”] $500.

Sacred Ritual Drum, Nepal, Mid to late 19th c., Skin stretched over wood, iron, shaman bells and amulets, To facilitate entering and maintaining a trance state necessary for the shaman to perform rituals 17 ½” x 8” x 8” (plus 7” bell chains), $1400.
Sacred Ritual Drum with Bells

Nepal, Mid to late 19th c., Skin stretched over wood, iron, shaman bells and amulets. To facilitate entering and maintaining a trance state necessary for the shaman to perform rituals 17 ½” x 8” x 8” (plus 7” bell chains), $1400.

Shaman Ritual Apron Belt, Nepal, Early 20th c., (some bells up to 150 years old), THis large belt is an essential part of all Nepalese shaman costumes. The belt/apron is heavy and loud with all its many parts: hide leather, iron chain and hand crafted crotal, and cylindrical bells and bangles and the brass conical bells. The cowrie shells, goat horn and wild boar tusk all are symbolic and spiritual tools. Used in rituals to protect shaman, villagers and the area from witches and other evil beings. (it is a waist belt with hanging bells and over the shoulder cross straps). 58” x 32” x 3”, $3200
Ritual Apron Belt, Early 20th c, Leather, Iron, Brass, Horn, Tusk, Shell (back view)

Nepal, Early 20th c., (some bells up to 150 years old),
This large belt is an essential part of all Nepalese shaman costumes. The belt/apron is heavy and loud with all its many parts: leather, iron chain and hand crafted crotal, and cylindrical bells and bangles and the brass conical bells. The cowrie shells, goat horn and wild boar tusk all are symbolic and spiritual tools. Used in rituals to protect shaman, villagers and the area from witches and other evil beings. (it is a waist belt with hanging bells and over-the-shoulder cross straps). 58” x 32” x 3”, $3200.

Shaman Ritual Apron Belt, Nepal, Early 20th c., (some bells up to 150 years old), An essential part of Nepalese shaman costumes, this heavy apron belt is made of hide leather, iron chains, and hand crafted cylindrical bells and bangles, brass conical and crotal bells. The yak tail, and other amulets which are attached, are powerful spiritual tools. They are worn during rituals and ceremonies to protect shaman and villagers and the area from witches and other evil beings. (it is a waist belt with hanging bells and over the shoulder cross straps), 44” x 33” x 3”, $3200.
Ritual Apron Belt, Early 20th c, Leather, Iron, Brass, Yak hair (back view)

Early 20th c., (some bells up to 150 years old), An essential part of Nepalese shaman costumes, this heavy apron belt is made of hide leather, iron chains, and hand crafted cylindrical bells and bangles, brass conical and crotal bells. The yak tail, and other amulets which are attached, are powerful spiritual tools. They are worn during rituals and ceremonies to protect shaman and villagers and the area from witches and other evil beings. (it is a waist belt with hanging bells and over the shoulder cross straps), 44” x 33” x 3”, $3200.

Ritual Sword, Tuyen Quang province, Vietnam, Yao people, Early 20th c, Iron blade, aluminum bands, wood handle, metal coins, darkened patina from use and age An essential item for any Yao shaman ritual. Used to summon gods and goddesses and to punish disobedient spirits. Harmless to mortals but a formidable weapon when shaken against evil spirits. This is a male sword - top detail differs on female swords. $295. each, Dimensions left to right, (left - 15 ¼” x 3 ¼” x 1”); (middle - 15 ¼” x 3 ¼” x 1”); (right -13 ¾” x 3” x 1”)
Ritual Swords, with Rattles

Tuyen Quang province, Vietnam, Yao people, Early 20th c, Iron blade, aluminum bands, wood handle, metal coins, darkened patina from use and age. An essential item for any Yao shaman ritual. Shaken/rattled to summon gods and goddesses and to punish disobedient spirits. Harmless to mortals but a formidable weapon when shaken against evil spirits. This is a male sword – top detail differs on female swords. $295. each, Dimensions left to right, $295. each, (left – 15 ¼” x 3 ¼” x 1”); (middle – 15 ¼” x 3 ¼” x 1”); (right -13 ¾” x 3” x 1”)

Ritual Dragon Knife, Vietnam, San Diu people Early 20th c, Iron, patinated with use and age, Used in rituals to subdue evil forces. (small - 12” x 3 ¾” x 1 ¼”, $270.); (large - 13 ¾” x 4 ½” x 1 ¾”, $270.)
Ritual Dragon Knife, Vietnam, San Diu people Early 20th c, Iron

Patinated with use and age. Used in rituals to subdue evil forces – shaken or rattled to scare away harmful spirits. (small – 12” x 3 ¾” x 1 ¼”, $270.); (large – 13 ¾” x 4 ½” x 1 ¾”, $270.)

Ritual Dagger with Rattle, Vietnam, Yao people Late 19th c, Iron, coins, cloth These commanding rattle daggers are the most common ritual weapon used by a shaman priest. Similar in function to swords, they fend off evil spirits when shaken. The red (sometimes blue) streamers attract cosmic energy to empower it. This coin-laden top is still wound with red streamers from the ceremony it was last used in. Dimensions (left - 15” x 6 ¼” x 4 ½”); (right - 16 ½” x 5 ½” x 5”) $350. each
Ritual Dagger with Rattle, Vietnam, Yao people, Late 19th c, Iron, coins, cloth

These commanding rattle daggers are the most common ritual weapon used by a shaman priest. Similar in function to swords, they fend off evil spirits when shaken. The red (sometimes blue) streamers attract cosmic energy to empower it. This coin-laden top is still wound with red streamers from the ceremony it was last used in. (left sold), Dimensions (right – 16 ½” x 5 ½” x 5”;  $350.)

 

Balancing The Universe: Shamanism on Lombok Island and Bali

Less famous than Bali, Lombok the neighbor island directly to the east and is part of the Lesser Sundas. The indigenous Sasak people are predominantly Muslim after experiencing a long period of Hindu and Buddhist influence. However, as in most of the tribal cultures of Indonesia, ancient traditional ritualistic practices endure and shaman are still highly respected. They are regularly sought out as powerful healers and practitioners of magic to ward off evil and illness as well as to manage many other individual and community issues.

Shaman Healing Fetish Wand Lombok Island, Lesser Sunda Islands, Indonesia, Late 19th c, Wood, cotton cloth, metal coins. This is held in the shaman’s hand to contact the spirits for healing rituals. 35” x 13 ½” x 7 ½”, $2400.
Shaman Healing Fetish Wand, Lombok Island, Lesser Sunda Islands, Indonesia, Late 19th c, Wood, cotton cloth, metal coins

This is held in the shaman’s hand to contact the spirits for healing rituals. 35” x 13 ½” x 7 ½”, $2400. (see detail of feet in image below)

Shaman Healing Fetish Wand Lombok Island, Lesser Sunda Islands, Indonesia, Late 19th c, Wood, cotton cloth, metal coins. This is held in the shaman’s hand to contact the spirits for healing rituals. 35” x 13 ½” x 7 ½”, $2400.
detail of previous image – feet under the skirt
Magic Ghost Figures, Lombok Island, Lesser Sunda Islands, Indonesia, Early 20th c, Wood, smooth patina from use and age. 8 ½” x 5 ¾” x 5 ½”, $790 (sold as pair)
Magic Ghost Figures, Lombok Island, Lesser Sunda Islands, Indonesia, Early 20th c, Wood. 8 ½” x 5 ¾” x 5 ½”, $790 (sold as pair)
Shaman Talisman Wand, Lombok Island, Lesser Sunda Islands, Indonesia, Mid 20th c. Wood, horn, cotton cord, patinated with use and age Held in shaman’s hand, used in healing rituals, hung on the wall in shaman’s house when not in use. 10 ½” x 12” x 11” $580. sold
Shaman Talisman Wand, Lombok Island, Lesser Sunda Islands, Indonesia, Mid 20th c. Wood, horn, cotton cord

Held in shaman’s hand, used in healing rituals, hung on the wall in shaman’s house when not in use. 10 ½” x 12” x 11”, SOLD

Shaman Sacred Water and Herb Scoop, Lombok Island, Lesser Sunda Islands, Indonesia, Mid 20th c, Wood, bamboo, patinated with use and age. Used for scooping holy water and medicinal herbs for healing rituals. Dimensions left to right: (left - 9 ¼” x 6 ¼” x 4 ½”, $160.); (rear middle - 9 ¼” x 9 ½” x 3 ½”, $160.); (front middle - 6 ¼” 7 ¾” x 2 ½”, $120.); (rear right - 12 ¼” x 9 ¼” x 3 ½”, $280.); (right front - 11 ½” x 10” x 3 ½”, $160.)
Shaman Sacred Water and Herb Scoop, Lombok Island, Lesser Sunda Islands, Indonesia, Mid 20th c, Wood, bamboo

Used for scooping holy water and medicinal herbs for healing rituals. Dimensions left to right: (left – 9 ¼” x 6 ¼” x 4 ½”, $160.); (rear middle – 9 ¼” x 9 ½” x 3 ½”, $160.); (front middle – 6 ¼” 7 ¾” x 2 ½”, $120.); (rear right – 12 ¼” x 9 ¼” x 3 ½”, $280.); (right front – 11 ½” x 10” x 3 ½”, $160.)

Shaman Protection Figure, Indonesia, Lombok Island, Early 20th c, Wood, cloth, coins, beads. Protects shaman and client from harmful spirits during rituals, 20” x 7 ½” x 3 ½”, $1100.
Shaman Protection Figure, Indonesia, Lombok Island, Early 20th c, Wood, cloth, coins, beads

Protects shaman and client from harmful spirits during rituals, 20” x 7 ½” x 3 ½”, $1100. SOLD

Healing Fetish Wand, Lombok Island, Lesser Sunda Islands, Indonesia, Early 20th c, Wood, fiber, patinated from use and age. Held in shaman’s hand during ritual for healing calling the spirits, 15 ½” x 3 ½” 4”, $420.
Healing Fetish Wand, Lombok Island, Lesser Sunda Islands, Indonesia, Early 20th c, Wood, fiber

Held in shaman’s hand during ritual for healing calling the spirits, 15 ½” x 3 ½” 4”, $420.

Holy Water Containers, Lombok Island, Lesser Sunda Islands, Indonesia, Mid 20th c, Wood, ceramic, fiber, pigment. Shaman jar for holy water for purification rituals. Dimensions: (left - 6” x 3 ¼” x 3 ¼”, Sold); (right - 6 ¼” x 3 ¼” x 3 ¼”, sold)
Holy Water Containers, Lombok Island, Lesser Sunda Islands, Indonesia, Mid 20th c, Wood, ceramic, fiber, pigment

Shaman jar for holy water for purification rituals. Dimensions: (left – 6” x 3 ¼” x 3 ¼”, SOLD); (right – 6 ¼” x 3 ¼” x 3 ¼”, SOLD)

Shaman Healing Fetish Rattles, Lombok, Lesser Sunda Islands, Indonesia, Early to mid 20th c, Wood pigmented with soot, metal blade, cloth fiber, patinated with age and use. Used for healing rituals - Shaken to fend off harmful spirits. Dimensions: (left - 12” x 5 ½” x 4”, sold); (right - 14” x 7” x 6”, Sold)
Shaman Healing Fetish Rattles, Lombok, Lesser Sunda Islands, Indonesia, Early to mid 20th c, Wood pigmented with soot, metal blade, cloth fiber

Used for healing rituals – Shaken to fend off harmful spirits. Dimensions: (left – 12” x 5 ½” x 4”, SOLD); (right – 14” x 7” x 6”, SOLD)

Shaman Healing Fetish Rattle Lombok Island, Lesser Sunda Islands, Indonesia Mid 20th c. Wood, shells, patinated with age and use Used for healing rituals 14” x 7” x 6”, Sold
expanded view of shell fetish rattles shown in previous image
Shaman Fetish Hanging Charm, Lombok or Nusa Island, Lesser Sunda Islands, Indonesia, Early 20th c, Wood, glass, nails, metal, plant fiber, cotton cord. Used for healing rituals, 12” x 14” x 9 ½”, Sold
Shaman Fetish Hanging Charm, Lombok or Nusa Island, Lesser Sunda Islands, Indonesia, Early 20th c, Wood, glass, nails, metal, plant fiber, cotton cord

Used for healing rituals, 12” x 14” x 9 ½”

Shaman Magic Figure, Lombok Island, Lesser Sunda Islands, Indonesia, Mid 20th c, Wood, paint. Used for calling spirits and for healing rituals. 16” x 6” x 4”, $360.
Shaman Magic Figure, Lombok Island, Lesser Sunda Islands, Indonesia, Mid 20th c, Wood, paint

Used for calling spirits and for healing rituals. 16” x 6” x 4”, $360.

Shaman Healing Fetish Rattle, Lombok Island, Lesser Sunda Islands, Indonesia, Mid to late 20th c, Wood pigmented with soot, bone, cloth, seed pod and shells, patinated with age and use. Used in healing rituals. 12” x 12” x 12”, $1300.
Shaman Healing Fetish Rattle, Lombok Island, Lesser Sunda Islands, Indonesia, Mid to late 20th c, Wood pigmented with soot, bone, cloth, seed pod and shells

Used in healing rituals. 12” x 12” x 12”, $1300.

'Palalintangnan' - Kamasan Astrological Calendar, Bali, Indonesia Kamasan village, Early 20th c, Cotton cloth, printed and painted Represents gods, goddesses, attendants, animals, and inscriptions which are used for fortune telling. 45” x 51”, $750.
‘Palalintangnan’ – Kamasan Astrological Calendar Bali, Indonesia, Kamasan village, Early 20th c, Cotton cloth, printed and painted

Represents gods, goddesses, attendants, animals, and inscriptions which are used for fortune telling. 45” x 51”, $750.

Balancing The Universe: Shamanism in Sulawesi and Papua New Guinea

SULAWESI, Greater Sunda Islands (first 2 images):

'Lupong Manang' - Shaman’s Medicine Carrier/Backpack with Healing Figures (rare), South Sulawesi, Indonesia, Toraja tribe, Mid 20th c, Wood, The Shaman made his own medicine kit to contain items for healing, protections and predictions – such as special teeth, stones and other items. The figures on the exterior correspond to illnesses and other conditions or ailments. 19” x 9 ½” x 10”, $2200.
‘Lupong Manang’ – Shaman’s Medicine Carrier/Backpack with Healing Figures (rare), South Sulawesi, Indonesia, Toraja tribe, Mid 20th c, Wood

Shaman made their own medicine kits, including wooden backpacks, to contain items for healing, protections and predictions – such as special teeth, stones and other items. The figures on the exterior correspond to illnesses and other conditions or ailments. 19” x 9 ½” x 10”, $2200.

Shaman’s Medicine Box, Sulawesi, Indonesia, Toraja tribe, Early 20th c, Wood, patinated with use and age. Container for medicinal, herbs for healing. 14 ¼” x 9 ¼” x 8”, $290.
Shaman’s Medicine Box, Sulawesi, Indonesia, Toraja tribe, Early 20th c, Wood

Container for medicinal, herbs for healing. 14 ¼” x 9 ¼” x 8”, $290.

PAPUA NEW GUINEA:

Sacred Flute with Wusear Effigy Stopper, East Sepik Province, Papua New Guinea, Indonesia, Biwat people, Early 20th c, Flute body - Bamboo, raffia. Effigy Figure - Carved in wood, this figure is particularly elaborate - shell eyes, feather eyelashes, woven clothing and shell and feather adornments with tar and string. Played in pairs for the initiation ceremony for boys. The flute had the power to be voices of the spirits. The anthropomorphic figures or Wusear are specific to these flutes and were inserted into the top when not in use to prevent evil spirits from entering the sacred instruments. They were kept in the homes of the shaman and it was taboo for women and children to see them. 55” x 9 ½” x 8”, $9500.
Sacred Flute with Wusear Effigy Stopper, East Sepik Province, Papua New Guinea, Indonesia, Biwat people, Early 20th c, Flute body – Bamboo, raffia. Effigy Figure – Carved in wood, this figure is particularly elaborate – shell eyes, feather eyelashes, woven clothing and shell and feather adornments with tar and string

Played in pairs for the initiation ceremony for boys. The flute had the power to be voices of the spirits. The anthropomorphic figures or Wusear are specific to these flutes and were inserted into the top when not in use to prevent evil spirits from entering the sacred instruments. They were kept in the homes of the shaman and it was taboo for women and children to see them.  55” x 9 ½” x 8”, $9500. SOLD

Shaman Shell Necklace, Papua New Guinea (Irian Jaya), Indonesia, Mid 20th c. Shell, cloth, fiber cord. Worn by the shaman for healing ceremonies. 19” x 15” x 3 ½” $850.
Shaman Shell Necklace, Papua New Guinea (Irian Jaya), Indonesia, Mid 20th c, Shell, cloth, fiber cord

Worn by the shaman for healing ceremonies. 19” x 15” x 3 ½” $850.

Shaman Magic Figure, Papúa New Guinea, Indonesia, Early 20th c, Wood, fiber. Used in ritual ceremonies to stop rain. 11 ½” x 1 ½” x 1 ¼”, $135.
Shaman Magic Figure, Papúa New Guinea, Indonesia, Early 20th c, Wood

Used in ritual ceremonies to stop rain. 11 ½” x 1 ½” x 1 ¼”, $135.

Shaman Talisman Figure, Papúa New Guinea, Indonesia, Early 20th c, Wood. Used in ritual ceremonies to stop rain. (Figure on right - 12 ½” x 2” x 2 ½”, Sold)
Shaman Talisman Figure, Papúa New Guinea, Indonesia, Early 20th c, Wood (figure on right)

Used in ritual ceremonies to stop rain. (Figure on right – 12 ½” x 2” x 2 ½”, SOLD)

Shaman Healing Stones Necklace, Papua, New Guinea (Irian Jaya), Indonesia, Early to mid 20th c, Stone, Shells, cloth fiber cord. Used in healing ceremonies. 18” x 5” x 1”, $550.
Shaman Healing Stones Necklace, Papua, New Guinea (Irian Jaya), Indonesia, Early to mid 20th c, Stone, Shells, cloth fiber cord

Used in healing ceremonies. 18” x 5” x 1”, $550.

Shaman Healing Stone Necklaces, Papua, New Guinea (Irian Jaya), Indonesia, Early to mid 20th c, Stone, Shells, cloth fiber cord. Used in healing ceremonies. Dimensions: 16" to 20" long, $110. each
Shaman Healing Stone Necklaces, Papua, New Guinea (Irian Jaya), Indonesia, Early to mid 20th c, Stone, Shells, cloth fiber cord

Used in healing ceremonies. Dimensions: 16″ to 20″ long, $110. each 

Balancing The Universe: Shamanism in the Lesser Sundas – Timor Islands

Timor, like Flores is more mountainous than the rolling hills of Sumba, but the shamanic culture is much the same. Both islands are now predominantly christian, although, like most of the cultures throughout the Lesser Sunda Islands, they have integrated the newer belief systems with their ancient roots in Animism. (for several neighboring Lesser Sunda Islands see the following post)

'Katoda' - God Effigy, Timor Island, Lesser Sunda Islands, Indonesia, Early 20th c, Stone. Shaman would pray to a Katoda to predict natural disasters. 19” x 5 ½” x 6 ½”, $1600.
‘Katoda’ – God Effigy, Timor Island, Lesser Sunda Islands, Indonesia, Early 20th c, Stone

Shaman would pray to a Katoda to predict natural disasters. 19” x 5 ½” x 6 ½”, $1600.

Shaman’s Ritual Figure, Timor Island, Sunda Island, Indonesia, Niki Niki village Early 20th c, Wood, fiber cord, shell. Used by shaman to treat people as well as for other traditional rituals. 21” x 7 ½” x 6 ½”, $1400.
Shaman’s Ritual Figure, Timor Island, Sunda Island, Indonesia, Niki Niki village
Early 20th c, Wood, fiber cord, shell

Used by shaman to treat people as well as for other traditional rituals. 21” x 7 ½” x 6 ½”, $1400. SOLD

Divining Amulet/Fetishes Timor Island, Lesser Sunda Islands, Indonesia, Late 19th c, Stone, pigment, European Glass seed beads. The inlaid ‘white heart’ beads were particularly desirable. Used in healing ceremonies to ‘See’ - or locate, lost items and to determine the appropriate day and time for performing each ceremony. 6” x 2 ½” x 5”, $550.
‘Seer’ or Divining Talisman/Fetish, Timor Island, Lesser Sunda Islands, Indonesia,
Late 19th c, Stone, pigment, European Glass seed beads

The inlaid ‘white heart’ beads were particularly desirable. Used in healing ceremonies to ‘See’ – or locate, lost items and to determine the appropriate day and time for performing each ceremony. 6” x 2 ½” x 5”, $550. (see companion ‘seer’ in image below)

Divining Amulet/Fetish, Timor Island, Lesser Sunda Islands, Indonesia, Late 19th c, Stone, pigment, European Glass seed beads. The inlaid ‘white heart’ beads were particularly desirable Used in healing ceremonies to ‘See’ - or locate items, and to determine the appropriate day and time for performing each ceremony. 5 ¼” x 1 ¾” x 2 ¼”, $400.
Divining Amulet/Fetish, Timor Island, Lesser Sunda Islands, Indonesia,
Late 19th c, Stone, pigment, European Glass seed beads, 5 ¼” x 1 ¾” x 2 ¼”, $400.
Ancestral Offering Statue, Indonesia, Timor Island, Boti village, Mid 20th century Wood. This totem-like carving of many ancestor effigies is used by shamans in contacting spirits and healing rituals. 11 ½” x 4” x 3 ½”, sold
Ancestral Offering Statue, Indonesia, Timor Island, Boti village, Mid 20th century,
Wood

This totem-like carving of many ancestor effigies is used by shamans in contacting spirits and healing rituals. 11 ½” x 4” x 3 ½”, SOLD

Ancestral Offering Figures, Timor Island, Lesser Sunda Islands, Indonesia, Anakalang tribe, Early to mid 20th c, Wood. Used by shaman for healing rituals. (left, male fig - 8 ½” x 5” x 3 ½”); (right female fig -9” x 4 ¾” x 4”), $875. (sold as pair)
Ancestral Offering Figures, Timor Island, Lesser Sunda Islands, Indonesia, Anakalang tribe, Early to mid 20th c, Wood

 Used by shaman for healing rituals. (left, male fig – 8 ½” x 5” x 3 ½”); (right female fig -9” x 4 ¾” x 4”), $875. (sold as pair)

Magic (Female) Effigy, Timor Island, Lesser Sunda Islands, Indonesia, Niki Niki village, Early 20th c, Wood. Used for healing treatments. 10 ¾” x 8 ½” x 10”, $285.
Magic (Female) Effigy, Timor Island, Lesser Sunda Islands, Indonesia, Niki Niki village, Early 20th c, Wood

Used for healing treatments. 10 ¾” x 8 ½” x 10”, $285.

Healing Figures, Timor Island, Lesser Sunda Islands, Indonesia, Mid to late 19th c. Stone, patinated with use and age. Used in healing rituals. (left - late 19th c, 3 ¾” x 2 ¾” x 3 ¼”, sold); (right - mid 19th c, 3 ¾” x 2 ¾” x 3 ¼”, sold)
Healing Figures, Timor Island, Lesser Sunda Islands, Indonesia, Mid to late 19th c. Stone

Used in healing rituals. (left – late 19th c, 3 ¾” x 2 ¾” x 3 ¼”, SOLD); (right – mid 19th c, 3 ¾” x 2 ¾” x 3 ¼”, SOLD)

Shaman Healing Amulet/Talismans, Timor Island, Lesser Sunda Islands, Indonesia, Early 20th c, Wood, patinated with use and age. Used in healing rituals, (left - 3 ½” x 1 ½” x 4”, $80.); (right - 3 ¾” x 1 ¾” x 3 ½”, $100.)
Shaman Healing Amulet/Talismans, Timor Island, Lesser Sunda Islands, Indonesia, Early 20th c, Wood

Used in healing rituals, (left – 3 ½” x 1 ½” x 4”, $80.); (right – 3 ¾” x 1 ¾” x 3 ½”, $100.)

Shaman Healing Amulet/Talismans, Timor Island, Lesser Sunda Islands, Indonesia, Early 20th c, Wood, patinated with use and age. Used in healing rituals, (left - 4 ¼” x 1” x 3 ½”, $65.); (right - 3 ¼” x 1 ¼” x 4”, $80.)
Shaman Healing Amulet/Talismans, Timor Island, Lesser Sunda Islands, Indonesia, Early 20th c, Wood

Used in healing rituals, (left – 4 ¼” x 1” x 3 ½”, $65.); (right – 3 ¼” x 1 ¼” x 4”, $80.)

Shaman Healing Amulets, Timor Island, Lesser Sunda Islands, Indonesia, Mid 20th c, Wood, patinated with use and age. Used in healing rituals. Dimensions left to right: (left - 3 1 /2” x 1 ¼” x 1 ½”, $70.); (left middle -2 ¾” x 1” x 1", sold); (right middle - ~3 x 2); (right - 2 ½” x 1” x 1", sold)
Shaman Healing Amulets, Timor Island, Lesser Sunda Islands, Indonesia, Mid 20th c, Wood

Used in healing rituals. Dimensions left to right: (left – 3 1 /2” x 1 ¼” x 1 ½”, $70.); (left middle -2 ¾” x 1” x 1″, SOLD); (right middle – ~3 x 2); (right – 2 ½” x 1” x 1″, SOLD)

Shaman Medicine Mortar (rare), Lesser Sunda Islands, Indonesia, Early 20th c, Wood. Preparing medicines using a pestle to grind, 10 ¾” x 4” x 4 ½”, $425.
Shaman Medicine Mortar (rare), Lesser Sunda Islands, Indonesia, Early 20th c, Wood

Preparing medicines using a pestle to grind, 10 ¾” x 4” x 4 ½”, $425.

Shaman Healing Medicine Container Necklace, Alor Island, Timor Islands, Lesser Sunda Islands, Indonesia, Mid 20th c, Wood, beads, shell (Telescopium telescopium, or Horn snail spire). Used to hold medicine for healing rituals, 4 ½” x 1 ½” x 1 ¼”, $390.
Shaman Healing Medicine Container Necklace, Alor Island, Timor Islands, Lesser Sunda Islands, Indonesia, Mid 20th c, Wood, beads, shell (Telescopium telescopium, or Horn snail spire)

Used to hold medicine for healing rituals, 4 ½” x 1 ½” x 1 ¼”, $390.

Medicine Woman Effigy with Child (rare), Alor Island, Flores Islands, Lesser Sunda Islands, Indonesia, Mid to late 20th c, Wood. Used for healing, and for black and white magic (the figure itself does not have any dark energy), 10 ½” x 3 ½” x 2 ½”, sold
Medicine Woman Effigy with Child (rare), Alor Island, Flores Islands, Lesser Sunda Islands, Indonesia, Mid to late 20th c, Wood

Used for healing rituals, 10 ½” x 3 ½” x 2 ½”, SOLD

Shaman Figure (rare), Atauro Island, Lesser Sunda Islands, Indonesia Early 20th c. Wood, cloth. Used to protect people from harmful spirits during rituals. Faded and patinated with use and age, original red color of cloth still visible. Dimensions: (left - 22 ½” 5 ½’ x 7 ½”, $1200.); (right - 25 ¼’ x 4 ¼” x 6 ½”, $1200.)
Shaman Figure (rare), Atauro Island, Lesser Sunda Islands, Indonesia, Early 20th c.
Wood, cloth

Used to protect people from harmful spirits during rituals. Faded and patinated with use and age, original red color of cloth still visible. Dimensions: (left – 22 ½” 5 ½’ x 7 ½”, $1200.); (right – 25 ¼’ x 4 ¼” x 6 ½”, $1200.)

Shaman Amulet Necklace, Timor Island, Lesser Sunda Islands, Indonesia, Early 20th c, Ceramic stone figures and beads, shell, cotton. Worn by the shaman for healing ceremonies. 21” x 11” x 1 ¾” $650.
Shaman Amulet Necklace, Timor Island, Lesser Sunda Islands, Indonesia, Early 20th c, Ceramic stone figures and beads, shell, cotton

Worn by the shaman for healing ceremonies. 21” x 11” x 1 ¾”, $650.

Shaman Amulet Necklace, Timor Island, Lesser Sunda Islands, Indonesia, Early 20th c, Ceramic stone figures and beads, shell, cotton. Worn by the shaman for healing ceremonies. 20 ½” x 11” x 1 ¾”, $650.
Shaman Amulet Necklace, Timor Island, Lesser Sunda Islands, Indonesia, Early 20th c, Ceramic stone figures and beads, shell, cotton

Worn by the shaman for healing ceremonies. 20 ½” x 11” x 1 ¾”, $650.

Shaman Healing Fetish, Lesser Sunda Islands, Indonesia, Early 20th c, Wood, fiber, metal nail. Kept in the shaman’s home. Covered in tiny holes from being pierced by its attached nail during rituals. Found in the ocean. 30” x 12” x 8”, sold
Shaman Healing Fetish, Lesser Sunda Islands, Indonesia, Early 20th c, Wood, fiber, metal nail

Kept in the shaman’s home. Covered in tiny holes from being pierced by its attached nail during rituals. Found in the ocean. 30” x 12” x 8”, SOLD

Shaman Talisman Figure, Wetar Island, Timor Islands, Lesser Sunda Islands, Indonesia, Late 19th c, Wood, pigment, glass bead eyes. Used for healing treatment. 12 ½” x 4” x 4”, $430.
Shaman Talisman Figure, Wetar Island, Timor Islands, Lesser Sunda Islands, Indonesia, Late 19th c, Wood, pigment, glass bead eyes

Used for healing rituals. 12 ½” x 4” x 4”, $430. SOLD

Shaman Healing Amulet/Talisman, Moluccas Islands, Lesser Sundas, Indonesia, Letti Village, Early 20th c, Wood, patinated with use and age. Used in healing rituals. $80.
Shaman Healing Amulet/Talisman, Moluccas Islands, Lesser Sundas, Indonesia, Letti Village, Early 20th c, Wood

Used in healing rituals. $80.

Balancing The Universe: Shamanism in the Lesser Sundas – Flores Islands

Flores, and Timor, are more mountainous than the rolling hills of Sumba, but the shamanic culture is much the same. Both islands are now predominantly christian, although, like most of the cultures throughout the Lesser Sunda Islands, they have integrated the newer belief systems with their ancient roots in Animism. (see Timor and several neighboring Lesser Sunda Islands in the following posts)

Volcano God Effigy (exceptionally rare), Flores Island, Lesser Sunda Islands, Indonesia, Manga Lewa Village, Mid 18th c, Stone, cloth. Used by shaman for predicting volcanic eruptions. Passed down through four generations. 15” x 5 ½ x 5 ¾”, sold
Volcano God Effigy (exceptionally rare), Flores Island, Lesser Sunda Islands, Indonesia, Manga Lewa Village, Mid 18th c, Stone, cloth

Used by shaman for predicting volcanic eruptions. Passed down through four generations. 15” x 5 ½ x 5 ¾”, SOLD

Shaman Healing Figures, Male and Female Couple, Flores Island, Lesser Sunda Islands, Mid 20th c. Wood, patinated with use and age. One of the pair held in each hand during a ceremonial dance for healing a marriage. (female - 8” x 7 ¾” x 1”); (male - 8” x 8” x 1 ½”), $590 (sold as pair)
Shaman Healing Figures, Male, Flores Island, Lesser Sunda Islands, Mid 20th c.
Wood

One of the pair held in each hand during a ceremonial dance for healing a marriage. (female – 8” x 7 ¾” x 1”); (male – 8” x 8” x 1 ½”), $590. sold as pair

Magic Protection Figures East Flores Island, Lesser Sunda Islands, Indonesia, Mid 20th c, Wood, bamboo, thread. Kept in household kitchen to protect the home. Dimensions: 10" to 17" tall; $135. to $225.
Magic Protection Figures, East Flores Island, Lesser Sunda Islands, Indonesia, Mid 20th c, Wood, bamboo, thread

Kept in household kitchen to protect the home. Dimensions: 10″ to 17″ tall; $135. to $225. (far left and far right SOLD)

Magic Talisman Figure, Flores Island, Lesser Sunda Islands, Indonesia, Bajawa village, Mid 20th c, Wood Used for healing rituals. 15 ½” x 6 ½” x 4”, $320.
Magic Talisman Figure, Flores Island, Lesser Sunda Islands, Indonesia, Bajawa village, Mid 20th c, Wood

Used for healing rituals. 15 ½” x 6 ½” x 4”, $320.

'Caci', Ritual Fighting Whip - Caci Flores Island, Lesser Sunda Islands, Indonesia Manggarai tribe Early 20th c. Wood, rattan, bark, smooth patina from use and age Caci is a powerful magic whip-fighting ritual performed during a harvest festival with complex ritual preparations. It is played by 2 men, usually from different villages. The Whip symbolizes the male phallus, the father and the sky. The shield used with it symbolizes the female, the womb and the earth. These elements are united when the whip hits the shield symbolizing life giving sexual unity. It is a playful event but any blood shed is considered an offering to the ancestors who will then ensure fertility of the land. 14” x 10” x 2 ½” $520.
‘Caci’, Ritual Fighting Whip, Flores Island, Lesser Sunda Islands, Indonesia, Manggarai tribe, Early 20th c, Wood, rattan, bark

‘Caci’ is a powerful magic whip-fighting ritual performed during a harvest festival with complex ritual preparations. It is played by 2 men, usually from different villages. The Whip symbolizes the male phallus, the father and the sky. The shield used with it symbolizes the female, the womb and the earth. These elements are united when the whip hits the shield symbolizing life giving sexual unity. It is a playful event but any blood shed is considered an offering to the ancestors who will then ensure fertility of the land. 14” x 10” x 2 ½”, $520.

Effigy Figure, Flores Island, Lesser Sunda Islands, Indonesia, Late 19th to early 20th c, Aggregate Stone, Used by shaman for healing and divination, 11” x 8” x 6”, sold
Effigy Figure, Flores Island, Lesser Sunda Islands, Indonesia, Late 19th to early 20th c, Aggregate Stone

Used by shaman for healing and divination, 11” x 8” x 6”, sold

Shaman's Effigy Figure, West Flores Island, Lesser Sunda Islands, Indonesia, Bena village, Early to mid 10th c. Stone, Used by shaman for healing and divination. 11 ½” x 7 ½” x 5 ½”, Sold
Shaman’s Effigy Figure, West Flores Island, Lesser Sunda Islands, Indonesia, Bena village, Early to mid 10th c, Stone

Used by shaman for healing and divination. 11 ½” x 7 ½” x 5 ½”, Sold

Shaman Figure, Central Flores Island, Lesser Sunda Islands, Indonesia Island, Japu village, Early 20th c, Stone, cloth strap. For protecting the clan house and for divination, 11” x 3 ½” x 5 ½”, $800.
Shaman Figure, Central Flores Island, Lesser Sunda Islands, Indonesia Island, Japu village, Early 20th c, Stone, cloth strap

For protecting the clan house and for divination, 11” x 3 ½” x 5 ½”, $800.

Nitta Watu (rare), Kitchen Protector Figure - Shaman Power Object, West Flores Island, Lesser Sunda Islands, Indonesia, Maumere district, Nita or Bena Village, Early to mid 19th c, Stone, pigment, cloth strap for hanging. Used to protect a house or home. 14” x 5 ½” x 6”, $1700.
Nitta Watu (rare), Kitchen Protector Figure – Shaman Power Object, West Flores Island, Lesser Sunda Islands, Indonesia, Maumere district, Nita or Bena Village, Early to mid 19th c, Stone, pigment, cloth strap for hanging

Used to protect a house or home. 14” x 5 ½” x 6”, $1700.

Magic House Protector, West Flores Island, Lesser Sunda Islands, Indonesia, Early to mid 19th c, stone, cloth strap, 19” x 5 ¾” x 4 ¼”, $1800.
Magic House Protector, West Flores Island, Lesser Sunda Islands, Indonesia, Early to mid 19th c, stone

Magic House Protector, West Flores Island, Lesser Sunda Islands, Indonesia, Early to mid 19th c, stone, cloth strap, 19” x 5 ¾” x 4 ¼”, $1800.

group photo (above) of the 3 previous house protectors figures
Nita Ina, Shaman Magic Figure Flores Island, Lesser Sunda Islands, Indonesia, Maumere district, Nita Village, Late 19th to early 20th c, Tree bark, cloth, shell. Used for either ‘white’ or ‘black’ ritual magic (dark energy does not inhabit the figure itself) (male figure -26 ½” x 14 ½” x 6 ½”,$1900.), (female figure -23” x 10” x 5”, $1400.)
Nita Ina, Magic Figure,
Flores Island, Lesser Sunda Islands, Indonesia, Maumere district, Nita Village, Late 19th to early 20th c, Tree bark, cloth, shell

Used for either ‘white’ or ‘black’ ritual magic (dark energy does not inhabit the figure itself) (male figure – 26 ½” x 14 ½” x 6 ½”,$1900.), (female figure – 23” x 10” x 5”, $1400.)

Balancing The Universe: Shamanism on Sumba Island, Indonesia

Sumba Island is part of the ‘The Lesser Sunda Islands’ – the long sweeping chain of islands south of Bali that make up the southern part of Indonesia. In the following posts we include items from Sumba, Flores, Timor, Lombok and a few others. There are many similarities in belief systems throughout the Lesser Sundas but the material culture is unique to each island.
Although the people of Sumba are now mostly of Christian or Muslim faith, their ancient Animistic belief system remain a powerful influence in daily life. This is reflected in the art and tools of shaman priests. Shaman are still a fundamental part of society, presiding over new building construction, births, deaths, marriages, mock wars and other cultural rituals and celebrations. Their blessings and protection rituals are essential to the well being of the community and the individual’s physical and spiritual health.
The tribal, hilltop villages which which consist of twelve to twenty to twenty stilt houses, are much the same as they were hundreds of years ago, as are most of the practices of everyday life. Sumba was one of the last islands to come under the control of the Indonesian government in the early 1970s, leaving the old culture mostly intact to this day.

Shaman Charms, West Sumba Island, Lesser Sunda Islands, Indonesia, Lamboya village, Early 20th c, Wood, smooth patina from use and age. Healing amulets. 3 ½” x 2” x 2” (container); 1 ¼” x ¾’ x ½” (each figure), $375.
Shaman Charms, West Sumba Island, Lesser Sunda Islands, Indonesia, Lamboya village, Early 20th c, Wood

Healing charms used in rituals. The shaman figures and their container have become smooth with a darkened patina from use and age.  3 ½” x 2” x 2” (container); 1 ¼” x ¾’ x ½” (each figure), $375. SOLD

Shaman Effigy, Sumba Island, Lesser Sunda Islands, Indonesia, Late 19th c, Stone, pigment, cloth, Used for healing and to protect shaman from ghost spirits, 6 ½” x 5 ½” x 5”, $725.
Shaman Effigy, Sumba Island, Lesser Sunda Islands, Indonesia, Late 19th c, Stone, pigment, cloth

Used for healing and to protect shaman from ghost spirits, 6 ½” x 5 ½” x 5”, $725. (see image below of both the above shaman figures together)

Shaman Effigy and Shaman Charms
additional view of Shaman Effigy and Shaman Charms
Shaman Drum, Sumba Island, Indonesia, Early to mid 20th c, Animal skin stretched over wood, Used by shaman to initiate and maintain a trance state during rituals, 17 ½” x 10 ½’ x 10”, $490.
Shaman Drum, Sumba Island, Indonesia, Early to mid 20th c, Animal skin stretched over wood

Used by shaman to initiate and maintain a trance state during rituals, 17 ½” x 10 ½’ x 10”, SOLD

Hunting Spirit Guide, West Sumba Island, Lesser Sunda Islands, Indonesia, Kodi village. Early to mid 20th c. Wood, patinated with use and age. Spirit guide figure to pray to before hunting or fishing. 7” x 6 ½” x 16”, $325.
Hunting Spirit Guide, West Sumba Island, Lesser Sunda Islands, Indonesia, Kodi village. Early to mid 20th c. Wood

Spirit guide figure to pray to before hunting or fishing. This piece has a nice patina from age and use. 7” x 6 ½” x 16”, SOLD

Shaman Figure with Alligator, West Sumba Island, Lesser Sunda Islands, Indonesia, Kodi tribe, Mid to late 19th c, Wood, Used for protection rituals. 19 ¾” x 4 ¼” x 4”, $750.
Shaman Figure with Alligator, West Sumba Island, Lesser Sunda Islands, Indonesia, Kodi tribe, Mid to late 19th c, Wood

Used for protection rituals. 19 ¾” x 4 ¼” x 4”, $750.

Magic Amulet/Talisman Figure, West Sumba Island, Lesser Sunda Islands, Indonesia, Anakalang village Mid 20th c, Wood Magic amulet used for healing rituals. Sold
Magic Amulet/Talisman Figure, West Sumba Island, Lesser Sunda Islands, Indonesia, Anakalang village, Mid 20th c, Wood

Magic amulet used for healing rituals. SOLD

Shaman Magic Amulet Male Figure, West Sumba, Lesser Sunda Islands, Indonesia, Anakalang village, Early 20th c, Wood. Used for healing rituals. 7 ¾” x 2 ½” x 5 ¼”, $180.
Shaman Magic Amulet Male Figure, West Sumba, Lesser Sunda Islands, Indonesia, Anakalang village, Early 20th c, Wood.

Used for healing rituals. 7 ¾” x 2 ½” x 5 ¼”, $180. SOLD

Magic Figure, Woman with Child, West Sumba Island, Lesser Sunda Islands, Indonesia, Late 19th c, Stone. Used to heal and protect woman and child. 5 ½” 7” x 3 ¼”, $230.
Magic Figure, Woman with Child, West Sumba Island, Lesser Sunda Islands, Indonesia, Late 19th c, Stone

Used to heal and protect woman and child. 5 ½” 7” x 3 ¼”, $230. SOLD

Hanging Effigy and Herb Bowl - set, East Sumba Island, Indonesia, Soru village, Early 20th c, Wood, coconut, fiber string. The effigy hanger gives great healing power to the herbs placed in the coconut bowl suspended below it. The bowl has three bird figure and three carved faces with an amulet head hanging below it. 30” x 6” x 6”, $1200.
Hanging Effigy and Herb Bowl – set, East Sumba Island, Indonesia, Soru village, Early 20th c, Wood

The effigy hanger gives great healing power to the herbs placed in the coconut bowl suspended below it. The bowl has three bird figure and three carved faces with an amulet head hanging below it. 30” x 6” x 6”, $1200.

Shaman Healing Couple Effigy, West Sumba Island, Lesser Sunda Islands, Indonesia, Anakalang village Early to mid 20th c, Wood, fiber cloth, patinated with use and age, Used in healing rituals and to fix marriages. Dimensions: (left, male: 5 ¼” x 3 ¼” x 2”); (right, female: 5” x 3” x 2”), $420. sold as a pair
Shaman Healing Couple Effigy, West Sumba Island, Lesser Sunda Islands, Indonesia, Anakalang village, Early to mid 20th c, Wood, fiber cloth

Used in healing rituals and to fix marriages. Dimensions: (left, male: 5 ¼” x 3 ¼” x 2”); (right, female: 5” x 3” x 2”), $420. sold as a pair

Healing Amulet/Talisman, Sumba Island, Lesser Sunda Islands, Indonesia, Early 19th c, Stone, patinated with use and age. Used in healing rituals. 6 ½” x 2 ½” x 2 ½”, $370.
Healing Amulet/Talisman, Sumba Island, Lesser Sunda Islands, Indonesia, Early 19th c, Stone

 Patinated with use and age, this figure was used in healing rituals. 6 ½” x 2 ½” x 2 ½”, $370.

Shaman Healing Amulet/Talisman - Cow, Octopus, Monkey, Bird West Sumba Island, Lesser Sunda Islands, Indonesia Early 20th c, Wood. Used in healing rituals, 10” x 16” x 13”, $600.
Shaman Healing Amulet/Talisman – Cow, Octopus, Monkey, Bird, West Sumba Island, Lesser Sunda Islands, Indonesia, Early 20th c, Wood

This is an unusual piece. It is multi-sided and combines several different animals which become recognizable as you turn the piece. This view show a monkey. Its feet are duck-like bird heads. If you flip the piece over, it persents as the head of a cow and of an octopus depending on the angle you view it. Used in healing rituals, 10” x 16” x 13”, $600. (see image below for another angle showing the cow/octopus)

Shaman Healing Amulet/Talisman - Cow, Octopus, Monkey, Bird West Sumba Island, Lesser Sunda Islands, Indonesia Early 20th c, Wood. Used in healing rituals, 10” x 16” x 13”, $600.
Alternate view of previous image – Shaman Healing Amulet/Talisman – Cow, Octopus, Monkey, Bird
Female Shaman Effigy Sumba Island, 17th century Stone, For healing related to childbirth, 5” x 3 ¾” x 4”, Sold
Female Shaman Effigy, Sumba Island, 17th century, Stone

For healing related to childbirth, 5” x 3 ¾” x 4”, SOLD

Shaman Magic Medicine Bottle Stopper, East Sumba Island, Lesser Sunda Islands, Indonesia Mid 19th c, Wood, patinated with use and age. Talisman figure with child, used empower the healing medicine in the bottle. 3” x 1 ¼” x 1 ¼”, $80.
Shaman Magic Medicine Bottle Stopper, East Sumba Island, Lesser Sunda Islands, Indonesia, Mid 19th c, Wood

Talisman figure with child, used empower the healing medicine in the bottle. 3” x 1 ¼” x 1 ¼”, $80. SOLD

Shaman Staff, Sumba, Island, Lesser Sunda Islands, Indonesia, Mid 20th c, Wood, patinated with use and age. Used in healing rituals. 35 ½ x 2 ¼” x 1 ½”, $700.
Shaman Staff, Sumba, Island, Lesser Sunda Islands, Indonesia, Mid 20th c, Wood

Used in healing rituals. 35 ½ x 2 ¼” x 1 ½”, $700.

Effigy Mask Trap, East Sumba, Lesser Sunda Islands, Indonesia, Tana Mabanas village, Late 19th to early 20th c, Coconut, wood, pigment. Hangs in shaman’s house. Gathers and traps black magic. The shaman will then perform a ritual to disperse them and to keep them from returning. 9 ½” x 8” x 10 ¾”, $700.
Effigy Mask Trap, East Sumba, Lesser Sunda Islands, Indonesia, Tana Mabanas village, Late 19th to early 20th c, Coconut, wood, pigment

Hangs in shaman’s house. Gathers and traps black magic. The shaman will then perform a ritual to disperse them and to keep them from returning. 9 ½” x 8” x 10 ¾”, $700. (see below image for side view) SOLD

Effigy Mask Trap, East Sumba, Lesser Sunda Islands, Indonesia, Tana Mabanas village, Late 19th to early 20th c, Coconut, wood, pigment. Hangs in shaman’s house. Gathers and traps black magic. The shaman will then perform a ritual to disperse them and to keep them from returning. 9 ½” x 8” x 10 ¾”, $700.
side view of previous image – Effigy Mask Trap

Balancing The Universe: Shamanism in the Mentawai Islands, Indonesia

The Mentawai tribes remain one of the most isolated populations on the planet. Some still live a neolithic, hunter-gather lifestyle in the rain-forest and do not use a written language. Shaman, or sikerei, are intrinsic to daily life and considered leaders, although they are an egalitarian society. The classic Hindu, Buddhist and Muslim themes common to most of Indonesia are not part of the Mentawai belief system which is wholly based in nature. In their philosophy, objects are not things to be used, but rather things that can allow themselves to be used – as all things, including air and water, have spirits. This is reflected in their deeply symbolic decoration of objects as well as their characteristic body art. They adorn themselves with intricate spirit tattoos for protection, and practice tooth chiseling, to enhance physical and spiritual beauty. They believe they must keep their bodies beautiful so their spirits will be happy and not be tempted to leave. Their art is some of the most evocative and appealing of all the Indonesian cultures. 

Spirit Bird Boat Box, Mentawai Islands, Sumatra, Indonesia, Mentawai tribe, Early 20th c, Wood. Used by shaman to store powerful ritual and magic items associated with trance journeys and ceremonies. Kept in the shaman’s house. Boats are a common theme within this island culture. 7 ¾” x 30” x 7 ½”, $1100.
Spirit Bird Boat Box, Mentawai Islands, Sumatra, Indonesia, Mentawai tribe,
Early 20th c, Wood

Used by shaman to store powerful ritual and magic items associated with trance journeys and ceremonies. Kept in the shaman’s house. Boats are a common theme within this island culture. 7 ¾” x 30” x 7 ½”, $1100.

'Salipa', Medicine Boat Box, Mentawai Islands, Sumatra, Indonesia, Mentawai tribe, Early 20th c, Wood with reed stitching and strap. Used by shaman to store implements to be used when called upon to convene with spirit world. 8” x 26” x 5 ¾”, $1100.
‘Salipa’, Medicine Boat Box, Mentawai Islands, Sumatra, Indonesia, Mentawai tribe, Early 20th c, Wood with reed stitching and strap

Used by shaman to store implements to be used when called upon to convene with spirit world. 8” x 26” x 5 ¾”, $1100.

God Effigy (rare), Mentawai Islands, Sumatra, Indonesia, Mentawai tribe, 19th c, Wood. Used as a symbol to pray to. 15 ½” x 3 ½” x 6”, $1600.
God Effigy (rare), Mentawai Islands, Sumatra, Indonesia, Mentawai tribe, 19th c, Wood

Used as a symbol to pray to. 15 ½” x 3 ½” x 6”, $1600.

Shaman Kit, Mentawai,Islands, Sumatra, Indonesia, Mentawai tribe Early to mid 20th c, Case: sago palm leaf box, braided rattan. Raffia wand handle and headband, feathers, European glass trade beads, cotton trade cloth, wood, bronze bell. Contents: costume (loincloth, jewelry, head gear) and wands All items have a specific purpose - example: the beaded headband acts like antenna attracting spirits the shaman needs to contact, 5” x 8 ½” x 23 ½”, $3600.
Shaman Kit Contents, Mentawai,Islands, Sumatra, Indonesia, Mentawai tribe
Early to mid 20th c, Case: sago palm leaf box, braided rattan. Raffia wand handle and headband, feathers, European glass trade beads, cotton trade cloth, wood, bronze bell

Contents: costume (loincloth, jewelry, head gear) and wands. All items have a specific purpose – example: the beaded headband acts like antenna attracting spirits the shaman needs to contact, 5” x 8 ½” x 23 ½”, $3600. (See closed box in image below)

Shaman Kit Box, Mentawai Islands, Sumatra, Indonesia, Mentawai tribe Early to mid 20th c, Case: sago palm leaf box, braided rattan
Shaman Kit Box, Mentawai Islands, Sumatra, Indonesia, Mentawai tribe. Early to mid 20th c, Case: sago palm leaf box, braided rattan
Shaman Kit Box Contents, Mentawai Islands, Sumatra, Indonesia, Mentawai tribe Early to mid 20th c, Case: sago palm leaf box, braided rattan, Raffia wand handle and headband, feathers, European glass trade beads, cotton trade cloth, wood, bronze bell. Contents: costume (loincloth, jewelry, head gear) and wands. All items have a specific purpose - example: the beaded headband acts like antenna attracting spirits the shaman needs to contact. 5 ½” x 7 ½” x 30 ½” $3600.
Shaman Kit Box Contents, Mentawai Islands, Sumatra, Indonesia, Mentawai tribe
Early to mid 20th c, Case: sago palm leaf box, braided rattan, Raffia wand handle and headband, feathers, European glass trade beads, cotton trade cloth, wood, bronze bell

Contents: costume (loincloth, jewelry, head gear) and wands. All items have a specific purpose – example: the beaded headband acts like antenna attracting spirits the shaman needs to contact. 5 ½” x 7 ½” x 30 ½”, $3600.

Shaman's Wands, Mentawai Islands, Sumatra, Indonesia, Mentawai tribe, Mid 20th c. Wood. Ritual zoomorphic amulets used in healing rituals. Dimesnisons: Left and Middle (right is Batak) (left, pigmented with soot - 2” x 7 ¾” x ¾”, $95); (middle - 2” x 7 ½” x 1”, $110.)
Shaman’s Wands, Mentawai Islands, Sumatra, Indonesia,
Mentawai tribe, Mid 20th c. Wood

Ritual zoomorphic amulets used in healing rituals. Dimesnisons: Left and Middle (right is Batak) (left, pigmented with soot – 2” x 7 ¾” x ¾”, $95); (middle – 2” x 7 ½” x 1”, $110.) (see detail in image below)

Shaman's Wand, Mentawai Islands, Sumatra, Indonesia, Mentawai tribe, Mid 20th c. Wood pigmented with soot Ritual zoomorphic amulet for healing rituals. 2” x 7 ½” x 1”, $110.
Shaman’s Wand (detail from previous image)
'Jaraik' Fetish Panel, Indonesia, Sumatra, Mentawai, Early to mid 20th c, Wood, macaque skulls, rattan. Usually found on the inner entrance of house. Made at the time the house is built and is protection for the inhabitants. A ritual hunt for a male bokkoi (macaque) monkey. its function is to both ward off evil spirits and to attract benevolent ones. The monkey plays a significant role in the protection by symbolically floating in the womb of the nature spirit. The carving is representative of a Tree of Life motif. And is also a symbol for the human soul after liberation from the physical body.
‘Jaraik’ Fetish Panel, Indonesia, Sumatra, Mentawai, Early to mid 20th c, Wood, macaque skulls, rattan

Usually found on the inner entrance of house. Made at the time the house is built and is protection for the inhabitants. A ritual hunt for a male bokkoi (macaque) monkey. its function is to both ward off evil spirits and to attract benevolent ones. The monkey plays a significant role in the protection by symbolically floating in the womb of the nature spirit. The carving is representative of a Tree of Life motif. And is also a symbol for the human soul after liberation from the physical body.

Exquisite Indonesian Keris Handles (dagger hilt) Imported to the David Alan Gallery

 

kris knife handle ironwood

17th-18th century wooden Keris hilt from Central Java, Indonesia.

kris knife handle ivory

Late 19th century bone Keris hilt from Java, Indonesia.

Defined by UNESCO (United Nations Educational Scientific and Cultural Education) as a “Masterpiece of the oral and intangible heritage of humanity”. The kris or keris is a distinctive, asymmetrical dagger from Indonesia. Both a weapon and spiritual object, krises are often believed to possess magical powers.  Considered as or even more unique than the knife blades, the handles or hilts are extremely rare and beautiful art objects which represent abstract, human, divine, and demonic figures.  The knife handles shown here, and others like them were made by master craftsmen of the Indonesian archipelago and are true sculptural masterpieces.